"I was afraid I had stepped directly on your foot—it felt so," he said.
Again she answered simply, "No," and that was his second chance. Now in the face of these facts it is folly to contend that the woman "accosted" him, as his cousin, who was one of the Boston Thayers, put it to me. She did nothing of the kind; she replied twice, to his distinct questions, in the coldest of monosyllables and he could not even have told if she looked at him, her veil was so thick. Let that be definitely understood, once and for all. The chances were even in favour of her being violently pitted from the small-pox, since even twenty years ago, when the city was less cosmopolitan (and from my point of view more interesting) the women of New York of the class that travels unaccompanied and on foot at dusk were not accustomed to go heavily veiled if they had any fair excuse for the contrary course.
Nevertheless to that veiled woman did Roger address himself—unnecessarily, mark you—for the third time. Why did he? He had his chance; two chances in fact. But this is folly, for of course he had no chance at all. Fate stood by that news-stall, with the blear-eyed, frousy woman that tended it looking vacantly on; Fate, veiled, too, and not even monosyllabic in his behalf. I should have known this, I think, even if I had not lived those curious, long eight months in Algeria and slept those dreamless nights under the Algerian stars that got into my blood and call me back now and then; imperiously and never in vain, though I feel older than the stars, and Alif and the rest are dead or exhibiting themselves at the great American memorial fairs that began to flourish about the time this tale begins. No, there was no help: it was written.
"I am glad I did not hurt you," he said, really moving forward now and again raising his hat, "these crowds are dangerous for women at this hour."
He took two steps and stopped suddenly, for a hand slipped under his arm. (You should have seen his cousin's face, the Boston one, when in that relentless way known only to women and eminent artists in cross-examination she got this fact out of me.)
"Will you tell me the quickest way to Broadway?" said the woman to whom he had just spoken.
"To Broadway?" he echoed stupidly, standing stock still, conscious of the grasp upon his arm, a curious sense of the importance of this apparently cheap experience surging over him, even while he resented its banality. "This is Broadway. What do you want of it?"
"I want to show myself on it," said the woman, a young woman, from the voice.
Roger stepped back against the news-stall, dragging her with him, since her hand did not leave his arm.
"To show yourself on it?" he repeated sternly, "and why do you want to do that?"