The Strange Cases of Dr. Stanchon

by Josephine Daskam Bacon

"Molly," she is reported to have said, "was named by her father—a mistake always, I think. The fact that Eleanor was baptised Ella has little or nothing to do with it; there was never any 'Nellie' or 'Lelie' about it, and at sixteen she began of her own accord to write it Eleanor. Kathryn I named entirely myself—and after all, what can Aunt Ella be said to have done for Eleanor? A silver ring and a bracelet when she graduated! But it was always 'Molly Dickett' all over the town!"

And it must be confessed that this was so, if, indeed, the confession proves anything. Nevertheless Mrs. Dickett cannot deny that for a long time, up to the period of her plunge into outer darkness, Molly was confessedly the flower of the family. Eleanor was rather soggy, a creature of inertia, chocolate caramels and a tendency to ritualism which her mother could not have foreseen when she encouraged her entering the Episcopal communion ("I don't mind candles so much," said Mrs. Dickett, "but I must say I think it's very bad taste to call yourself an American Catholic, when you can't help but feel that Catholics should be foreigners").

Kathryn her mother pronounced "a very ordinary girl, very ordinary indeed," up to the day when she was graduated, head of her class, at the State normal-school. She showed every sign, even after that, of snapping at the bait of a middle-aged widower with three children, simply because his hook was labelled New York; but when it became known, as a result of herculean detective efforts on Mrs. Dickett's part, that he employed but one servant, insisted upon the payment of what he termed "spot cash" for every article purchased in his establishment, and disapproved of the theatre, Kathryn yielded to reason and henceforth consulted her mother at each successive stage of her growing career until such consultation was frankly deprecated by the fountain-head itself.

But Molly was neither soggy nor ordinary, being distinctly handsome in a grey-eyed, black-haired, white-skinned way, a clever student, an original conversationalist—in short, a personality. Unlike the usual victim to an older and a younger sister, she managed to get quite her fair share of the family dignities and finances—was in fact accused by her sisters of using undue influence in persuading her father to send her to a woman's college. It is most characteristic of her that at this accusation she refused the favour, interested her teachers in her cause so that they procured her a full scholarship at the college of her choice, and actually completed a four years' course there with no other means than her share of the twenty-five dollars yearly placed to his daughters' bank accounts by their father since the birth of each. On this slender sum, plus the accruing interest, eked out by college journalism, which began to be mentionable in those years—the early 90's—strengthened further in the last terms by tutoring, did Molly Dickett triumphantly assert her independence, and I tell it of her at this length so that none may throw "rolling stones" at her, in what followed. A young woman of eighteen who can set her course in solitude and steer it alone, friendless, except for what friends her qualities can make her, absolutely unaided but for her own exertions, for four years, is not to be called lacking in application, I submit. She got out of that business just what there was in it, and so, she insists, she did at every stage of her subsequent history. Note this, for it is important.

Here you see her, then, at twenty-two; handsome, accomplished, independent, well-rated on her particular 'Change—one fairly hears Dick Whittington's bells in the air! Her mother, when Molly wrote home the news of her appointment as under-reader in the office of one of the new cheap magazines that began to appear with such frequency at about that time, spoke of her with the typical respect of the dependent woman for the wage-earner, and never dropped that note till the crash came. Mr. Dickett was head clerk by now, with an appreciable advance in salary; and Eleanor's wedding (it was in dressing the Roodscreen at Christmas that young Farwell met his fate), with her sisters as bridemaids, marked a distinct stage in the family's social career. Old Mr. Farwell, who had long been nursing his only son's bank position, did the handsome thing for the young couple, and stomached, very decently, what must have been his regret at the boy's choice—for we all like our children to "look up and not down," as the motto suggests, in these matters. And he was paid for it, for Eleanor made a man of the boy and a vestryman to boot, and quite won the old man's heart, though he never loved Mrs. Dickett.

By the time Molly had been for two years at her post in Slater's Monthly, Kathryn had moved back to her normal-school as instructor—"and they paid well to get her, too," as Mr. Dickett informed his stenographer confidentially. She had been invited to supper more than once, had the stenographer, in the old days, and there had even been a little talk of Kathryn's acquiring this accomplishment, once, but Mr. Dickett was far too wise to suggest her presence at the half-past six dinner now-a-days. He was far too wise, indeed, to do anything that seemed likely to ruffle the increasingly easy currents into which his bark had drifted of late. In a vague way he had always counted on supporting four women until three of them—or two, say, for Kathryn was plain and rather managing—should marry; and lo and behold, all three were off his hands in a twinkle, and there was a pretty little nest-egg growing for little Henry (for Eleanor had been very discreet about the first baby).

So now we arrive at the day when Molly left her desk in the ante-room of Slater's, walked through the book department and the art offices and encountered Miss Spinner, the little dried and spectacled reader of forty-odd years, and centuries (or their equivalent) of magazine experience.

"Miss Spinner," said Molly, "do you mind telling me what they pay you a week?"

"Twenty-five," Miss Spinner replied promptly. "Not at all. Of course I'd been fifteen years at Franklin Square, and it was all that experience that made them offer me the three dollars raise. So I left. But, of course, there are five magazines now where there used to be one. In ten years I think there'll be ten. So does Mr. Slater. That means competition, and that means that experience will always be worth something to the new ones. You started at fifteen, you see, and of course I only got ten ... Gracious, isn't that Mrs. Julia Carter Sykes's voice? Perhaps you'd better step out, my dear—Mr. Slater's talking with that English prison man and said that he wasn't to be disturbed if the Twelve Apostles came!"

Molly went with her swift, unhasty step (she had long legs) and received Mrs. Julia Carter Sykes urbanely, as befitted the best paid woman novelist of her country. Occasionally she had the fancy to "trot around to the office" as she called it: it was believed that she "picked up types" there. And Molly knew how to keep her waiting without offending her, just as she knew how to dispose of the illustrators, from the Great Moguls who came in cabs to scold about the defects in half-tone processes, to the just discovered young genius who waited an hour in the outside hall, his great pasteboard square between his knees.