Miss Pinner spoke with concern: she knew that the boarding-house recommended highly by Eleanor's rector (his sister had stayed there while studying singing) was very tautly managed, in an unobtrusive way, and that the sisters who directed it had a shrewd idea of the goings and comings of their "guests."
"No," said Molly. "I'll be out at all hours, maybe, and they wouldn't like it. Don't be worried—I'll look in now and then."
And so, for a year, she did, and they were all delighted to see her, for few people likely to enter such offices can talk more amusingly than Molly Dickett. She had always used her material well, when it was limited, and now, when it bumped into the Himalayas at one end (her famous Rajah of Bhutpore interview) and rounded the hitherto speechless promontories of Spud Connors' career, the champion heavyweight of the world (she actually drew vivid metaphors from him and he gave her a tintype of himself at eight years) the entire staff gathered 'round her when she came, and Mr. Slater, under a temporary financial cloud, wept literal tears because he could not afford to buy her back to them. It was, of course, the "Bonnybraeside" interview that did it. So cleverly was this column-and-a-half of chatty sharp-shooting manoeuvred that Mrs. Julia Carter Sykes sent hundreds of copies to her friends, while her fellow celebrities giggled among themselves, and the publishers wondered exactly what the Public really wanted, anyhow. You couldn't tell, any more, they complained.
Just here began the little cloud on Mrs. Dickett's happiness. For two years the family were very proud of Molly, and Eleanor gave a tea for her on one of her infrequent visits to them and got some people she could never have hoped for otherwise on the strength of her sister's celebrityship, for her Sunday morning column-and-a-half got to two-thirds of the town's breakfast tables, and her picture was at the head of it, now. At twenty-five she was called (and probably correctly) the second highest paid woman journalist in the country, and she spoke familiarly of names that are head-lines to most of us and bought evening gowns at "little shops" on Fifth Avenue. She lived with a red-haired friend, a clever illustrator of rising vogue, in a pretty little apartment, and Mrs. Dickett dined there one night with a really great novelist, a tenor from the Metropolitan Opera House and a young Englishman whose brother was a baronet. They had four glasses at their plates and the maid's cap and apron were tremendously interesting to Mrs. Dickett. But when she learned the rental of the apartment, the wages of the maid, the cost of Molly's black evening-frock and the average monthly bill for Molly's hansoms, she no longer wondered that her daughter was always poor. She had never spent seventy-five dollars for a single garment in her life, barring a fur-lined cloak, a Christmas gift from her husband, and to drink crême-de-menthe at a roof garden gave her a very odd sensation. However, there was the baronet's brother...
But at one of the songs at the roof-garden Mrs. Dickett drew the line, and the entire British Peerage, embattled, could not have persuaded her that it could possibly be the duty—not to suggest the pleasure—of any respectable woman to listen to it. As she put it later to the red-haired girl and Molly, no unmarried woman could understand it and no married woman would want to, a simple statement which they persisted in treating as an epigram, to her annoyance.
"But nobody minded it but you, dear Mrs. Dickett," the red-haired girl soothed her, "and it's all in how you take those things, don't you think? Of course, if you find it wrong, why then it is wrong—for you. But really, I assure you, I simply paid no attention to it..."
"Then you must allow me to say that I think you should have!" Mrs. Dickett snapped out.
"Oh, come, mother, a woman of twenty-five is to all intents and purposes as capable of hearing—anything—as a married woman," said Molly lazily. "I'm not a school girl, you know."
"I know that," her mother replied shortly, and might have added that Molly looked Kathryn's age—which she did, and Kathryn was twenty-eight.
She was, however, if anything, handsomer than when her cheek had its fuller curve, for her eyes looked larger and her mouth had more mobility: there was a stimulation in her tenseness. Mrs. Dickett felt a little troubled.