The unskilled part of the labour, such as sawing the cedar planks, of which she was mostly made, was done by the natives, who saw in a rough fashion, always leaving much planing and straightening to be done, in order to adjust the timber to a suitable shape. The planks for the bottom were of ironwood, 1¼ X 10 inches. For the sides and top red cedar was used, each plank, with the exception of two, reaching the whole length of the boat. This arrangement of exceedingly heavy wood in the bottom, and the light on top, contributed much to the stability of the craft.
The ironwood was heavy as stone, while the cedar, being light and elastic, lent buoyancy and suppleness, all that we could wish for.
The fastenings we gathered up in various places, some from the bulwarks of the wreck, some from the hinges of doors and skylights, and some were made from the ship's metal sheathing, which the natives melted and cast into nails. Pure copper nails, also, were procured from the natives, some ten kilos, for which I paid in copper coins, at the rate of two kilos of coin for one kilo of nails. The same kind of coins, called dumps, cut into diamond-shaped pieces, with holes punched through them, entered into the fastenings as burrs for the nails. A number of small eyebolts from the spanker-boom of the wreck were turned to account for lashing bolts in the deck of the new vessel. The nails, when too long, were cut to the required length, taking care that the ends which were cut off should not be wasted, but remelted, along with the metal sheathing, into other nails.
Some carriage bolts, with nuts, which I found in the country, came in very handy; these I adjusted to the required length, when too long, by slipping on blocks of wood of the required thickness to take up the surplus length, putting the block, of course, on the inside, and counter-sinking the nut flush with the planks on the outside; then screwing from the inside outward, they were drawn together, and there held as in a vice, the planks being put together "lap-streak" fashion, which without doubt is the strongest way to build a boat.
These screw-bolts, seventy in number, as well as the copper nails, cost us dearly, but wooden pegs, with which also she was fastened, cost only the labour of being made. The lashings, too, that we used here and there about the frame of the cabin, cost next to nothing, being made from the fibrous bark of trees, which could be had in abundance by the stripping of it off. So, taking it by and large, our materials were not expensive, the principal item being the timber, which cost about three cents per superficial foot, sawed or hewed. Rosewood, ironwood, cedar or mahogany, were all about the same price and very little in advance of common wood; so of course we selected always the best, the labour of shaping being least, sometimes, where the best materials were used.
These various timbers and fastenings, put together as best we could shape and join them, made a craft sufficiently strong and seaworthy to withstand all the bufferings on the main upon which, in due course, she was launched.
The hull being completed, by various other contrivances and makeshifts in which, sometimes, the "wooden blacksmith" was called in to assist, and the mother of invention also lending a hand, fixtures were made which served as well on the voyage as though made in a dockyard and at great cost.
My builders baulked at nothing, and on the 13th day of May, the day on which the slaves of Brazil were set free, our craft was launched, and was named Liberdade (Liberty).
Her dimensions being—35 feet in length over all, 7½ feet breadth of beam, and 3 feet depth of hold. Who shall say that she was not large enough?
Her model I got from my recollections of Cape Ann dories and from a photo of a very elegant Japanese sampan which I had before me on the spot, so, as it might be expected, when finished she resembled both types of vessel in some degree.