Armed with ancestors of distinction, birth, training, education and the influence of cultured parents, he abhorred all social anchors and obligations. I remember his once saying to me, "My mother has sent me my books from Berlin. Her idea is to anchor me, I think, but I'll leave them boxed for a while, for I'm uncertain about my plans." He was "always a-movin' on!"
Flynt was not a great reader, yet he had a wide knowledge of books—gleaned one scarcely knew when. The child of book-loving parents, he started out in life with a valuable equipment—an innate respect for books and their authors. In every case, however, I think that his chief interest lay in the man, not his literary output. In spite of the sordid realism of his writings, the manner of his last years, and the regretted circumstances of his death, there was a poetic vein, which, like a single, golden thread, ran in and out, the warp and woof of his mind. This betrayed itself in conversations with intimates, and when discussing books of travel or their authors. Especially did Sir Richard Burton and George Borrow fire his imagination. "Lavengro" and its author were discussed during one of our last conversations.
The "white road" and the sea may have meant something to him as such, but to me he never spoke of either, except as highways; hence I conclude that as such only did they make their appeal to him. Man, not nature, attracted him, and it was always man in the meshes of civilization.
He was a victim to morbid self-consciousness, and this was one reason for his avoiding people of the class in which he was born. Give him a part in a play—he was gifted as an actor—the disguise of a vagabond, or whisky with which to fortify himself, and the man's spirit sprang out of its prison of flesh, like an uncaged bird.
This effect which whisky had upon him, led Flynt to give it as a reason for the "perpetual thirst" of some. He used to say, "Whisky makes it possible for me to approach men with a manner which ignores all class barriers. Pass the whisky and it's man to man—hobo, hod-carrier or king!"
Flynt was a slave to tobacco, which he preferred in the form of cigarettes. One never thinks of him without one, so no wonder he was called "Cigarette" in Trampdom!
His family thought that the too early use of tobacco stunted his growth, for, when seated, the upper part of his body, being broad and strong, suggested a larger man than he proved to be when on his feet. He stood not more than five feet three inches. He was naturally thin and nervous, with quick movements of the body, and an ever-changing expression of face—a face clean-shaven and rather boyish. None of his photographs give any idea as to his appearance, because the abiding impression received from him was produced by his magnetic personality and individual mannerisms, one of which was a way of dropping his head forward and looking up through frowning eyebrows. He decorated his speech with Russian, French or German words, thrown into a sentence haphazard, and spoke in a voice pitched low and used rhythmically. He had an impressionable, volatile nature, and seemed really to become one of the race which at the moment filled his mental vision.
Flynt's ethical code was that of the Under World, and, in some respects, superior to the one in use on the Surface of Life.
A prominent sociologist said recently, "Flynt had the field to himself; there is no one to take his place at present. Few men who live and know the life of the Under World, as he did, have his mental equipment. Many can retain the facts, but are unable to handle them as satisfactorily; then, too, to be friend and companion of tramps and criminals, and of men like Tolstoy and Ibsen, is to possess a wide range of octaves in human experience and mental grasp!"
Flynt's talent for languages enabled him to pick up the vernacular, even of underground Russia, in an incredibly short time.