The Circus, and Other Essays and Fugitive Pieces

by Joyce Kilmer

White founts falling in the Courts of the sun, And the Soldan of Byzantium is smiling as they run; There is laughter like the fountains in that face of all men feared, It stirs the forest darkness, the darkness of his beard, It curls the blood-red crescent, the crescent of his lips, For the inmost sea of all the earth is shaken with his ships. They have dared the white republics up the capes of Italy, They have dashed the Adriatic round the Lion of the Sea. And the Pope has cast his arms abroad for agony and loss, And called the kings of Christendom for swords about the Cross. The cold queen of England is looking in the glass; The shadow of the Valois is yawning at the Mass; From evening isles fantastical rings faint the Spanish gun, And the Lord upon the Golden Horn is laughing in the sun. Dim drums throbbing, in the hills half heard, Where only on a nameless throne a crownless prince has stirred, Where, from a doubtful seat and half attainted stall, The last knight of Europe takes weapons from the wall, The last and lingering troubadour to whom the bird has sung, That once went singing southward when all the world was young. In that enormous silence, tiny and unafraid, Comes up along a winding road the noise of the Crusade. Strong gongs groaning as the guns boom far, Don John of Austria is going to the war, Stiff flags straining in the night-blasts cold In the gloom black-purple, in the glint old-gold, Torchlight crimson on the copper kettle-drums, Then the tuckets, then the trumpets, then the cannon, and he comes. Don John laughing in the brave beard curles, Spurning of his stirrups like the thrones of all the world, Holding his head up for a flag of all the free. Love-light of Spain—hurrah! Death-light of Africa! Don John of Austria Is riding to the sea. Mahound is in his paradise above the evening star, (Don John of Austria is going to the war). He moves a mighty turban on the timeless houri's knees, His turban that is woven of the sunsets and the seas. He shakes the peacock gardens as he rises from his ease, And he strides among the tree-tops and is taller than the trees, And his voice through all the garden is a thunder sent to bring Black Azrael and Ariel and Ammon on the wing. Giants and the Genii, Multiplex of wing and eye, Whose strong obedience broke the sky When Solomon was king.

If any living poet deserves to be called the laureate of democracy, that poet is Gilbert K. Chesterton. I do not base this statement so much on his serious poems in praise of democracy, as on his light verse. In his gay ballades, full of rollicking humor, we find every now and then a bit of shrewd satire, a devastating criticism of the false leaders, of the hypocrites and tyrants who sit in high places. Better than any other writer of our day, Chesterton knows how to drive his rapier of rhyme to the very heart of hypocrisy and injustice. There is sound social and moral criticism back of the irresistible nonsense of "A Ballade of Suicide":

A BALLADE OF SUICIDE

The gallows in my garden, people say, Is new and neat and adequately tall. I tie the noose on in a knowing way As one that knots his necktie for a ball; But just as all the neighbours—on the wall— Are drawing a long breath to shout "Hurray!" The strangest whim has seized me.... After all I think I will not hang myself to-day. To-morrow is the time I get my pay— My uncle's sword is hanging in the hall— I see a little cloud all pink and grey— Perhaps the rector's mother will not call— I fancy that I heard from Mr. Gall That mushrooms could be cooked another way— I never read the works of Juvenal— I think I will not hang myself to-day. The world will have another washing day; The decadents decay; the pedants pall; And H. G. Wells has found that children play, And Bernard Shaw discovered that they squall; Rationalists are growing rational— And through thick woods one finds a stream astray, So secret that the very sky seems small— I think I will not hang myself to-day.

envoi

Prince, I can hear the trumpet of Germinal, The tumbrils toiling up the terrible way; Even to-day your royal head may fall— I think I will not hang myself to-day.

But the poems which most thoroughly justify their author's claim to the title of poet are the religious poems, such poems as "The House of Christmas," "A Hymn for the Church Militant," "The Nativity" and "The Wise Men." In the last-named poem we find Chesterton's love of democracy and his hatred of pretentious scientific dogmatism fully expressed, and we find also the thing which is the basis of these ideas—his deep and abiding faith. He writes:

THE WISE MEN

Step softly, under snow or rain, To find the place where men can pray; The way is all so very plain That we may lose the way. Oh, we have learnt to peer and pore On tortured puzzles from our youth, We know all labyrinthine lore, We are the three wise men of yore, And we know all things but the truth. We have gone round and round the hill, And lost the wood among the trees, And learnt long names for every ill, And served the mad gods, naming still The Furies the Eumenides. The gods of violence took the veil Of vision and philosophy, The Serpent that brought all men bale, He bites his own accursed tail, And calls himself Eternity. Go humbly ... it has hailed and snowed ... With voices low and lanterns lit; So very simple is the road, That we may stray from it. The world grows terrible and white, And blinding white the breaking day; We walk bewildered in the light, For something is too large for sight, And something much too plain to say. The Child that was ere worlds begun (... We need but walk a little way, We need but see a latch undone ...) The Child that played with moon and sun Is playing with a little hay. The house from which the heavens are fed, The old strange house that is our own, Where tricks of words are never said, And Mercy is as plain as bread, And Honour is as hard as stone. Go humbly; humble are the skies, And low and large and fierce the Star; So very near the Manger lies That we may travel far. Hark! Laughter like a lion wakes To roar to the resounding plain, And the whole heaven shouts and shakes, For God Himself is born again, And we are little children walking Through the snow and rain.

This is indeed the beautiful expression of a beautiful impression; it has in every line the unmistakable glow of noble poetry; it is musical, imaginative, direct, and it is passionately Christian. It is the sort of thing which makes it easy to understand why many people, including, it is said, Mrs. Chesterton, believe that this great humorist, this formidable debater, this brilliant novelist, this sound critic, this accomplished essayist, is, before and above all other things, a poet.

LIONEL JOHNSON, ERNEST DOWSON, AUBREY BEARDSLEY