“I believe it was a severe punishment I received at school.”
Helen looked surprised.
“I see you don’t understand how that should have had such an influence in determining my career. Let me explain. I used from time to time to draw upon the slate pictures of my school-mates, which were regarded by the originals as very successful. One winter the Prudential Committee selected as teacher a young man of very singular appearance. His nose was immensely large, and of odd shape. One day, after finishing my sums in arithmetic, the fancy seized me to draw a picture of the teacher. I became interested in the portrait, so that when my class was called up I did not hear the summons, but kept on with my sketch. Seeing how I was employed, Mr. Hargrave stepped up behind me on tiptoe, and to his inexpressible anger beheld the counterfeit presentment of himself, in which full justice was done to his leading deformity. He was probably sensible of his lack of beauty, and correspondingly sensitive. At all events, he was so far from appreciating my efforts, that he seized me by the collar, swung me out into the middle of the school-room, and gave me a cruel punishment, from which I did not for some time recover. I did not go back to school, my father being too indignant with the teacher for his unreasonable severity. He was desirous of seeing the sketch which had excited so strong a resentment. I accordingly reproduced it with a pencil as carefully as I could, and my father took the trouble to have it framed, and hung up in the sitting-room, where it attracted considerable attention and many encomiums. I believe it was this incident which led me to think seriously of becoming an artist by profession. Twelve months since my father gave me what little money he could spare, and I came to New York to establish myself.”
“And what encouragement have you received, Mr. Coleman?” asked Mr. Ford, with kindly interest.
“Of pecuniary encouragement, none,” was the reply. “That, however, it is too early to expect. I have been a part of the time in the studio of an established artist,—till two months since in fact,—obtaining what knowledge I absolutely required. Then I transferred my studio to this room. You see before you the result of my two months’ labor.”
“You have made an excellent beginning. I feel safe in predicting your success.”
“Thank you, sir. You asked me what encouragement I had received. Your kind anticipation is among the most valuable.”
“I do not, of course, profess to be a competent judge,” said Mr. Ford; “but I think an inexperienced eye will see much to commend in your painting. It’s truth to nature is very striking. It is a pity you could not study abroad.”
“It is my ardent wish,” said the young man, “but quite beyond my power to compass. I have now been a year in the city, learning much, as I hope, but earning nothing. This has nearly brought me to the end of my scanty resources. I shall not be able to continue thus much longer. I confess to have built some hopes upon the picture I have just painted. If I could secure a purchaser at a fair price, it would enable me to protract my residence, which otherwise must soon be brought to an end.”
“There is one bond of fellowship between us, then,” said Mr. Ford, smiling; “that of poverty. I, too, am working on in present need, hoping some day to achieve success, and with it money. But in one respect I have the advantage of you. My little daughter, here,” placing his hand affectionately on Helen’s head, “cheers me with her presence and sympathy, and is of more substantial help besides. I don’t know what I should do without her.”