"Certainly not. Are you?"
"For the present, yes."
"Should you be willing to be a bell-boy for the next twenty years?"
"No, I don't think I should, but I am still very young. I have just passed seventeen."
"And I am a year older. It is high time I entered upon my chosen vocation."
At length the eventful evening arrived. The hall was well filled, but the audience were from the neighborhood of First Avenue and Avenue A. Many of them were German or of German descent. The fact that Miss Strassburger, who was to play Pauline, was of Teutonic blood, doubtless accounted for this fact.
The play commenced and progressed smoothly. The actors were well up in their parts. Ida Strassburger, to be sure, hardly looked aristocratic enough for Pauline, her figure being decidedly dumpy. She assumed a coquettish air, and from time to time glanced from the corner of her eye at a short, stout German young man who sat but a few feet from the stage.
It is needless to say that this was Otto Schaefer, her Brooklyn lover. He seemed restless and ill at ease, especially when there were any affectionate passages between Ida and Leslie. For instance, when Pauline has to say, "Sweet prince, tell me again of thy palace by the Lake of Como; it is so pleasant to hear of thy splendors since thou didst swear to me that they would be desolate without Pauline," Otto's lip curled with scorn, and he glared at the prince with a hostile eye.
Towards the end of the play, when Melnotte presents himself after a long absence, and Pauline, recognizing her husband, rushes into his arms, Otto could stand it no longer. He sprang from his seat, jumped on the stage, and called out in an excited tone to Leslie: "You quit that! That gal is my promised wife."
Instantly there was a chorus of exclamations, and half the audience rose to their feet in excitement.