"And your hair is very distinguished looking for a boy. I'd envy it, if it were a girl's."
Tom led the way into the big, square library which opened on the pillared porch both on the rear and on the side of the house. Before the fireplace he paused and pointed to his mother's portrait done in oil by a famous artist in New York.
It was life-size and the canvas filled the entire space between the two fluted columns of the Colonial mantel which reached to the ceiling. The woodwork of the mantelpiece was of dark mahogany and the background of the portrait the color of bright gold which seemed to melt into the lines of the massive smooth gilded frame.
The effect was wonderfully vivid and life-like in the sombre coloring of the book-lined walls. The picture and frame seemed a living flame in its dark setting. The portrait was an idealized study of the little mother. The artist had put into his canvas the spirit of the tenderest brooding motherhood. The very curve of her arms holding the child to her breast seemed to breathe tenderness. The smile that played about her delicate lips and blue eyes was ethereal in its fleeting spirit beauty.
The girl caught her breath in surprise:
"What a wonderful picture—it's perfectly divine! I feel like kneeling before it."
"It is an altar," the boy said reverently. "I've seen my father sit in that big chair brooding for hours while he looked at it. And ever since he put those two old gold candlesticks in front of it I can't get it out of my head that he slips in here, kneels in the twilight and prays before it."
"He must have loved your mother very tenderly," she said softly.
"I think he worships her still," the boy answered simply.