The novelist not only gave Madame Hanska the manuscript of /Eugenie
Grandet/, but had her in mind while writing it: "One must love, my
Eve, my dear one, to write the love of /Eugenie Grandet/, a pure,
immense, proud love!"

The dedication of /Eugenie Grandet/ to "Marie" did not appear until in 1839. Balzac knew several persons named "Marie." The present writer was at one time inclined to think that this Marie might have been the Countess Marie Potocka, whom he met while writing /Eugenie/, but her cousin, the Princess Radziwill, says that she is sure she is not the one he had in mind, and that she was not the type of woman to whom Balzac would ever have dedicated a book. The novelist had dealings with Madame Marie Dorval, and in 1839, at the time the dedication was written, doubtless knew of her love for Jules Sandeau. Balzac knew also the Countess Marie d'Agoult, but she never would have inspired such a dedication.

Still another "Marie" with whom he was most intimate about 1839, is Madame Helene-Marie-Felicite de Valette, and it will be remembered that while she was usually called "Helene," "Marie" was Balzac's favorite name for her. But it is doubtful that he knew her when he wrote the book.

Yet Balzac's love was so fleeting that if he had had this "Maria" in mind in 1833 when he wrote /Eugenie/, he probably would have long since forgotten her by the time the dedication was made. It is a well known fact that Balzac dedicated many of his earlier books to friends that he did not meet until years later, and many dedications were not added until 1842.

"To Helene:

"The tiniest boat is not launched upon the sea without the
protection of some living emblem or revered name, placed upon it
by the mariners. In accordance with this time-honored custom,
Madame, I pray you to be the protectress of this work now launched
upon our literary ocean; and may the imperial name which the
Church has canonized and your devotion has doubly sanctified for
me guard it from peril.
"DE BALZAC."

The identity of the enchantress who inspired this beautiful dedication of /Le Cure de Village/ has been the subject of much speculation for students of Balzac. The author of the /Comedie humaine/ knew the beautiful Helene Zavadovsky as early as 1835, and, as has been seen, knew Madame de Valette in 1836.

The Princess Radziwill states that this "Helene" was a sister of Madame Hanska, and that she died unmarried in 1842. She was much loved by all her family, and after the death of her mother in 1837 made her home with her sister Eve in Wierzchownia. The present author has found no mention of her in Balzac's letters in connection with /Le Cure de Village/, of which novel he speaks frequently, nor of his having known her personally, but since Balzac was continually twitting Madame Hanska about her pronunciation of various words, he was doubtless referring to her sister Helene's Russian pronunciation when he writes: "From time to time, I recall to mind all the gowns I have seen you wear from the white and yellow one that first day at Peterhof (Petergoff, /idiome/ Helene), . . ."

While Balzac evidently knew personally the women whom he had in mind in the dedications to "Maria" and to "Helene,"—problems which have perplexed students of Balzac,—he found time for correspondence with a lady whom he never saw, and about whom he knew nothing beyond the Christian name "Louise." The twenty-three letters addressed to her bear no precise dates, but were written in 1836-1837.

Her first letter was sent to Balzac through his bookseller, who saw her seal; but Balzac allayed, without gratifying, his curiosity by assuring him that such letters came to him frequently. The writer was under the impression that Balzac's name was "Henry" and some of her correspondence was in English.