This hope he draws in a measure from himself, from his own strength, which is, he feels, a distinct outgrowth of the national strength, of the unconquerable soul of our ancestors; he draws it also from the consciousness of a task accomplished in the face of the hard blows of life; and finally from the promise of the artistic youth of the country, of that which belongs to his school. For if with two or three exceptions he has not directly formed pupils, his artistic principles, his faith in the virtue of character and labor, supported by the example of an unequaled body of work, have given him innumerable disciples. The lesson which he offers us and which will soon be offered to all at the museum in the Hôtel Biron, will endure for centuries. He says himself justly, with pride and modesty, that this museum will form a true home of education.
A few words more about this life which in the fecundity of its unexpected incidents remains for the attentive witness profoundly significant to the very end.
At the moment when the war of 1914 broke out, the master was in his villa at Meudon. When the German armies approached Paris, he thought of leaving his home. He had excited great admiration in the land of Schiller and Goethe, he had been urged to take part in numerous expositions there; but he had quite special reasons for knowing that his work, were it to fall into their hands, would not be spared by the soldiers from beyond the Rhine. Overwhelmed by the terrifying surprise of the invasion, he did not know where to go.
As he had many friends in England, I offered to guide him there. He therefore crossed the channel, accompanied by his wife, the companion of his good and evil days. It was without a word of bitterness that he set out, without expressing a regret for all that he was leaving behind him. Before the immensity of the national misfortune he seemed to have completely forgotten the menace that hung over the work of his whole life. In the train that carried us by night to one of the French ports, he said in his clear and always tranquil voice: "Yes, I am leaving much behind me. It is the work of an entire life that will disappear, perhaps." That was all. This attitude of an old exiled king inspired a respect free from all compassion.
The fate of his collection of antiques caused him more disquietude.
"If they take them, that is nothing; they will still exist. But if they break them! They will have destroyed what is irreplaceable."
He did not wish to remain in London. Too many relationships would have hindered him from collecting himself and from preserving that dignity of solitude, that reserve of a refugee which was proper to his situation. He preferred to accompany us to a small country town, where for six weeks he lived a modest life, very retired, interested only, but passionately interested, in the reading of English newspapers, which we translated for him.
When we apprised him of the burning of Rheims Cathedral, he replied with a laugh of incredulity. For two days he refused to believe it. It seemed to him an invention of the press designed to stir the public and increase recruiting. At last, convinced, he said, with inexpressible sadness: "The biblical times have come back again, the great invasions of the Medes and the Persians. Has the world, then, reached the point where it deserves to be punished for the egotistical epicureanism in which it has slumbered?" After this he became absorbed in his own thoughts.
The Battle of the Marne, in saving France and the world, saved also that little temple of art, the museum at Meudon. Rodin, on his return from England, found it intact.