It is difficult to give an idea of the power of this piece, which seems to embody all human aspirations toward liberty.

The competition begins. Beckmesser, who has not understood one word of Walter's poetry, scans it after his manner, and sings upon the grotesque motives of his serenade. He becomes so perplexed that the crowd, at first surprised, breaks out in a loud peal of laughter. "After all," said the singer, spitefully, "the verses are not mine, but Sachs's."

"Well, then, let Walter sing them," says Hans Sachs. The knight's youth and grace impress the people favorably, and when his pure voice resounds, and the poetry is heard in its own form, acclamations break forth on every side. The masters themselves, disturbed, cannot conceal their emotion. The enthusiasm is general.

The happy conqueror, transported with joy, kneels before his loved one, who, trembling, lays upon his head the crown of laurels.


[THE RING OF THE NIBELUNG.]


INTRODUCTORY: RHINEGOLD.

When the curtain rises there are seen through a bluish penumbra the vague depths of a stream, bristling here and there with black rocks; a peaceful undulation agitates the water, which seems to be flowing slowly. Suddenly a voice re-sounds, and an Undine, gliding from the heights, swims in circles about a reef, on the summit of which a gold nugget glitters; then two other daughters of the Rhine glide into the water, and all three chase one another as they play about the all-powerful gold, as yet virgin and untouched. But see! from the river's obscure depths clambers an odd dwarf, who follows the Undines' charming game with eager eyes. He frightens them at first. But they soon laugh at their fears, perceiving that the dwarf is in love with them. They make sport of him by pursuing him, tempting him, then escaping from him; defying him with their mocking laughter. The sun now passes above the stream, a ray falls upon the gold nugget, which suddenly shines resplendent, and illumines the water to its depths. "What is that?" cries the astonished Nibelung. "What," they reply, "thou knowest naught of the marvellous gold? He who will be able to forge a ring of this gold shall gain the heritage of the world; but in order to acquire this power, he must first renounce love. For this reason we have no fear that our play-thing will be taken from us, for every one who lives loves. None will renounce the delights of love, and less than any other, Alberich the Nibelung, who is almost dying of amorous desires."

But the dwarf has listened with profound attention to the Undines' prattle, which has so imprudently disclosed the secret of the gold. He climbs from summit to summit, slips, falls back again, becomes infuriated, but soon cries in a terrible voice, "Scoff now, perfidious spirits, you will sport henceforward in obscurity, for I shall tear the miraculous gold from the rock. I will forge the avenging ring, and let these waters hear me: I curse love." And the dwarf plunges and disappears with his luminous prey, pursued by the disconsolate Undines. The entire stream sinks with them and slowly lays bare the summit of a mountain where the gods are sleeping. On the top of the neighboring mountain, which little by little emerges from the morning vapors, appears, gilded by the morning sun, a strange and formidable castle. It is the Walhalla, the magnificent stronghold which the giants have just finished for the gods. Wotan and Fricka, upon awakening, contemplate it with joy and surprise; but the goddess is anxious; the rude laborers will claim their reward. Wotan has imprudently promised them Frya, the sweet divinity of love. The task now being finished, it must be paid for. It is Loge, the genius of fire, who has taken it upon himself to find Frya's ransom; he appears at last, the mocking god; but he has explored earth and heaven in vain. In no place has he discovered that which can surpass the charms of love. One being only has given preference to the dominion of gold, stolen by him from the daughters of the Rhine.