At last huge posters, printed on silk or colored paper, announced the date of the performance.
"We shall see her at the theatre; she will be there, I feel sure," said the Shogun, clinging to that hope.
[1] Twelve to fifteen dollars.
[CHAPTER XXVI.]
THE GREAT THEATRE OF OSAKA.
On one of the largest of the canals which intersect Osaka in every direction stands the theatre, with its broad façade, capped by two roofs. You can go to the play in a boat; you can also go on foot, or in a norimono; for a quay paved with blue flag-stones runs in front of the building, and divides it from the canal.
Two huge blue-silk banners, covered with Chinese characters, hang from flag-staffs at either corner of the house, rising high above the roof. Upon large tablets, on a gold ground, are painted the principal scenes in the plays to be performed. They are painted with marvellous wealth of color, and depict warriors, princesses, gods, and demons in the most exaggerated attitudes. Sometimes, instead of a picture, we find a combination of stuffs arranged in broad relief, velvet, crape, or satin, representing the dresses of the various characters, and producing the most brilliant effects. From the red cross-beams beneath the roof hang enormous lanterns, round in shape on the lower floor, square upstairs. On the ridge-pole, a fabulous animal, something like a dog or lion, juts forward, opening wide his jaws, with bristling mane and tail.