"Oh! yes."
Then, taking his pen, he dated it on the margin at the top of the page, "From Tribschen."
It is the wonderful prelude from the Third Act of Siegfried, before the Invocation to Erda. It is sketched in three lines, with instrumental indications, and a few pencilled alterations. I did not yet know all the beauty contained in those two pages, the possession of which filled me with joy.
The bell for déjeuner sounded, and I heard the laughter of the children. They were looking for us. Wagner gallantly offered me his arm to escort me to the dining-room.
XXVI
At table, Wagner told us about a very interesting French leaflet which he had once read in Paris, and which he had never been able to find again. It was a history of Bluebeard, with the traditional slaying of his wives and the forbidden chamber; but in this account the last-threatened victim was not saved in the usual way, by her brothers. No less a person than Jeanne d'Arc came to deliver her and punish the criminal.
"I remember," said the Master, "that there were illustrations. As a matter of fact, it was a cheap edition, printed in two columns. I have no idea how this pamphlet came into my hands, nor how it was lost, but I have never forgotten it. That bringing together of Jeanne d'Arc and Bluebeard impressed me very much. The monstrous Gilles de Retz, who may have served as a model for the legendary type of Bluebeard, was a contemporary of La Pucelle, and the hypothesis of that heroine's coming to the aid of innocence and chastising the guilty is very curious. I should be glad if I could find that funny little leaflet again."
(Alas! it was not to be found, in spite of all researches.)
Toward the middle of the dinner, Wagner, who had been silent for a little time, asked our permission to go and note down an idea which had crossed his mind, and which he feared he might forget, à propos of the study of Beethoven upon which he was then at work.