"Very happy! it is only now that I can show what I am made of. You shall see, Adrienne, you shall see what I will do and become within a year."
IV
Guy de Lissac occupied a small summer-house forming a residence situated at the end of a court on Rue D'Aumale. He had given carte-blanche for the arrangement of this bachelor's nest,—a nest in which sitting-hens without eggs succeeded each other rapidly,—to one of those upholsterers who installed, in regulation style, the knickknacks so much in vogue, and who sell at very high prices to Bourse operators and courtesans the spurious Clodions and imitation Boulles that they pick up by chance at auction sales.
Lissac, who had sufficient taste to discover artistic nuggets in the gutters of Paris, had found it very convenient to wake up one fine morning in a little mansion crowded with Japanese bric-à-brac, Chinese satin draperies, tapestries, Renaissance chests and terra-cotta figures writhing upon their sculptured bases. The upholsterer had taste, Lissac had money. The knickknacks were genuine. There was a coquettish attractiveness about the abode that made itself evident in every detail.
This bachelor's suite lacked, however, something personal, something living, some cherished object, the mark of some particular taste, some passion for a period, for a thing, or pictures or books. In this jumble of ill-matched curiosities, where ivory netzkés on tables surrounded Barye bronzes and Dresden figures, there lacked some evidence of an individual character that would give a dominant tone, an original key, to the collection. This worldly dwelling, with its white lacquered bed and Louis XV. canopy and its heads of birds carved in wood like the queen's bed at Trianon, vaguely resembled the apartments of a fashionable woman.
But Guy had hung around here and there a Samouraï sabre, Malay krises, Oriental daggers in purple velvet sheaths, and upon the green tapestry background of the antechamber a panoply on which keen-bladed swords with steel guards were mingled with Scotch claymores with silver hilts, thus giving a masculine character to this hôtel of a fashionable lounger, steeped with the odor of ylang-ylang like the little house of a pretty courtesan.
This Guy enjoyed in Paris a free and easy life, leaving to Vaudrey, his old college-comrade at Grenoble, the pursuit of the pleasures of political life, and, as Lissac said in that bantering tone which is peculiar to Parisian gossip, the relish of the "sweets of power"; for himself, what kept him in Paris was Paris itself, just that and nothing more:—its pleasures, its first nights, its surprises, its women, that flavor of scandal and perfume of refined immorality that seemed peculiar to his time and surroundings.