"Do not let us talk of the Institute," the Magistrate replied. "It is like the beginning of a hunt; to sigh for the prize that brings unhappiness."
The sombre pile, the Mazas, opened its doors to the three men. They traversed the long corridors, with the heavy air which pervaded them in spite of all efforts to the contrary, to a small room, sparsely furnished (a table, a few chairs, a glass bookcase), which served as an office for the Examining Magistrates when they had to hold any interviews with the prisoners.
The guardian-in-chief walked along with M. Ginory, M. Leriche followed them, and Bernardet respectfully brought up the rear.
"Bring in Jacques Dantin!" M. Ginory ordered. He seated himself at the table. M. Leriche took a chair at one side, and Bernardet stood near the little bookcase, next the only window in the room.
Jacques Dantin soon appeared, led in by two guards in uniform. He was very pale, but still retained his haughty air and his defiant attitude. The Magistrate saluted him with a slight movement of the head, and Dantin bowed, recognizing in Bernardet the man with whom he had walked and conversed behind Rovère's funeral car.
"Be seated, Dantin," M. Ginory said, "and explain to me, I beg, all you know about this portrait. You ought to recognize it."
He quickly held the picture before Dantin's eyes, wishing to scrutinize his face to see what sudden emotion it would display. Seeing the portrait, Dantin shivered and said in a short tone: "It is a picture which I gave to Rovère."
"Ah!" said M. Ginory, "you recognize it then?"
"It is my portrait," Jacques Dantin declared. "It was made a long time ago. Rovère kept it in his salon. How did it come here?"
"Ah!" again said the Magistrate. "Explain that to me!"