The unintelligent artisan, or the poor over-wrought slave, whose only idea of happiness lies in immobility, would not fail to see in a life of such assiduity the malediction of Fate. The artisans of the German towns assert that he is a baker, who, in the indolent ease of his counting-house, starved the poor, deceived them, sold them false weight. And now, as a punishment, he works, they say, and must work until the day of judgment, living on insects only.
A poor and unmeaning explanation! I prefer the old Italian fable: Picus, son of Time or Saturn, was an austere hero, who scorned the deceitful love and illusions of Circe. To avoid her, he took to himself wings, and flew into the forest. If he bears no longer a human figure, he has—what is better—a foreseeing and prophetic genius; he knows that which is to come, he sees that which is to be.
A very grave opinion upon the woodpecker is pronounced by the Indians of North America. These heroes discern very clearly that the woodpecker himself was a hero. They are partial to wearing the head of one which they name "the wiry-billed woodpecker," and believe that his ardour and courage will pass into them. A well-founded belief, as experience has shown. The puniest heart must feel strengthened which sees ever present before it this eloquent symbol, saying: "I shall be like it in strength and constancy."
Only it should be noted that, if the woodpecker be a hero, he is the peaceful hero of labour. He asks nothing more. His beak, which might be very formidable, and his powerful spurs, are nevertheless prepared for everything else but combat. His toil so completely absorbs him, that no competition could stimulate him to fight. It engulfs him, requires of him all the exertion of his faculties.
Varied and complex is his work. At first the skilful forester, full of tact and experience, tests his tree with his hammer—I mean his beak. He listens, as the tree resounds, to what it has to say, to what there is within it. The process of auscultation, but recently adopted in medicine, has been the woodpecker's leading act for some thousands of years. He interrogates, sounds, detects by his ear the cavernous voids which the substance of the tree presents. Such an one, sound and vigorous in appearance, which, on account of its gigantic size, has been marked out for the shipwright's axe, the woodpecker, by his peculiar skill, condemns as worm-eaten, rotten, sure to fail in the most fatal manner possible, to bend in construction, or to spring a leak and so produce a wreck.
The tree thoroughly tested, the woodpecker selects it for himself, and establishes himself upon it; there he will exercise his art. The trunk is hollow, therefore rotten, therefore populous; a tribe of insects inhabits it. You must strike at the gate of the city. The citizens in wild tumult attempt to escape, either through the walls of the city, or below, through the drains. Sentinels should be posted; but in their default the solitary besieger watches, and from moment to moment looks behind to snap up the passing fugitives, making use, for this purpose, of an extremely long tongue, which he darts to and fro like a miniature serpent. The uncertainty of the sport, and the hearty appetite which it stimulates, fill him with passion; his glance pierces through bark and wood; he is present amidst the terrors and the counsels of his enemies. Sometimes he descends very suddenly, in alarm lest a secret issue should save the besieged.
A tree externally sound, but rotten and corrupt within, is a terrible image for the patriot who dreams over the destinies of cities. Rome, at the epoch when the republic begun to totter, feeling itself like to such a tree, trembled one day as a woodpecker alighted on the tribunal in open forum, under the very hand of the prætor. The people were profoundly moved, and revolved the gloomiest thoughts. But the augurs, who had been summoned, arrived: if the bird escaped with impunity, the republic would perish; if he remained, he threatened only him who held the bird in his hand—the prætor. This magistrate, who was Ælius Tubero, killed the bird immediately, died soon afterwards, and the republic endured six centuries longer.
This is grand, not ridiculous. It endured through this noble appeal to the citizen's devotion. It endured through this silent response given to it by a great heart. Such actions are fertile; they make men and heroes; they prolong the life of states.
To return to our bird: this workman, this solitary, this sublime prophet does not escape the universal law. Twice a-year he grows demented, throws off his austerity, and, shall it be said, becomes ridiculous. Happy he among men who plays the fool but twice a-year!