Thomas Roch lives in a private room in Ker Karraje’s “mansion.” I have no doubt that he is daily sounded in regard to his discoveries, especially by Engineer Serko. Will he be able to resist the temptation if they offer him the exorbitant price that he demands? Has he any idea of the value of money? These wretches may dazzle him with the gold that they have accumulated by years of rapine. In the present state of his mind may he not be induced to disclose the composition of his fulgurator? They would then only have to fetch the necessary substances and Thomas Roch would have plenty of time in Back Cup to devote to his chemical combinations. As to the war-engines themselves nothing would be easier than to have them made in sections in different parts of the American continent. My hair stands on end when I think what they could and would do with them if once they gained possession of them.

These intolerable apprehensions no longer leave me a minute’s peace; they are wearing me out and my health is suffering in consequence. Although the air in the interior of Back Cup is pure, I become subject to attacks of suffocation, and I feel as though my prison walls were falling upon me and crushing me under their weight. I am, besides, oppressed by the feeling that I am cut off from the world, as effectually as though I were no longer upon our planet,—for I know nothing of what is going on outside.

Ah! if it were only possible to escape through that submarine tunnel, or through the hole in the dome and slide to the base of the mountain!

On the morning of the 25th I at last encounter Thomas Roch. He is alone on the other side of the lagoon, and I wonder, inasmuch as I have not seen them since the previous day, whether Ker Karraje, Engineer Serko, and Captain Spade have not gone off on some expedition.

I walk round towards Thomas Roch, and before he can see me I examine him attentively.

His serious, thoughtful physiognomy is no longer that of a madman. He walks slowly, with his eyes bent on the ground, and under his arm a drawing-board upon which is stretched a sheet of paper covered with designs.

Suddenly he raises his head, advances a step and recognizes me.

“Ah! Gaydon, it is you, is it?” he cries, “I have then escaped from you! I am free!”

He can, indeed, regard himself as being free—a good deal more at liberty in Back Cup than he was in Healthful House. But maybe my presence evokes unpleasant memories, and will bring on another fit, for he continues with extraordinary animation:

“Yes, I know you, Gaydon.—Do not approach me! Stand off! stand off! You would like to get me back in your clutches, incarcerate me again in your dungeon! Never! I have friends here who will protect me. They are powerful, they are rich. The Count d’Artigas is my backer and Engineer Serko is my partner. We are going to exploit my invention! We are going to make my fulgurator! Hence! Get you gone!”