Yes! she and he were in the drawing-room—she, in front of the piano; he, half reclining on the sofa, listening vaguely to the pearly arpeggios which escaped from the fingers of the charmer.
"Are you listening?" she said.
"Of course."
"Yes! but do you understand it?"
"Do I understand it, Phina! Never have you played those 'Auld Robin Gray' variations more superbly."
"But it is not 'Auld Robin Gray,' Godfrey: it is 'Happy Moments.'"
"Oh! ah! yes! I remember!" answered Godfrey, in a tone of indifference which it was difficult to mistake. The lady raised her two hands, held them suspended for an instant above the keys as if they were about to grasp another chord, and then with a half-turn on her music-stool she remained for a moment looking at the too tranquil Godfrey, whose eyes did their best to avoid hers.
Phina Hollaney was the goddaughter of William W. Kolderup. An orphan, he had educated her, and given her the right to consider herself his daughter, and to love him as her father. She wanted for nothing. She was young, "handsome in her way" as people say, but undoubtedly fascinating, a blonde of sixteen with the ideas of a woman much older, as one could read in the crystal of her blue-black eyes. Of course, we must compare her to a lily, for all beauties are compared to lilies in the best American society. She was then a lily, but a lily grafted into an eglantine. She certainly had plenty of spirit, but she had also plenty of practical common-sense, a somewhat selfish demeanour, and but little sympathy with the illusions and dreams so characteristic of her sex and age.
Her dreams were when she was asleep, not when she was awake. She was not asleep now, and had no intention of being so.
"Godfrey?" she continued.