They resolved to explore the mysterious well, and did so, well armed and in considerable numbers. But nothing suspicious was to be seen; the shaft communicated with lower stages of the crypt, hollowed out in the carboniferous bed.
Many a time did James Starr, Simon, and Harry talk over these things. If one or more malevolent beings were concealed in the coal-pit, and there concocted mischief, Nell surely could have warned them of it, yet she said nothing. The slightest allusion to her past life brought on such fits of violent emotion, that it was judged best to avoid the subject for the present. Her secret would certainly escape her by-and-by.
By the time Nell had been a fortnight in the cottage, she had become a most intelligent and zealous assistant to old Madge. It was clear that she instinctively felt she should remain in the dwelling where she had been so charitably received, and perhaps never dreamt of quitting it. This family was all in all to her, and to the good folks themselves Nell had seemed an adopted child from the moment when she first came beneath their roof. Nell was in truth a charming creature; her new mode of existence added to her beauty, for these were no doubt the first happy days of her life, and her heart was full of gratitude towards those to whom she owed them. Madge felt towards her as a mother would; the old woman doted upon her; in short, she was beloved by everybody. Jack Ryan only regretted one thing, which was that he had not saved her himself. Friend Jack often came to the cottage. He sang, and Nell, who had never heard singing before, admired it greatly; but anyone might see that she preferred to Jack’s songs the graver conversation of Harry, from whom by degrees she learnt truths concerning the outer world, of which hitherto she had known nothing.
It must be said that, since Nell had appeared in her own person, Jack Ryan had been obliged to admit that his belief in hobgoblins was in a measure weakened. A couple of months later his credulity experienced a further shock. About that time Harry unexpectedly made a discovery which, in part at least, accounted for the apparition of the fire-maidens among the ruins of Dundonald Castle at Irvine.
During several days he had been engaged in exploring the remote galleries of the prodigious excavation towards the south. At last he scrambled with difficulty up a narrow passage which branched off through the upper rock. To his great astonishment, he suddenly found himself in the open air. The passage, after ascending obliquely to the surface of the ground, led out directly among the ruins of Dundonald Castle.
There was, therefore, a communication between New Aberfoyle and the hills crowned by this ancient castle. The upper entrance to this gallery, being completely concealed by stones and brushwood, was invisible from without; at the time of their search, therefore, the magistrates had been able to discover nothing.
A few days afterwards, James Starr, guided by Harry, came himself to inspect this curious natural opening into the coal mine. “Well,” said he, “here is enough to convince the most superstitious among us. Farewell to all their brownies, goblins, and fire-maidens now!”
“I hardly think, Mr. Starr, we ought to congratulate ourselves,” replied Harry. “Whatever it is we have instead of these things, it can’t be better, and may be worse than they are.”
“That’s true, Harry,” said the engineer; “but what’s to be done? It is plain that, whatever the beings are who hide in the mine, they reach the surface of the earth by this passage. No doubt it was the light of torches waved by them during that dark and stormy night which attracted the Motala towards the rocky coast, and like the wreckers of former days, they would have plundered the unfortunate vessel, had it not been for Jack Ryan and his friends. Anyhow, so far it is evident, and here is the mouth of the den. As to its occupants, the question is—Are they here still?”
“I say yes; because Nell trembles when we mention them—yes, because Nell will not, or dare not, speak about them,” answered Harry in a tone of decision.