The Art of Story-Telling, with nearly half a hundred stories

by Julia Darrow Cowles

In the home, the chief object in story-telling is to give content, to satisfy. The child, becoming tired of his toys or of his games, comes to his mother and begs for a story. He wants to be taken into her lap, cuddled within her arms, and entertained. Oh, the wonderful, the far-reaching opportunities held by the mother in such moments as these! The child is in a quiet, receptive mood, and the stories told him at such times will never be forgotten; their influence will follow him as long as he lives. Nothing that he can learn in school in the after years will abide and enter into the essence of his being as will the stories which his mother tells him. Strength of character, purity of life, truthfulness, unselfishness, obedience, faith—all may be made beautiful and attractive by means of stories.

Nor is the directly ethical training the greatest good achieved by story-telling in the home. Nothing else so closely links mother and child in a sweet fellowship and communion of thought. Nothing else so intimately binds them together, nor so fully secures the confidence of the child. When they enter together the enchanted realm of story-land, mother and child are in a region apart, a region from which others are excluded. The companionship of story-land belongs only to congenial souls. And so the mother, by means of stories, becomes the intimate companion, the loving and wise guide, the dearest confidant of her child.

Not all the stories of the home need be ethical in their teaching, though all stories worth telling have a foundation of truth. There should be a wise blending of fairy stories, mythological tales, fables, nonsense verses, and true nature stories; and the advantage of story-telling is that it may be carried on in connection with many of the household duties, with no diminishing of the story’s charm. While the mother sews or embroiders or mends, while she stirs a cake, or washes dishes, she can tell a story which will not only entertain or influence the child, but will carry her own thoughts away from the ofttimes dullness of her task into realms of beauty and delight. Then, too, many a childish task may be robbed of its seemingly tedious character by the telling of a story during its progress, or as a reward when the task is completed.

Let me beg of you, mothers, do not think that you cannot tell stories. Try; try; keep on trying; and ease in telling is bound to come. Do not think of yourself in the telling; think of the story and of the child who listens. Nothing else matters.

It takes time to search out and familiarize oneself with just the stories that are best worth telling, but surely no mother can find a more important or more worthy object upon which to expend the time. Librarians and story-tellers within the past few years have prepared lists which make such selection, comparatively easy, mid classified lists are included in the present volume.

The very little child can grasp only the simplest story, but the essential facts of any story which he can comprehend, can be simply told. A story for a little child should have few characters, little if any plot, and a familiarity of action or place. Mother Goose and similar nursery rhymes naturally come first for little children in the home. The kindergarten collections of stories contain good material, and these can be followed by or interspersed with the simplest myths and fairy tales.

Just as children love the companionship of animals, so do they love stories of animals; and when these animals do the things that children do, an element of surprise and new delight is added. Children intuitively want the right to prevail. They love the old tales wherein animals talk, and the crafty old fox is always beaten by the good little hen.

Bible stories should be told to children day by day. They can be made very simple in outline, but they should be told over and over, with a distinction made between them and the fables and folk tales. The latter may teach a true lesson, but the former teach The Truth. And not only should we tell the Old Testament stories of heroes and of great wonders, but the story of Christ’s birth, of his life, his death, and his resurrection, should be made a part of every child’s early teaching in the form of stories reverently told. They will make a lasting impression; an impression deeper than the most eloquent sermon heard in maturer years.

A careful choice of the kind of stories told to little children lays not only a sound moral foundation, but a foundation for good literary taste.

A child brought up from its earliest years on stories from the Bible, Anderson, Aesop, Stevenson, and Field, will instinctively detect and reject trash when he begins to read for himself. But the supply of good literature must be kept at hand, for children will read something.