The next morning, as usual after such a debauch, I was heavy and depressed, still drowsy but without any happiness or content. I had often wondered I could keep a maid, for latterly I was always either irritable or silent. Not mean, however. That has never been one of my faults, and may have been the explanation. Suzanne asked how I had slept and hoped I was better, perfunctorily, without waiting for an answer. She was a great fat heavy Frenchwoman, totally without sympathetic quality. I told her not to pull up the blinds nor bring coffee until I rang.

“I am quite well, but I don’t want to be bothered. The servants must do the housekeeping. If Dr. Kennedy calls say I am too ill to see him.”

I often wish one could have dumb servants. But Suzanne was happily lethargic and not argumentative. I heard afterwards that she gave my message verbatim to the doctor: “Madame was not well enough to see him,” but softened it by a suggestion that I would perhaps be better tomorrow and perhaps he would come again. His noisy machine and unnecessary horn spoiled the morning and angered me against Ella for having brought him over me.

I felt better after lunch and got up, making a desultory exploration of the house and finding my last night’s impression confirmed. The position was lonely without being secluded. All round the house was the rough garden, newly made, unfinished, planted with trees not yet grown and kitchen stuff. Everywhere was the stiff and prickly gorse. On the front there were many bedrooms; some, like my own, had broad balconies whereon a bed could be wheeled. The place had probably at one time been used as an open-air cure. Then Margaret Capel must have taken it, altered this that and the other, but failed to make a home out of what had been designed for a hospital. By removing a partition two of these bedrooms had been turned into one. This one was large, oak-floored, and a Steinway grand upon a platform dominated one corner. There was a big music stand. I opened it and found no clearance of music had been made. It was full and deplorably untidy. The rest of the furniture consisted of tapestry-covered small and easy-chairs, a round table, a great sofa drawn under one of the windows, and some amateur water colours.

On the ground floor the dining-room looked unused and the library smelt musty. It was lined with open cupboards or bookcases, the top shelves fitted with depressing-looking tomes and the lower one bulging with yellow-backed novels, old-fashioned three-volume novels, magazines dated ten years back, and an “olla podrida” of broken-backed missing-leaved works by Hawley Smart, Mrs. Lovett Cameron, and Charles Lever. Nothing in either of these rooms was reminiscent of Margaret Capel. I was glad to get back to the drawing-room, on the same floor, but well-proportioned and agreeable. Today, with the sun out and my fatigue partly gone, its shabbiness looked homely and even attractive. The position of the writing-table again made its appeal. Suzanne had unpacked my writing-things and they stood ready for arrangement, heaped up together on the green leather top. I saw with satisfaction that there were many drawers and that the table was both roomy and convenient. The view from the window was altered by the sunlight. The yellow gorse was still the most prominent feature, but beyond it today one saw the sea more plainly, a little dim and hazy in the distance but unmistakable; melting into the horizon. Today the sky was of a summer blue although it was barely spring. I felt my courage revive. Again I said to myself that I could write here, and silently rescinded my intention of resting. “Work whilst ye have the light.” I had not a great light, but another than myself to work for, and perhaps not much time.

The gollywog put a smiling face and a clean cap halfway into the room and said:

“Please, ma’am, cook wishes to know if she can speak to you, and if you please there is no....”

There tumbled out a list of household necessities, which vexed me absurdly. But the writing-chair was comfortable and helped me through the narrative. The table was alluring, and I wanted to be alone. Cook arrived before Mary had finished, and then the monologue became a duet.

“There’s not more than half a dozen glasses altogether, and I’m sure I don’t know what to do about the teapot. There’s only one tray....”

“And as for the cooking utensils, well, I never see such a lot. And that dirty! The kitchen dresser has never been cleaned out since the flood, I should think. Stuffed up with dirty cloths and broken crockery. As for the kitchen table, there’s knives without handles and forks without prongs; not a shape that isn’t dented; the big fish kettle’s got a hole in it as big as your ’and, and the others ain’t fit to use. The pastry board’s broke....”