Very unlike her age was this ignorant dress-maker of the nineteenth century. Ask the men and women of the day to read volumes; why, there is not a season but they go through the Herculean labour of swallowing down histories written faster than time flies, novels by the dozen, essays, philosophic and political, books of travels, of science, of statistics, besides the nameless host of reviews, magazines, and papers, daily and weekly. Ask them to study: why, what is there they do not know, from the most futile accomplishment to the most abstruse science? Ask them too, if you like, to enter life, to view it under all its aspects; why, they have travelled over the whole earth; and life, they know from the palace down to the hovel; but bid them think! They stare aghast: it is the task of Sisyphus—the labour of the Danaide; as fast as thought enters their mind, it goes out again. Bid them commune, one day with God and their own hearts—they reply dejectedly that they cannot; for their intellect is quick and brilliant, but their heart is cold. And thought springs from the heart, and in her heart had Rachel Gray found it.
The task impossible to them was to her easy and delightful. Time wore on; deeper and more exquisite grew what Rachel quaintly termed to herself "the pleasure of thinking." And oh! she thought sometimes, and it was a thought that made her heart bum, "Oh! that people only knew the pleasures of thinking! Oh! if people would only think!" And mom, and noon, and night, and bending over her work, or sitting at peaceful twilight time in the little back room, Rachel thought; and thus she went on through life, between those two fair sisters, Thought and Prayer.
Reader, hare you known many thinkers? We confess that we hare known many men and women of keen and great intellect, some geniuses; but only one real thinker have we known, only one who really thought for thought's own sake, and that one was Rachel Gray.
And now, if she moves through this story, thinking much and doing little, you know why.
CHAPTER IV.
It was not merely in meditation that Rachel indulged, when she sought the little room. The divine did not banish the human from her heart; and she had friends known to her, but from that back room window; but friends they were, and, in their way and degree, valued ones.
First, came the neighbour's children. By standing up on an old wooden stool in the yard, they could see Rachel at her window, and Rachel could see them. They were rude and ignorant little things enough, and no better than young heathens, in rearing and knowledge; yet they liked to hear Rachel singing hymns in a low voice; they even caught from her, scraps of verses, and sang them in their own fashion; and when Rachel, hearing this, took courage to open a conversation with them, and to teach them as well as she could, she found in them voluntary and sufficiently docile pupils. Their intercourse, indeed, was brief, and limited to a few minutes every evening that Rachel could steal up to her little room, but it was cordial and free.
Another friend had Rachel, yet one with whom she had never exchanged speech. There existed, at the back of Mrs. Gray's house, a narrow court, inhabited by the poorest of the poor. Over part of this court, Mrs. Gray's back windows commanded a prospect which few would have envied— yet it had proved to Rachel the source of the truest and the keenest pleasure.
From her window, Rachel could look clearly into a low damp cellar opposite, the abode of a little old Frenchwoman, known in the neighbourhood, as "mad Madame Rose."
Madame Rose, as she called herself, was a very diminutive old woman— unusually so, but small and neat in all her limbs, and brisk in all her movements. She was dry, too, and brown as a nut, with a restless black eye, and a voluble tongue, which she exercised mostly in her native language—not that Madame Rose could not speak English; she had resided some fifteen years in London, and could say 'yes' and 'no,' &c., quite fluently. Her attire looked peculiar, in this country, but it suited her person excellently well; it was simply that of a French peasant woman, with high peaked cap, and kerchief, both snow-white, short petticoats, and full, a wide apron, clattering wooden shoes, and blue stockings.