Among the "Poems," the one "To an Italian Beggar Boy" is perhaps most highly spoken of and has been chosen by Mr. Stedman to represent his mother in the "Library of American Literature." A favorite also is the "Ode to the Sea." Both pieces are strong and dramatic. The poem on "The Flowers" has been translated into three languages. It opens:

"Where'er earth's soil is by the feet
Of unseen angels trod,
The joyous flowers spring up to greet
These messengers of God."

Mrs. Kinney's sonnets are peculiarly good. Her sonnet on "Moonlight in Italy," which we give to represent her, was written at ten o'clock at night in Italy by moonlight, and has been much praised. Mr. Kingston James, the English translator of Tasso, repeated it once at a dinner table, as a sample of "in what consisted a true sonnet."

MOONLIGHT IN ITALY.

There's not a breath the dewy leaves to stir;
There's not a cloud to spot the sapphire sky;
All nature seems a silent worshipper:
While saintly Dian, with great, argent eye,
Looks down as lucid from the depths on high,
As she to earth were Heaven's interpreter:
Each twinkling little star shrinks back, too shy
Its lesser glory to obtrude by her
Who fills the concave and the world with light;
And ah! the human spirit must unite
In such a harmony of silent lays,
Or be the only discord in this night,
Which seems to pause for vocal lips to raise
The sense of worship into uttered praise.

Alexander Nelson Easton.

In the third generation in the line of Mrs. Kinney, appears a boy, now seventeen years of age, of unusual promise as a poet—Alexander Nelson Easton, grandson of William Burnet and Elizabeth C. Kinney. He has written and published several poems. He took the $50 prize offered by the Mail and Express for the best poem on a Revolutionary incident, written by a child of about twelve years. It was entitled "Mad Anthony's Charge."

Young Easton was born in Morristown, and spent his early years in this place, in the house on the corner of Macculloch Avenue and Perry Street, belonging to Mrs. Brinley. He began to write at eight years when a little prose piece called "The Council of the Stars," found its way into print, out in California. His next was in verse, written at ten years on "The Oak." That was also published and copied. A "Ballad" followed "A Scottish Battle Song," written in dialect, which was published also. Then came the prize poem, "Mad Anthony's Charge," above referred to. He has composed two stories since, one of which, "Ben's Christmas Present," has been accepted by the New York World and is to appear with a sketch of this young writer, in their Christmas number. At twelve years, he wrote a monody on "The Burial of Brian Boru," which is given below.

The literary efforts of Easton, so far, have been spontaneous and spasmodic, but contain certain promise for the future. After studying for some time at the Morristown Academy, Easton went as a student to the Bordentown Military Institute from which he has graduated and has now passed on to Princeton College. At Bordentown he won golden opinions, and gave the prize essay at the June Commencement. This was an oration of considerable importance on "The Value of Sacrifice," but withal his gifts are essentially poetic.

THE BURIAL OF BRIAN BORU.