All this imported to us that Mycenæ, which we desired to visit, had for some time been considered unsafe on account of the presence of this very Kitzos and his band. But at this moment the band were closely besieged in the mountains. They wanted their Head, and so did Kitzos. We, in consequence, were fully able to visit the treasure of Atreus and the ruins of Mycenæ without fear or risk from those acephalous enemies. Taking leave therefore of our friendly entertainers with many thanks, "polloi, polloi," we sprang again into the dusty carriages, and the sunburnt youths in blue bagging drove us out upon the wide plain to a spot where we were desired to dismount and make our way over a thorny and flinty hill-side to the spot in question. Such walking, in all of Greece with which I became acquainted, is difficult and painful. It is scarcely possible to avoid treading on the closely-growing bushes of nettles. To come in contact with these is like putting one's foot on a cushion of needles whose sharp points should be uppermost. Where you shun these, the small, pointed stones present difficulty as great. Creeping up from the plain, crying out for assistance and sympathy, beneath a sun already burning, we came to the entrance of the cave to which they give the name of the tomb of Agamemnon. This is an opening in the hill-side. Its door has long been wanting, but the formidable door-posts still remain. Two heavily-built stone sides support a single, horizontal stone, twenty-seven feet in length, by perhaps eight in breadth, and about the same in thickness. The door obviously swung open from the bottom; the traces in the stone-work make this clear. The cave itself is hollowed out from the height and depth of the hill. It is lined with large stones, carefully fitted to each other, and is in the shape of a rounded cone, whose gradual diminution to the top is very symmetrical. Here a small aperture, partly covered by a stone, admits the light. The perfection of the work in its kind is singular. From this outer chamber, an opening admits you to an inner cave, without light, in which they suppose the treasure to have been kept. This is much smaller than the first chamber, and, like it, is heavily lined with squared stone. A fire of dry brush enables us to distinguish so much; but our observations are somewhat hurried, for the chill of these interterranean passages, acting upon the perspiration that bathes our limbs, suggests terrible fears of an untimely end to be attained in some inflammatory and painful way.
The outer structure, of which I have endeavored to give some idea, is, however, indescribable, and the manner of its building scarcely comprehensible in these days. It suggests a time whose art must be as far removed from ours as its nature, and whose solid and simple construction takes little heed of the passage of time.
From the treasure of Atreus to the old citadel and gate of Mycenæ, we pass, by a few painful steps, through thorns, stones, and dust. Here we sit and meditate, as well as we are able. Mycenæ was in ruins in Homer's time. This gate and citadel go back at least to the time of Agamemnon. In one of the tragedies of Sophocles, Electra and Orestes meet before the gate of Mycenæ, which we naturally suppose to have been this one. Its heavy stone masonry is surmounted by a curious sculpture, a bas-relief, representing two lions aspiring to a column that stands between them. The column is one of the ancient symbols of Apollo, and is met with in some of the coins of the period. Agamemnon, Cassandra, Clytemnestra,—this trio of ghosts will serve to fill up for us the ancient gateway. Of the city nothing remains save the walls of the citadel, the space within being now piled up and grassed over by the action of time. At the present day, this citadel would be of little avail, being itself commanded by an adjacent hill, from which artillery would soon knock it into pieces. The walls just mentioned are solidly built of squared stone, laid together without mortar. The briefness of our time hurried us away before we had taken in half the significance of the spot. But so it was, and we turned with regret from a mere survey of objects that deserve much study.
We were now to find our way back to Nauplia, but our fasting condition compelled us to pause for a moment at a little khan, whose energetic mistress bestirred herself, with small materials, to make us comfortable. The morning shadow threw her window in the dark. We gathered around it, escaping for the moment the scorching heat of the sun. Near us a traveller on a donkey rested himself and his patient beast. The little woman had blue eyes and chestnut hair, bound with a handkerchief. She offered us cold fish, fried in oil, from her frying pan. Each of us took a fish by the tail, and devoured it as we could. Cucumbers were next handed to us. Of these we ate with salt, which the mistress strewed with her fingers on the wooden window-sill, together with a little pepper. Wine and water she dipped out for us, the one from a barrel, the other from an earthen jar. We had brought with us two large loaves of bread from Argos, which greatly assisted our pedestrian meal. The mistress rinsed the glasses with her own hands, not over clean. When we had eaten, she poured water over our hands, offering us a piece of soap and a towel. As we laughed, she laughed—we at her want of accommodation, she probably rejoicing in its sufficiency. We now returned to our carriages, and drove back to Nauplia, and through Nauplia down to the quay, where our boats were waiting for us. The remainder of the day we passed on board the steamer, reaching Porus at sunset, and going on shore to visit its fine arsenal, and narrow, dirty streets. In the arsenal, with other heroes, hangs the portrait of Bouboulina, the famous woman who did such good naval service in the war of Greek independence. She commanded a ship, and her patriotic efforts were acknowledged by conferring on her the style and title of admiral.
From the roof of the arsenal we enjoyed a beautiful view of the harbor. The town, as seen at a little distance, has rather an inviting aspect. On a nearer view, it offers little to detain the traveller. We passed along the quay, looking at the groups of men, occupied with coffee or the narghilé, and soon regained our boat and steamer. The Greeks, we are told, give Porus a nickname which signifies "Pig-city," just as our Cincinnati is sometimes called "Porkopolis." But the pigs in Porus are human.
EGINA.
We passed this night on board of the steamer, first supping luxuriously on deck, by the light of various lanterns fastened to the masts and bulwarks of the ship. The next morning saw us early awake and on foot to visit the Temple of Egina. The steamer came to anchor near the shore, and its boats soon conveyed us to land. We found on the shore two donkeys with pack-saddles, upon which two of us adventured to ascend the long and weary eminence. The temple is one of the most beautiful remains that we have seen. Its columns are of the noblest Doric structure. A number of them are still standing. His majesty of Munich and Montes robbed this temple, at some convenient moment of political confusion. He had a statue or so, perhaps several, and pulled down the architrave to obtain the bas-reliefs. Can we wonder that the Greeks do not punish brigandage after such royal precedents in its favor. A fine lion in marble, twenty feet in length, was taken from this temple, either by this or a similar marauding. The lion was sawn in three pieces, that it might be more conveniently conveyed by boat. But, being left over night, the peasants, in their rage, came and destroyed with their hammers what they were not able to protect. Here no diplomatic interference was possible, and the fact accomplished had to be accepted.
This temple stands upon one of those breezy eminences so often selected by the Greeks for their places of worship and defence. It commands a wide view of the sea and surrounding islands. On the opposite island of Salamis they show you Xerxes' Seat, the spot from which he contemplated the land he intended to enslave. Here the inexorable veteran conceded to us a pleasant half hour, enabling us to survey the fine columns from various points of view, and to enjoy fully the beauty of their surroundings. Too soon, however, came the summons to descend. I again mounted the ass, but found my sideward and unsupported seat only maintainable by a gymnastic of the severest order. I yielded, therefore, this uneasy accommodation to one who might bestride the beast at his ease, being quite of the opinion of the Irishman, who, having been regaled with a ride in a bottomless sedan chair, said that, if it was not for the name of it, it was not much better than walking. In the same way I concluded that to be so badly carried by the ass was almost as bad as to carry him myself. We were soon on board and afloat again, and a few hours of sea travel, cherished for their coolness, brought us back to busy Piræus, and thence to torrid Athens, where the great heats now begin. We had meditated a change of hotel at the time of our leaving Athens, and had contemplated a fine apartment at lower charges in an establishment opposite to our own. But our hitherto landlord was too much for us. He was down at Piræus to receive us. The veteran yielded to his dangerous smile, and after a brief parley, implying a slight enlargement in accommodations, we found ourselves bagged, and carried back to the Hotel des Etrangers. Here the servants cordially welcomed us, and made us much at home. I regretted a certain beautiful view of the Acropolis commanded by the hotel opposite, but my view was outvoted; and we gave ourselves up again to the imprisonment of our small rooms, and to the darkness which is a necessary attendant upon summer life in Athens. And the gallant vision of the Parados, with its prow turned to the sea, and of lofty climbings, and monument-seeking wanderings, faded from all but these notes, in which so much of it as may live is faithfully preserved.
DAYS IN ATHENS.
| "As idle as a painted ship |
| Upon a painted ocean." |