The Rome that I then saw was mediæval in its aspect. A great gloom and silence hung over it. Coming to establish ourselves for the winter, we felt the pressure of many discomforts, especially that of the imperfect heating of houses. Our first quarters were in Torlonia's palace on the Piazza di Spagna. My husband found these gloomy and sunless, and was soon attracted by a small but comfortable apartment in Via San Nicolà da Tolentino, where we passed a part of the winter. There my husband undertook one day to make a real Christmas fire. In doing so he dragged the logs too far forward on the unsubstantial hearth, setting fire to the crossbeams which supported the floor. This was fortunately discovered before the danger became imminent, and the mischief was soon remedied. I was not allowed to hear about it until long afterwards.
Dr. Howe went out early one morning, and did not return until late in the evening. Had I known at the time the reason of his absence, I should have felt great anxiety. He had gone to the post-office, but in doing so had passed some spot at which a sentry was stationed. He happened to be absorbed in his own thoughts, and did not notice the warning given. The sentry seized him, and Dr. Howe began to beat him over the head. A crowd soon gathered, and my husband was arrested and taken to the guard-house. The situation was a grave one, but the doctor immediately sent for the American consul, George Washington Greene. With the aid of this friendly official the necessary explanations were made and accepted, and the prisoner was liberated.
The consul just mentioned was a cousin of my father and a grandson of the famous General Nathanael Greene of the Revolution. He was much at home in Roman society, and through him we had access to the principal houses in which were given the great entertainments of the season. The first of these that I attended appeared to me a melancholy failure, judging by our American ideas of a pleasant evening party. The great ladies sat very quietly in the salon of reception, and the gentlemen spoke to them in an undertone. There was none of the joyous effusion with which even a "few friends" meet on similar occasions in Boston or New York. Exceeding stiffness was obviously the "good form" of the occasion.
A ball given by the banker prince, Torlonia, presented a more animated scene. The beautiful princess of the house, then in the bloom of her youth, was conspicuous among the dancers. Her fair head was encircled by a fine tiara of diamonds. She was by birth a Colonna. The attraction of the great fortune was said to have led to her alliance with the prince, who was equally her superior in age and her inferior in rank. I was told that he had presented his bride with the pearls formerly belonging to the shrine of the Madonna of Loretto, and I remember to have seen her once in evening dress, adorned with pearls of enormous size, which were probably those in question. I thought her quite as beautiful on another occasion, when she wore a simple gown of écru silk, with a necklace of carved coral beads. This was at a reception given at the charity school of San Michele, where a play was performed by the pupils of the institution. The theme of the drama was the worship of the golden calf by the Israelites and the overthrow of the idol by Moses.
The industrial school of San Michele, like every other institution in the Rome of that time, was entirely under ecclesiastical control. If I remember rightly, Monsignore Morecchini had to do with its management. This interesting man stood at the time at the head of the administration of public charities. He called one day at our lodgings, and I had the pleasure of listening to a long conversation between him and my husband, regarding chiefly the theme in which both gentlemen were most deeply interested, the education of the working classes. I was present, some time later, at a meeting of the Academy of St. Luke, at which the same monsignore made an address of some length, and with his own hands presented the medals awarded to successful artists. One of these was given to an Italian lady, who appeared in the black costume and lace veil which are still de rigueur at all functions of the papal court. I remember that the monsignore delivered his address with a sort of rhythmic intoning, not unlike the singsong of the Quaker preaching of fifty years ago.
Of the matter of his discourse I can recall only one sentence, in which he mentioned as one of the boasts of Rome the fact that she possessed la maggiore basilica del mondo, "the largest basilica in the world." The Church of St. Peter, like that of Santa Maria Maggiore, is indeed modeled after the design of the basilicas or courts of justice of ancient Rome, and Italians are apt to speak of it as "la basilica di san Pietro." To another monsignore, Baggs by name, and Bishop of Pella, we owed our presentation to Pope Gregory Sixteenth, the immediate predecessor of Pope Pius Ninth. Our cousin the consul, George W. Greene, went with us to the reception accorded us. Papal etiquette was not rigorous in those days. It only required that we should make three genuflections, simply bows, as we approached the spot where the Pope stood, and three more in retiring, as from a royal presence, without turning our backs. Monsignore Baggs, after presenting my husband, said to him, "Dr. Howe, you should tell his Holiness about the little blind girl [Laura Bridgman] whom you educated." The Pope remarked that he had been assured that the blind were able to distinguish colors by the touch. Dr. Howe said that he did not believe this. His opinion was that if a blind person could distinguish a stuff of any particular color, it must be through some effect of the dye upon the texture of the cloth.
The Pope said that he had heard there had been few Americans in Europe during the past season, and had been told that they had been kept at home by the want of money, for which he made the familiar sign with his thumb and forefinger. Apropos of I forget what, he remarked, "Chi mi sente dare la benedizione del balcone di san Pietro intende ch'io non sono un giovinotto," "Whoever hears me give the benediction from the balcony of St. Peter's will understand that I am not a youth." The audience concluded, the Pope obligingly turned his back upon us, as if to examine something lying on the table which stood behind him, and thus spared us the inconvenience of bowing, curtsying, and retiring backward.
I remember to have heard of a great floral festival held not long after this time at some village near Rome. Among other exhibits appeared a medallion of his Holiness all done in flowers, the nose being made rather bright with carnations. The Pope visited the show, and on seeing the medallion exclaimed, laughing, "Son brutto da vero, manon cosi", "I am ugly indeed, but not like this."
The experience of our winter in Rome could not be repeated at this day of the world. The Rome of fifty-five years ago was altogether mediæval in its aspect. The great inclosure within its walls was but sparsely inhabited. Convent gardens and villas of the nobility occupied much space. The city attracted mostly students and lovers of art. The studios of painters and sculptors were much visited, and wealthy patrons of the arts gave orders for many costly works. Such glimpses as were afforded of Roman society had no great attraction other than that of novelty for persons accustomed to reasonable society elsewhere. The strangeness of titles, the glitter of jewels, amused for a time the traveler, who was nevertheless glad to return to a world in which ceremony was less dominant and absolute.
Among the frequent visitors at our rooms were the sculptor Crawford, Luther Terry, and Freeman, well known then and since as painters of merit. Between the first named of these and the elder of my two sisters an attachment sprang up, which culminated in marriage. Another artist of repute, Törmer by name, often passed the evening with us. He was somewhat deformed, and our man-servant always announced him as "Quel gobbetto, signor," "That hunchback, sir."