"But how can I expect it?" murmured she. "So long ago as this was taken! so sickly and unformed as he was then! But, oh! did they think I could be blind to that face, and form, and expression! and there is none other but he, now; the father is dead. Dead! Well, may God forgive him all the evil of his life! I'm sure I do. But what will this turn out to be, I wonder—a curse or a blessing? I must wait—it isn't for me to speak; I must wait, and the end may be happy, after all."


CHAPTER X.

ONLY FOR TO-NIGHT!

On the evening of the 4th of July, Professor Valeyon and Cornelia got into the wagon, and drove off, behind Dolly, to the boarding-house. It was a warm, breathless night, and the stars looked brighter and more numerous than usual.

The boarding-house was one of the largest buildings in town—an accidental sort of structure, painted white, green-blinded, and protected, from the two roads at whose intersection it stood, by a white-washed board-fence, deficient in several places. The house expanded into no less than four large bay-windows, affording an outlook to three small rooms upon the ground-floor. The four or five other larger apartments were forced to pass a gloomy existence behind a loop-hole or two apiece, which could not have measured over three feet in any direction.

The two largest rooms lay corner to corner, at right angles to one another, and communicating by a passage-way through their point of contact. Who the original genius was who discovered the admirable facilities this else preposterous arrangement afforded for dances will remain forever unknown; but the experiment once tried became an institution as permanent as Abbie herself.

The small triangle of space between the two rooms, which to utilize had theretofore been an unsolved problem, served admirably as a station for the band; they could be heard in either apartment equally well. The small boudoirs, nooks, and corners, which were scattered here and there with lavish hand, did excellent duty as flirtation-boxes for those of the dancers who needed that refreshment; the only drawback being that one was never quite sure of privacy, on account of the complicated system of doors and entries that prevailed.

But, in spite of all objections, a dance at Abbie's was the rallying-cry of the community. All the respectable people in town put on their newest clothes—and if they were new it did not so much matter what the style might be—and thronged, on foot or in wagon, to the boarding-house door. They came to have a good time, and they always succeeded in their object. What pigeon-wings were performed! what polkas perpetrated! what waltzes wrecked! How the long lines of the Virginia Reel, or "On the Road to Boston," extended through the hall from end to end, and how the couples twisted, whirled, and scooted between them! How the call-man, with his violin under his chin, stopped playing to vociferate his orders, or anathematize some bewildered pair! How the old folks, sitting on chairs and benches along the walls, nodded and smiled and mumbled to one another as the ruddy faces of their descendants passed and repassed before them, and spoke to one another of like scenes thirty, or forty, or fifty years ago! How happy everybody was, and what a jolly noise they made!

As Cornelia and her papa approached the house, every window was alight, above and below. The door was thrown hospitably open, and the lamplight streamed forth and ran down the steps, and lay in a long rectangular pool upon the road. Abbie stood near the entrance, directing the ladies one way and the gentlemen another. Punctuality at an affair of this kind being among the village virtues, the whole company was present within a surprisingly short time of the appointed hour.