David Poindexter's Disappearance, and Other Tales

by Julian Hawthorne

I never saw Juliet again. She and her husband departed on their wedding-trip that afternoon; it was to take them as far as Germany, for Körner said that he wished to visit his father and mother, who were still alive, before settling down permanently in Liverpool. Whether they really did so was never discovered. But, about a fortnight later, a dreadful fact came to light. Körner—the grave and reticent Körner, whom everybody trusted and thought so highly of—was a thief, and he had gone off with more than half my father's property in his pocket. The blow almost destroyed my father, and my stepmother, too, for that matter, for at first it seemed as though Juliet must have been privy to the crime. This, however, turned out not to have been the case. Her fate must have been all the more terrible on that account; but no news of either of them ever came back to us, and my father would never take any measures to bring Körner to justice. It was several months before he recovered from the shock sufficiently to take up business again; and then the American Civil War came and completed his ruin. He died, a poor and broken-down man, a year later. My stepmother, who was really an admirable woman, realized whatever property remained to us, took a small house, and sent me to an excellent school, where I was educated for Cambridge. Meanwhile I had been devoting all possible time to music; for I had determined to become a composer, and I was looking forward, after taking my degree, to completing my musical education abroad; but my mother's health was precarious, and, when the time came, she found herself unequal to making the journey, and the change of habits and surroundings that it implied. We lived very quietly in Liverpool for three or four years; then she died, and, after I had settled our affairs, I found myself in possession of a small income and alone in the world. Without loss of time I set out for the Continent.

I went to a German city, where the best musical training was to be had, and made my arrangements to pass several years there. At the banker's, when I went to provide for the regular receipt of my remittances, I met a young American, by name Paton Jeffries. He was from New England, and, I think, a native of the State of Connecticut; his father, he told me, was a distinguished inventor, who had made and lost a considerable fortune in devising a means of promoting sleep by electricity. Paton was studying to be an architect, which, he said, was the coming profession in his country; and it was evident, on a short acquaintance, that he was a fellow of unusual talents—one of those men of whom you say that, come what may, they are always sure to fall on their feet. For my part, I have certainly never met with so active and versatile a spirit. He was a year or so older than I, rather tall than short, lightly but strongly built, with a keen, smiling, subtle face, a finely-developed forehead, light wavy hair, and gray eyes, very penetrating and bright. There was a pleasing kind of eagerness and volubility in his manner of talking, and a slight imperfection, not amounting to a lisp, in his utterance, which imparted a naive charm to his speech. He used expressive and rapid gestures with his hands and arms, and there was a magnetism, a fascination, about the whole man that strongly impressed me. I was at that period much more susceptible of impressions, and prone to yield to them, than I am now. Paton's rattling vivacity, his knowledge of the world, his entertaining talk and stories, his curiosity, enterprise, and audacity, took me by storm; he was my opposite in temperament and character, and it seemed to me that he had most of the advantages on his side. Nevertheless, he professed, and I still believe he felt, a great liking for me, and we speedily came to an agreement to seek a lodging together. On the second day of our search, we found just what we wanted.

It was an old house, on the outskirts of the town, standing by itself, with a small garden behind it. It had formerly been occupied by an Austrian baron, and it was probably not less than two hundred years old. The baron's family had died out, or been dispersed, and now the venerable edifice was let, in the German fashion, in separate floors or étages, communicating with a central staircase. Some alterations rendered necessary by this modification had been made, but substantially the house was unchanged. Our apartment comprised four or five rooms on the left of the landing and at the top of the house, which consisted of three stories. The chief room was the parlor, which looked down through a square bow-window on the street. This room was of irregular shape, one end being narrower than the other, and nearly fitting the space at this end was a kind of projecting shelf or mantelpiece (only, of course, there was no fireplace under it, open fireplaces being unknown in Germany), upon which rested an old cracked looking-glass, made in two compartments, the frame of which, black with age and fly-spots, was fastened against the wall. The shelf was supported by two pilasters; but the object of the whole structure was a mystery; so far as appeared, it served no purpose but to support the looking-glass, which might just as well have been suspended from a nail in the wall. Paton, I remember, betrayed a great deal of curiosity about it; and since the consideration of the problem was more in his line of business than in mine, I left it to him. At the opposite end of the room stood a tall earthenware stove. The walls were wainscoted five feet up from the dark polished floor, and were hung with several smoky old paintings, of no great artistic value. The chairs and tables were plain, but very heavy and solid, and of a dark hue like the room. The window was nearly as wide as it was high, and opened laterally from the center on hinges. The other rooms were of the same general appearance, but smaller. We both liked the place, and soon made ourselves very comfortable in it. I hired a piano, and had it conveyed upstairs to the parlor; while Paton disposed his architectural paraphernalia on and in the massive writing-table near the window. Our cooking and other household duties were done for us by the wife of the portier, the official corresponding to the French concierge, who, in all German houses, attends at the common door, and who, in this case, lived in a couple of musty little closets opening into the lower hall, and eked out his official salary by cobbling shoes. He was an odd, grotesque humorist, of most ungainly exterior, black haired and bearded, with a squint, a squab nose, and a short but very powerful figure. Dirty he was beyond belief, and he was abominably fragrant of vile tobacco. For my part, I could not endure this fellow; but Paton, who had much more of what he called human nature in him than I had, established friendly relations with him at once, and reported that he found him very amusing. It was characteristic of Paton that, though he knew much less about the German language than I did, he could understand and make himself understood in it much better; and, when we were in company, it was always he who did the talking.

It would never have occurred to me to wonder, much less to inquire, who might be the occupants of the other étages; but Paton was more enterprising, and before we had been settled three days in our new quarters, he had gathered from his friend the portier, and from other sources, all the obtainable information on the subject. The information was of no particular interest, however, except as regarded the persons who dwelt on the floor immediately below us. They were two—an old man and a young woman, supposed to be his daughter. They had been living here several years—from before the time, indeed, that the portier had occupied his present position. In all these years the old man was known to have been out of his room only twice. He was certainly an eccentric person, and was said to be a miser and extremely wealthy. The portier further averred that his property—except such small portion of it as was invested and on the income of which he lived—was realized in the form of diamonds and other precious stones, which, for greater security, he always carried, waking or sleeping, in a small leathern bag, fastened round his neck by a fine steel chain. His daughter was scarcely less a mystery than he, for, though she went out as often as twice or thrice a week, she was always closely veiled, and her figure was so disguised by the long cloak she wore that it was impossible to say whether she were graceful or deformed, beautiful or ugly. The balance of belief, however, was against her being attractive in any respect. The name by which the old miser was known was Kragendorf; but, as the portier sagaciously remarked, there was no knowing, in such cases, whether the name a man bore was his own or somebody's else.

This Kragendorf mystery was another source of apparently inexhaustible interest to Paton, who was fertile in suggestions as to how it might be explained or penetrated. I believe he and the portier talked it over at great length, but, so far as I am aware, without arriving at any solution. I took little heed of the matter, being now fully absorbed in my studies; and it is to be hoped that Herr Kragendorf was not of a nervous temperament, otherwise he must have inveighed profanely against the constant piano-practice that went on over his head. I also had a violin, on which I flattered myself I could perform with a good deal of expression, and by and by, in the long, still evenings—it was November, but the temperature was still mild—I got into the habit of strolling along the less frequented streets, with my violin under my shoulder, drawing from it whatever music my heart desired. Occasionally I would pause at some convenient spot, lean against a wall, and give myself up to improvisation. At such times a little cluster of auditors would gradually collect in front of me, listening for the most part silently, or occasionally giving vent to low grunts and interjections of approval. One evening, I remember, a young woman joined the group, though keeping somewhat in the background; she listened intently, and after a time gradually turned her face toward me, unconsciously as it were; and the light of a street-lamp at a little distance revealed a countenance youthful, pale, sad, and exquisitely beautiful. It impressed me as with a vague reminiscence of something I had seen or imagined—some pictured face, perhaps, caught in a glance and never to be identified. Her eyes finally met mine; I stopped playing. She started, gave me an alarmed look, and, gliding swiftly away, disappeared. I could not forget this incident; it haunted me strangely and persistently. Many a time thereafter I revisited the same spot, and drew together other audiences, but the delicate girl with the dark-blue eyes and the tender, sensitive mouth, was never again among them.

It was at this epoch, I think, that the inexhaustible Paton made a discovery. From my point of view it was not a discovery of any moment; but, as usual, he took interest in it enough for both of us. It appeared that, in attempting to doctor the crack in the old looking-glass, a large piece of the plate had got loose, and come away in his hands; and in the space behind he had detected a paper, carefully folded and tied up with a piece of faded ribbon. Paton was never in the habit of hampering himself with fine-drawn scruples, and he had no hesitation in opening the folded paper and spreading it out on the table. Judging from the glance I gave it, it seemed to be a confused and abstruse mixture of irregular geometrical figures and cramped German chirography. But Paton set to work upon it with as much concentration as if it had been a recipe for the Philosopher's Stone; he reproduced the lines and angles on fresh paper, and labored over the writing with a magnifying-glass and a dictionary. At times he would mutter indistinctly to himself, lift his eyebrows, nod or shake his head, bite his lips, and rub his forehead, and anon fall to work again with fresh vigor. At last he leaned back in his chair, thumped his hand on the table, and laughed.

"Got it!" he exclaimed. "Say, John, old boy, I've got it! and it's the most curious old thing ever you saw in your life!"

"Something in analytical geometry, isn't it?" said I, turning round on my piano-stool.

"Analytical pudding's end! It's a plan of a house, my boy, and, what's more, of this very house we're in! That's a find, and no mistake! These are the descriptions and explanations—these bits of writing. It's a perfect labyrinth of Crete! Udolpho was nothing to it!"

"Well, I suppose it isn't of much value except as a curiosity?"