"Well," said I, "all the same, I am so tired that my head feels like cork; so tired that for two days I have not been able to summon an idea or turn a sentence neatly. I have been sitting at my desk writing wretched stuff and tearing it up, or staring blankly out of the window."
"Glorious!" said the artist, startling us all with his vehemence and inapt exclamation. "Why, it is providential that I came here to-night. If that's the way you feel, we are a pair, and you will go with me and rest. Do you hunt? Are you fond of it?"
"I know all about it," said I, "but I have not definitely determined whether I am fond of it or not. I have been hunting only once. It was years ago, when I was a mere boy. I went after deer with a poet, an editor, and a railroad conductor. We journeyed to a lovely valley in Mifflin County, Pennsylvania, and put ourselves in the hands of a man seven feet high, who had a flintlock musket a foot taller than himself, and a wife who gave us saleratus bread and a bowl of pork fat for supper and breakfast. We were not there at dinner. The man stationed us a mile apart on what he said were the paths, or "runways," the deer would take. Then he went to stir the game up with his dogs. There he left us from sunrise till supper, or would have left us had we not with great difficulty found one another, and enjoyed the exquisite woodland quiet and light and shade together, mainly flat on our backs, with the white sails of the sky floating in an azure sea above the reaching fingers of the tree-tops. The editor marred the occasion with an unworthy suspicion that our hunter was at the village tavern picturing to his cronies what simple donkeys we were, standing a mile apart in the forsaken woods. But the poet said something so pregnant with philosophy that it always comes back to me with the mention of hunting. 'Where is your gun?' he was asked, when we came upon him, pacing the forest path, hands in pockets, and no weapon in sight. 'Oh, my gun?' he repeated. 'I don't know. Somewhere in among those trees. I covered it with leaves so as not to see it. After this, if I go hunting again, I shall not take a gun. It is very cold and heavy, and more or less dangerous in the bargain. You never use it, you know. I go hunting every few years, but I never yet have had to fire my gun, and I begin to see that it is only brought along in deference to a tradition descending from an era when men got something more than fresh air and scenery on a hunting trip.'"
The others laughed at my story, but the artist regarded me with an expression of pity. He is a famous hunter—a genuine, devoted hunter—and one might almost as safely speak a light word of his relations as of his favorite mode of recreation.
THE HOTEL—LAST SIGN OF CIVILIZATION
"Fresh air!" said he; "scenery! Humph! Your poet would not know which end of a gun to aim with. I see that you know nothing at all about hunting, but I will pay you the high compliment of saying that I can make a hunter of you. I have always insisted heretofore that a hunter must begin in boyhood; but never mind, I'll make a hunter of you at thirty-six. We will start to-morrow morning for Montreal, and in twenty-four hours you shall be in the greatest sporting region in America, incomparably the greatest hunting district. It is great because Americans do not know of it, and because it has all of British America to keep it supplied with game. Think of it! In twenty-four hours we shall be tracking moose near Hudson Bay, for Hudson Bay is not much farther from New York than Chicago—another fact that few persons are aware of."
Environment is a positive force. We could feel that we were disturbing what the artist would call "the local tone," by rushing through the city's streets next morning with our guns slung upon our backs. It was just at the hour when the factory hands and the shop-girls were out in force, and the juxtaposition of those elements of society with two portly men bearing guns created a positive sensation. In the cars the artist held forth upon the terrors of the life upon which I was about to venture. He left upon my mind a blurred impression of sleeping out-of-doors like human cocoons, done up in blankets, while the savage mercury lurked in unknown depths below the zero mark. He said the camp-fire would have to be fed every two hours of each night, and he added, without contradiction from me, that he supposed he would have to perform this duty, as he was accustomed to it. Lest his forecast should raise my anticipation of pleasure extravagantly, he added that those hunters were fortunate who had fires to feed; for his part he had once walked around a tree stump a whole night to keep from freezing. He supposed that we would perform our main journeying on snow-shoes, but how we should enjoy that he could not say, as his knowledge of snow-shoeing was limited.
At this point the inevitable offspring of fate, who is always at a traveller's elbow with a fund of alarming information, cleared his throat as he sat opposite us, and inquired whether he had overheard that we did not know much about snow-shoes. An interesting fact concerning them, he said, was that they seemed easy to walk with at first, but if the learner fell down with them on it usually needed a considerable portion of a tribe of Indians to put him back on his feet. Beginners only fell down, however, in attempting to cross a log or stump, but the forest where we were going was literally floored with such obstructions. The first day's effort to navigate with snow-shoes, he remarked, is usually accompanied by a terrible malady called mal de raquette, in which the cords of one's legs become knotted in great and excruciatingly painful bunches. The cure for this is to "walk it off the next day, when the agony is yet more intense than at first." As the stranger had reached his destination, he had little more than time to remark that the moose is an exceedingly vicious animal, invariably attacking all hunters who fail to kill him with the first shot. As the stranger stepped upon the car platform he let fall a simple but touching eulogy upon a dear friend who had recently lost his life by being literally cut in two, lengthwise, by a moose that struck him on the chest with its rigidly stiffened fore-legs. The artist protested that the stranger was a sensationalist, unsupported by either the camp-fire gossip or the literature of hunters. Yet one man that night found his slumber tangled with what the garrulous alarmist had been saying.