Ten panels opposite the ten windows were occupied by fine portraits of the ten successors of the founder. Trecenito's own had to hang on a screen. At either end of the long chamber was a magnificent fireplace reaching to the panelled ceiling. Not that a fireplace was ever necessary in the balmy air of Oneiria, but still, where the capital was situated, amongst the hills facing the Atlantic, it enjoyed a temperate climate, and with considerable discomfort fires could be endured on the coldest days. This discomfort every one was glad to undergo for the sake of the European atmosphere generated by the blazing logs. It was hot but refined, and that was everything to a well-bred Oneirian.
In a smaller panel above one of these sacred hearths was a picture of the first King Kophetua placing with love-lorn gesture the wondering beggar-maid upon his jewelled throne. It was a beautiful work, obviously by a dreamy and backward pupil of Perugino. By his childish colour, naïve composition, and vague expression of sentiment, the painter had unconsciously given a charm to the subject which the greatest of his contemporaries could never have achieved.
You turned from it with a sympathetic smile to look in vain down the long vista of books for the founder's portrait over the other hearth. Picture there was none. Even his features were forgotten, but where the painting should have been hung a splendid suit of armour of the later sixteenth century fashion. Morion, corselet, tassets, all were richly chased. Below hung a great pair of Cordovan boots armed with heavy gilded spurs. One gauntlet seemed to grasp a five-foot rapier with a great cup-guard and hilt-points of extravagant length, while in the other was placed a shell-dagger of the same design.
It was the very suit in which the heroic founder had stepped from his pinnace upon the burning sand, and claimed that land for his company "by right divine of inheritance from Adam," and somehow that trophy of arms always gave to Trecenito a vivid sense of the old knight's presence in the room, which no dead portrait could have conveyed. Indeed, it was not hard to fancy a grim face beneath the shadow of the peaked morion, as the gloom of evening fell and the firelight flickered. It was on this the king was gazing with his Rousseau on his knees. Surfeited with philosophy, he fell to musing on his ancestor till he saw beneath the morion the stern, burnt features, as he pictured them, with grey pointed beard and bristling moustache. He could not help contrasting the fancy with his own smooth, shaven face, and the old adventurous life with his own colourless existence.
"Turbo!" he cried, as, stung with the unhappy contrast, he started up and half unconsciously tore off a black patch which, after the custom of the time, adorned his cheek—"Turbo! I am a miserable man."
"So your majesty is continually hinting. May I die if I know why!"
With an air of well-feigned interest in his monarch's state of mind, the speaker rose from an elegant buhl writing-table, which would have been covered with official papers had there been any business for the King to transact with his Chancellor; but as usual there was none, and the table bore nothing weightier than a half-finished copy of Latin verses, perhaps quite heavy enough for its slender proportions, for the Chancellor was a poet by conviction rather than birth.
Indeed poetry could hardly have dwelt in a form so revolting. His face was distorted by two livid scars. One stretched across the lower part of his nose up to his right eye, which in healing it had drawn down so that it looked like a bloodhound's. The other ran across his mouth in such a way that it exposed his teeth on one side and gave to his face a snarling expression that was acutely unprepossessing. His shoulders, too, seemed in some way ill-matched, and he joined Kophetua at the founder's hearth with an ungainly limp which completed the picture of deformity he presented.
"No! may I die if I know why," repeated Turbo.
"Ah, you will not understand," said the King. "How can I be happy, how can I live according to nature, leading the life I do, without an annoyance, literally without an annoyance? How can I ever rival the knight," he went on, "with nothing to overcome, with nothing to stand in my way? I tell you I am a miserable man."