Some of the bronzed cattlemen one sees in Kansas City, though they yield to civilization to the extent of wearing shirts, have not yet sunk to the slavery of collars. They do not wear "chaps" and revolvers, it is true, but they are clearly plainsmen, and some of them sport colored handkerchiefs about their necks, knotted in the back, and hanging in loose folds in front. Once or twice, upon my walks, I saw an Indian as well, though not a really first-class moving-picture Indian. That is too much to expect. Such Indians as one may meet in Kansas City are civilized and citified to a sad degree. Nor are the Mexicans, many of whom are employed as laborers, up to specifications as to picturesqueness.

I feel it particularly necessary to state these truths, disillusioning though they may be to certain youthful readers who may treasure fond hopes of finding, in Kansas City, something of that wild and woolly fascination which the cinematograph so often pictures. True, a large gray wolf was killed by a Kansas City policeman last winter, after it had run down Linwood Boulevard, biting people, but that does not happen every day, and it is recorded that the youth who recently appeared on the Kansas City streets, dressed in "chaps" and carrying a revolver with which he shot at the feet of pedestrians, to make them dance, declared himself, when taken up by the police, to have recently arrived from Philadelphia, where he had obtained his ideas of western manners from the "movies."

I mention this incident because, after having labeled Kansas City "Western," I wish to leave no loopholes for misunderstanding. The West of Bret Harte and Jesse James is gone. All that is left of it is legend. When I speak of a western city I think of a city young, not altogether formed, but full of dauntless energy. And when I speak of western people I think of people who possess, in larger measure than any other people I have met, the solid traits of character which make human beings admirable.

Kansas City is said to be more American than any other city of its size in the United States. Eighty per cent. of its people are American born, of either native or foreign parents. Its inhabitants are either pioneers, descendants of pioneers, or young people who have moved there for the sake of opportunity. This makes for sturdy stock as inevitably as close association with the soil makes for sturdy simplicity of character. The western man, as I try to visualize him as a type, is genuine, generous, direct, whole-hearted, sympathetic, energetic, strong, and—I say it not without some hesitation—sometimes a little crude, with a kind of crudeness which has about it something very lovable. I fear that Kansas City may not like the word "crude," even as I have qualified it, but, however she may feel, I hope she will not charge the use of it to eastern snobbishness in me, for that is a quality that I detest as much as anybody does—a quality compared with which crudeness becomes a primary virtue. No; when I say "crude" I say it respectfully, and I am ready to admit in the same breath that I dislike the word myself, because it seems to imply more than I really wish to say, just as such a word as "unseasoned" seems to imply less.

You see, Kansas City is a very young and very great center of business. It is still engrossed in making money, but, being so exceptionally sturdy, it has found time, outside of business hours, as it were, to create its parks and boulevards—much as some young business man comes home after a hard day's work and cuts the grass in his front yard, and waters it, and even plants a little garden for his wife and children and himself. He attends to the requirements of his business, his family, his lawn and garden, and to his duties as a citizen. And that is about all that he has time to do. He has the Christian virtues, but none of the un-Christian sophistications. Art, to him, probably signifies a "fancy head" by Harrison Fisher; literature, a book by Harold Bell Wright or Gene Stratton Porter; music, a sentimental ballad or a ragtime tune played on the Victor; architecture—well, I think that means his own house.

And what is his own house like? If he be a young and fairly successful Kansas City business man, it is, first of all, probably a solid, well-built house. Very likely it is built of brick and is "detached"—just barely detached—and faces a parked boulevard or a homelike residence street which is lined with other solid little houses, like his own. Now, while the homes of this class are, I think, better built and more attractive than homes of corresponding cost in some older cities—Cleveland, for example—and while the streets are pleasanter, there is a sort of standardized look about these houses which is, I think, unfortunate. The thing they lack is individuality. Whole rows of them suggest that they were all designed by the same altogether honest, but somewhat inartistic, architect, who, having hit on one or two good plans, kept repeating them, ad infinitum, with only minor changes, such as the use of vari-colored brick, for "character." True, they are monuments to the esthetic, compared with the old brownstone blocks of New York City, or the Queen Anne blocks of cities such as Cleveland, but it must be remembered that New York's brownstone period, and the wooden Queen Anne period, date back a good many years, whereas these Kansas City houses are new. And it is in our new houses that we Americans have had a chance to show (and are showing) the improvement in our national taste. I do not complain that the domestic architecture of Kansas City represents no improvement; I complain only that the improvement shown is not so great as it should be—that Kansas City residences, of all classes, inexpensive and expensive, in town and in the suburban developments, are generally characterized by solidity, rather than architectural merit. The less expensive houses lack distinction in about the same way that rows of good ready-made overcoats may be said to lack it, when compared with overcoats made to order by expensive tailors. The more costly houses are for the most part ordinary—and some of them are worse than that.

I am well aware of the fact that the foregoing statements are altogether likely to surprise and annoy Kansas City, for if there is one thing, beyond her parks and boulevards, upon which she congratulates herself peculiarly, it is her homes. I could detect that, both in the pride with which the homes were shown to me and in the sad silences with which my very mildly critical comments on some houses, were received. Nevertheless, it is quite true that Kansas City very evidently needs a good domestic architect or two; and if she does not pardon me just now for saying so, I must console myself with the thought that, ten or fifteen years hence, she will admit that what I said was true.

Kansas City ought to be a good place for architects. There is a lot of money there, and, as I have already said, a great amount of building is in progress. One of the most interesting real estate developments I have ever seen is taking place in what is called the Country Club District, where a tract of 1,200 acres, which, only five or six years ago, was farm land, has been attractively laid out and very largely built up on ingenious, restricted lines. In the portion of this district known as Sunset Hill, no house costing less than $25,000 may be erected. As a matter of fact, a number of houses on Sunset Hill show an investment, in building alone, of from $50,000 to $100,000. In other portions of the tract restrictions are lower, and still lower, until finally one comes to a suburban section closely built up with homes, some of which cost as little as $3,000—which is the lowest restriction in the entire district.


I visited the new Union Station, which will be in operation this winter. It is as fine as the old station is atrocious. I was informed that it cost between six and seven millions, and that it is exceeded in size only by the Grand Central and Pennsylvania terminals in New York. The waiting room will, however, be the largest in the world. The gentleman who showed me the station gave me the curious information that Kansas City does the largest Pullman business of any American city, and that it also handles the most baggage. He attributed these facts to the great distances to be traveled in that part of the country and also to the prosperity of the farmers.