"Well, be this an' be that, they do. Takin' mothers all together, they certaintly do. But, each one has her own speciality, an' if you ask me questions about God, I tell you, truly, I ain't got the answer, like I would have if I'd been to college, an' belonged to the lemon-eye, same's Miss Claire. On the other hand, I may know things she don't, about other matters nearer home. You never can tell."
"Cora says you don't know what's stylish. She says our clo'es are awful plain."
"Now, what do you think o' that! So Cora says I don't know what's stylish. Well, if I don't know what's stylish, I don't know who does, seein' I was in an' out o' the toniest houses in New York City, an' was personally acquainted with their dresses an' their hats. That same Cora is called after one of the stylishest ladies ever you saw, Mrs. Underwood, which she is dead now, but, when she was alive, looked like a duchess. An' you, yourself, are called after her daughter, Miss Frances, who married a l'yer, Judge Granville, but could 'a' had the pick o' the land. Never fear, I know what stylish is. Only, I know the differnce between ladies' stylish an' ladies'-maid's stylish. I seen both. Style's one thing. Loud's another. I want my childern to be seen but not heard."
"Mother, are you sorry Ma's gone away for good? She told Cora, 'fore she went, that you didn't know she ain't comin' back, but she ain't. She said her heart was broke with the quiet up here. She said she's goin' to live with Uncle Dennis after this, or Uncle Andy, where it's lively, an' there's more comin' an' goin'."
Mrs. Slawson suffered the full significance of Francie's revelation to sink into her consciousness, before she attempted to reply.
"Well, well," she said at last, with an air of brave resignation, "so, Ma's gone away for good, has she? An' she didn't want for me to be breakin' my heart with the news o' it. It certaintly is a shock an' no mistake. But a body must do the best she can, when she can't do no differnt. I'll try to bear up under it, Francie, much as I mourn my loss. In this life we got to go about with a smilin' countenance, no matter what our private sorras are. It won't do to let the world see your sufferin'. The world has troubles of its own. By the way, I wonder if Sammy's got back from takin' the mornin's milk to Madam Crewe's yet?"
Not only had Sammy got back, but he was the bearer of news.
"Say, mother, they got comp'ny to ol' lady Crewe's. A gen'lman, he come up with a bag. In a rig, from over to Burbank. The fella drove the rig, he was comin' back our road, an' he saw me, an' he says: 'Say, bubby, jump in an' I'll carry you a ways,' an' I did, an' he did."
"My, my, but ain't you lucky? To get a free ride so early in the mornin'. That was a kind ac' to do, wasn't it? Now, it's up to you to return the compliment. One good turn deserves another. Keep your eye out for that young fella, Sammy, so's if he goes past again, on his way back to fetch ol' lady Crewe's comp'ny an' carry'm to the station, you can call me, an' I'll give'm a glass o' cold lemonade to cool'm off."
"He ain't comin' back. The comp'ny ain't from Burbank. He's from New York. He come up last night on the Express, an' he's goin' back when he's ready, but he don't know when he'll be ready, so he couldn't tell the fella with the rig. An' the fella with the rig, he couldn't wait anyhow. He has to go back to Burbank, an' then 'way out another way, miles an' miles, to get a party wants to catch a north-bound train goes out the middle o' the night. One o'clock it goes out, the fella said. An' if they don't catch it, there ain't another till to-morra mornin', so they got to catch it. The fella with the rig tol' me, he guessed ol' lady Crewe's comp'ny was a lawyer. He said he could tell by the cut of his jib. What's the cut of his jib, mother?"