Martha By-the-Day

by Julie M. Lippmann

The pretty lady, sitting up among her pillows, awake and alert, almost brought disaster upon the taper, and the tray, by exclaiming brightly, "Good-evening! I'm wide awake for good! You needn't tiptoe or hush any more. O, I feel like new! All rested and well and—ready again. And I owe it, every bit, to you! You've been so good to me!"

It was hard on Cora to have to obey her mother's injunction to "clear out," just when the pretty lady was beginning to demonstrate her right to the title. But Martha's word in her little household was not to be disputed with impunity, and Cora slipped away reluctantly, carrying with her a dazzling vision of soft, dark hair, starry blue-gray eyes, wonderful changing expressions, and, in and over all, a smile that was like a key to unlock hearts.

"My, but it's good to see you so!" said Mrs. Slawson heartily. "I was glad to have you sleep, for goodness knows you needed it, but if you'd 'a' kep' it up a day or so longer, I'd 'a' called in a doctor—shoor! Just as a kind of nacherl percaution, against your settlin' down to a permanent sleepin'-beauty ack, for, you can take it from me, I haven't the business address of any Beast, here in New York City, could be counted on to do the Prince-turn, when needed. There's plenty of beasts, worse luck! but they're on the job, for fair. No magic, lightenin'-change about them. They stay beasts straight through the performance."

Claire laughed.

"But, as it happened, I didn't need a Prince, did I? I didn't need a
Prince or any one else, for I had a good fairy godmother who—O, Mrs.
Slawson, I—I—can't—"

"You don't have to. An' I'm not Mrs. Slawson to you. I'm just Martha, for I feel like you was my own young lady, an' if you call me Mrs. Slawson, I won't feel so, an' here—now—see if you can clear up this tray so clean it'll seem silly to wash the dishes."

For a moment there was silence in the little room, while Claire tried to compose herself, and Martha pretended to be busy with the tray. Then Claire said, "I'll be very glad to call you Martha if you'll let me, and there's something I'd like to say right off, because I've been lying here quite a while thinking about it, and it's very important, indeed. It's about my future, and—"

"You'll excuse my interruckting, but before you reely get your steam up, let me have a word on my own account, an' then, if you want to, you can fire away—the gun's your own. What I mean is—I don't believe in lyin' awake, thinkin' about the future, when a body can put in good licks o' sleep, restin' from the past. It's against my principles. I'm by the day. I work by the day, an' I live by the day. I reasoned it out so-fashion: the past is over an' done with, whatever it may be, an' you can't change it, for all you can do, so what's the use? You can bet on one thing, shoor, whatever ain't dead waste in your past is, somehow, goin' to get dished up to you in your present, or your future. You ain't goin' to get rid of it, till you've worked it into your system for health, as our dear old friend, Lydia Pinkham, says. As to the future, the future's like a flea—when you can put your finger on the future, it's time enough to think what you'll do with it. Folkes futures'd be all right, if they'd just pin down a little tighter to to-day, an' make that square up, the best they can, with what they'd oughter do. Now, as to your future, there's nothin' to fret about for a minute in it. Jus' now, you're here, safe an' sound, an' here you're goin' to stay until you're well an' strong an' fed up, an' the chill o' Mrs. Daggett is out o' your body an' soul. You can take it from me, that woman is worse than any line-storm I ever struck for dampenin'-down purposes, an' freeze-out, an' generl cussedness. Your business to-day—now—is to get well an' strong. Then the future'll take care of itself."

"But meanwhile," Claire persisted, "I'm living on you. Eating food for which I haven't the money to pay, having loving care for which I couldn't pay, if I had all the money in the world. I guess I know how you settled my account with Mrs. Daggett. You gave her money you had been saving for the rent, and now you are working, slaving overtime, at four o'clock mornings, sweeping down the stairs, and late nights, making shirtwaists for Mrs. Snyder, to help supply what's lacking."

"Just you wait till I see that Cora," observed Mrs. Slawson irrelevantly. "That's the time her past will have slopped over on her present, so's she can't tell which is which. Just you wait till I see that Cora!"