The first violence of his rage was spent, but Radcliffe, sullen and unconquered still, kept up the conflict in silent rebellion. He had not drunk his milk, so neither had Claire hers. The two glasses stood untouched upon her desk, where she had placed them at noon. It was so still in the room Claire would have thought the boy had fallen asleep, worn out with his struggles, but for the quick, catching breaths that, like soundless sobs, escaped him every now and then. It had been dark a long, long time when, suddenly, a shaft of light from a just lit window opposite, struck over across to them, reflecting into the shadow, and making visible Radcliffe's little figure cowering back in the shelter of a huge leather armchair. He looked so pitifully small and appealing, that Claire longed to gather him up in her arms, but she forebore and sat still and waited.

Then, at last, just as the clock of a nearby church most solemnly boomed forth eight reverberating strokes, a chastened little figure slid out of the great chair, and groped its way slowly, painfully along until it reached Claire's side.

"I will—be—good!" Radcliffe whispered chokingly, so low she had to bend her head to hear.

Claire laid her arms about him and he clung to her neck, trembling.

CHAPTER XI

It was almost ten o'clock when Claire left the house. She waited to see Radcliffe properly fed, and put to bed, before she went. She covered him up, and tucked him in as, in all his life, he had never been covered up, and tucked in, before. Then, dinnerless and faint, she slipped out into the bleak night.

She was too exhausted to feel triumphant over her conquest. The only sensations she realized were a dead weariness that hung on her spirit and body like a palpable weight, and, far down in her heart, something that smouldered and burned like a live ember, ready to burst forth and blaze at a touch.

She had walked but a block or two when, through her numbness, crept a dim little shadow of dread. At first it was nothing more than an inner suggestion to hasten her steps, but gradually it became a conscious impulse to outstrip something or some one behind her—some one or something whose footfalls, resounding faintly through the deserted street, kept such accurate pace with her own, that they sounded like their echo.

It was not until she had quickened her steps, and found that the other's steps had quickened, too, not until she had slowed down to almost a saunter, only to discover that the one behind was lagging also, that she acknowledged to herself she was being followed.

Then, from out the far reaches of her memory, came the words of Aunt
Amelia's formula: "Sir, you are no gentleman. If you were a gentleman—"
But straightway followed Martha's trenchant criticism.