“There was once upon a time a poor little boy,”—or little girl, or a poor animal, chosen from among those I loved the best, whom I made most unhappy on account of this or that, and my sorrow for them always increased, for I had no pity, either for my own feelings or for those of my heroes. Their sufferings became so poignant that I sobbed. How many victims I invented! The distant noise of the garden gate, announcing Arthémise coming to call me to dinner, alone decided me to make my victims happy, especially if they had been obliged to suffer privations. I could not have gone to the table and carried with me the anguish of letting them die of hunger!

After some days of this sorrowful exercise, I selected the story which seemed to me the most touching and dramatic; I put it into rhyme or wrote it in prose on a large sheet of paper in my best handwriting to read to grandmother.

On Sundays, as soon as vespers were over, I shut myself up in my room and composed a review of the week’s events. This composition was a bargain between my grandparents and myself. They gave me a cake made of puff-paste called frangipane, which I loved, and which grandfather went to get himself at the confectioner’s at dinner-time, so as to have it hot, and cooked to the right degree. I regaled my dear “ancestors”—this was the new name I bestowed upon them—with my writings, and they regaled me with frangipane, cut into three parts.

Ah! if I had never had other hearers and readers save my grandparents, how much criticism would have been spared me, and how much enthusiastic success I would have had! No public, no admirers were ever so convinced as they that they were listening to chefs d’œuvres.

My friend Charles, the professor, often invited to our table on Sundays, was obliged to proffer his share of praise. He did so most willingly, for his affection for me blinded him. How many times did I hear him say:

“There is something of worth in what that child writes; she will make her mark.”

My grandmother drank in my praise as if it were the nectar of the gods.

Was my friend Charles half sincere? I believed so, but another person, a newcomer, who soon took possession of all our hearts, was surely and entirely so.

His name was Monsieur Blondeau. He was a State Recorder, and had taken an apartment on the ground floor of our house, on the opposite side of the hall from us, which looked out on our blossoming courtyard and the street at once. His apartment comprised an office, a drawing-room, bedroom, and kitchen, and on the first story a room for his old servant, who served him as maid-of-all-work.

Blondeau—I never called him Monsieur from the first week after his arrival—was an old bachelor, very ugly, his face all seamed and scarred, because when he was a child this same old servant had let him fall out of a high window on a heap of stones; but his kindness, his constant desire to devote himself to others and to be useful to them, to love them, and to make himself beloved, made him adorable.