Now I, that came to her with nothing save such credit as I might hope to have for the sake of my verses, could look at all this magnificence with an indifferent eye. Yet I will confess that as I moved through so much sumptuousness, and breathed such strangely scented air, I was stirred all of a sudden with strange and base envy of those great personages for whom this brave show was spread, and found myself wishing unwittingly that I were some great prince of the Church or adventurous free-companion who might not, indeed, command—for there were none who could do that—but hope for the lady's kindness. Although I assured myself lustily that a poet was as good as a prince, in my heart, and in the presence of all this luxury, I knew very dismally that it was not so, and that Monna Vittoria would never be persuaded to think so. As I have already said, I had no great yearning for these magnificent mercenaries of the hosts of Love, for these bejewelled amazons that seemed made merely to prove to man that he is no better than an unutterable ass. My pulses never thrilled tumultuously after her kind, and in the free air of the fields I would not have changed one of my pretty sweethearts against Monna Vittoria. But somehow in that fantastic palace of hers, with its enchanted atmosphere and its opulent surroundings, my cool reason of the meadows and the open air seemed at a loss, and I found myself ready, as it were, to surrender to Circe like any hog pig of them all.

If this were the time and the place, I should like to try to find out, by the light of a dry logic, and with the aid of a cold process of analysis, why these Timandras and Phrynes have so much power over men. Perhaps, as I am speaking of Monna Vittoria, I should add the Aspasias to my short catalogue of she-gallants, for Vittoria was a woman well accomplished in the arts, well-lettered, speaking several tongues with ease, well-read, too, and one that could talk to her lovers, when they had the time or the inclination for talking, of the ancient authors of Rome, and of Greece, too, for that matter—did I not say her mother was a Greek?—and could say you or sing you the stanzas of mellifluous poets, most ravishingly to the ear. She knew all the verses of Guido Guinicelli by root of heart, and to hear her repeat that poem of his beginning,

"Love ever dwells within the gentle heart,"

what time she touched a lute to soft notes of complaining and praise and patience and desire, was to make, for the moment, even the most obdurate understand her charm. But if I at all seem to disfavor her, it may be because she was too costly a toy for such as I, save, indeed, when she condescended to do a grace, for kindness' sake, to one whose revenues were of small estate. It is plain that such ladies have their fascination, and in a measure I admit it, but, day in and day out, I prefer my jolly dollimops. This has ever been my opinion and always will be, and I think those are the likelier to go happy that think like me.


IX

MADONNA VITTORIA SOUNDS A WARNING

Madonna Vittoria received me so very graciously that for a while I began to think no little good of myself, and to reconsider my latest opinion as to the value of poets and poetry in the eyes of such ladies. But this mood of self-esteem was not fated to be of long duration. After some gracious words of praise for my verses, which made me pleased to find her so wise in judgment, she came very swiftly to the purpose for which she had summoned me, and that purpose was not at all to share in the delight of my society.

"Are you not a friend," she said, very gravely, "of young Dante of the Alighieri?"