After Simone had made an end of his laudations, he came to speak with a rough scorn of those that were content to show their devotion to their mother-city by no greater sacrifice than the serving to defend her in case of an attack. While he spoke I could see that his eyes were fixed upon the face of Dante, where he stood a little apart and watched and listened. I had lost thought of Dante in my merry-makings and lost sight of him in the hurly-burly, and now suddenly I saw him leaning against a pillar a little apart, and looking at the eager crowd of youths and Simone that was its central figure. If I had been a painter like Messer Giotto it would have pleased me to paint in the same picture the faces of those two men, the one no more than beastly flesh, and the other, as it seemed to me, the iron lamp in which a sacred spirit burned unceasingly, purifying with its glowing flame the human tabernacle. Then Messer Simone gave a short laugh, and said, mockingly, that such stay-at-home tactics were well enough for puling fellows that liked to lie snug behind city walls and write puling sonnets, and would rather be busy with such petty business than risk their fine skins in brisk adventures.

Now, as for the taunt in Messer Simone's speech, it was, as who should say, an arrow that might have been aimed at the heart of many there, even at my own poor heart, for I was myself an indifferent poet, as you know by this time if you have not known it before. But I knew that Messer Simone had no thought of me when he spoke, for indeed I do not think he thought of me at all, and for my part I thought of him as little as I could help, for I have no love for ugliness. Messer Guido Cavalcanti, who was also there, he, too, was a poet, and a great poet, but it was not of him that Messer Simone spoke, and if it had been it would not have mattered, for Messer Guido would have cared no whit for what Messer Simone said of him or thought of him, and now as Simone spoke, Guido only stood there and laughed in his face, swaying gently with the laughter.

Messer Guido despised Simone dei Bardi, thinking him, what indeed he was, a vulgar fellow, and making no concealment of his thought, and what Messer Guido thought counted in Florence in those days, for he came of a great race and was himself a very free-hearted and noble gentleman, against whom no man had anything to say save this, that it was whispered that he did not believe as a devout man should believe. This tale, for my part, I hold to be exaggeration, thinking that Messer Guido, in the curious clarity and balance of his mind, was less of a sceptic than of a man who should say, standing in a strange country, "I do not know whither my road shall lead me, and therefore I will not say that I do know."

Anyway, it was not with Messer Guido Cavalcanti that Messer Simone dei Bardi would have chosen to quarrel, unless the quarrel were forced upon him, and then I will do him the justice to say that he would have fought for his cause like the untameable male thing he was. But he had set his eyes evilly upon Messer Dante while he had been speaking, and he kept them fixed on Messer Dante's face now that he had made an end of speaking. I saw that Dante's face flushed a little, even to the hair above the high forehead, and his eyes for a moment seemed to widen and brighten like those of some fierce, brave bird. Then he pushed his way to the front of the company and looked up at Simone steadfastly, and his arms were still folded across his body and his sharp-featured face was tense with suppressed rage, and he spoke very quickly but clearly, too, for all the quickness of his words.

What he said was to this effect: "Messer Simone, I thank Heaven that it may be possible for a man to write verses in the praise of his sweet lady and to draw sword in the service of his sweet city. Because I think that no man can honor his lady better than in honoring the city that is blessed in giving her birth and blessed in sheltering her beauty, I hereby very cheerfully and joyously give my name to be written on the list of the Company of Death."

Thereat there was a great cheering and shouting on the part of the younger men, and they gathered about Dante, hotly applauding him. My heart was heavy within me, for I looked at the face of Simone dei Bardi and saw that it shone with pleasure, and I looked at the face of Guido Cavalcanti and saw that it was gray with pain, and I knew that Messer Simone had gained his purpose. As I looked from face to face of the two men that made such ill-matched enemies, Messer Guido Cavalcanti came forward, and, taking a quill from him that held them, wrote his name on the book of the Company of Death, just below the name of Dante.


XV