“As your Majesty please,” he submitted.
The King seated himself heavily at the table and fixed his eyes upon an open map. Behind his back Rufus shrugged his shoulders and left the room. Halfman followed, a very Jaques of meditations, touched by the pathos of the tired King, grimly diverted by the ruffianism of Rufus. A mad world!
XXVII
THE KING’S IMAGE
The melancholy King sat in the great room alone. His eyes were fixed on the map, but his mind was far away, over yonder in Holland where she was—she, the Queen. The thought of her beauty troubled him; her soft voice seemed to be whispering at his ear in her pretty broken English. Some lines in a play he knew came into his mind, lines uttered by a king who, like himself, had known the horror of civil war, lines which said that it were better to be a shepherd and tend sheep than to be an English king. He sighed and his handsome head drooped upon his breast, and the brown hair that was graying so fast hid his cheeks. His eyes were wet and he could not see the map; it was all a blur of meaningless criss-cross lines. This would not do; he must think, he must plan, he must decide; but his head remained bent and the map remained a criss-cross puzzle.
The image of himself, which faced him as he sat, that picture of a king, royal, joyous, unchallenged, seemed to move a little, as if the bright figure on the canvas sought to approach and reassure the dejected man who crouched over the map of a divided kingdom. It did move, the serene Van Dyck portrait; it moved a little, and a little, and a little more; moved sideway as a door moves, yawned a foot of space between frame and wall, and through that foot of space Brilliana slipped into the room.
“Your Majesty,” she said, softly.
The King gave a little start as he lifted his head and looked at her. She thought she had never seen so pitifully a weary face as the face of her King, and her heart ached for him, but it ached most for her lover.