THE KING OF PRUSSIA.
Ronsard, in one of his songs addressed to his mistress, tells her that in her declining years she will be able to boast that "When I was young a poet sang of me." In a less romantic spirit the writer of this article may boast in old age, should he attain to such blest condition, that "When I was young a king spoke to me." That was the only king or sovereign of any kind with whom I ever exchanged a word, and therefore I may perhaps be allowed to be proud of the occasion and reluctant to let it sleep in oblivion. The king was William, King of Prussia, and the occasion of my being spoken to by a sovereign was when I, with some other journalists, was formally presented to King William after his coronation, and listened to a word or two of commonplace, good-humored courtesy.
The coronation of King William took place, as many readers of The Galaxy are probably aware, in the old historic town of Königsberg, on the extreme northeastern frontier of Prussia, a town standing on one of the inlets of the Baltic Sea, where once the Teutonic Knights, mentioned by Chaucer, were powerful. Carlyle's "Frederick the Great" had brought Königsberg prominently before the eyes and minds of English-speaking readers, just previously to the ceremony in which King William was the most conspicuous performer. It is the city where Immanuel Kant passed his long and fruitful life, and which he never quitted. It is a picturesque city in its way, although not to be compared with its neighbor Dantzic. It is a city of canals and streams, and many bridges, and quaint, narrow, crooked streets, wherein are frequent long-bearded and gabardined Jews, and where Hebrew inscriptions are seen over many shop-windows and on various door-plates. In its centre the city is domineered over by a Schloss, or castle-palace, and it was in the chapel of this palace that the ceremony of coronation took place, which provoked at the time so many sharp criticisms and so much of popular ridicule.
The first time I saw the King was when he rode in procession through the ancient city, some two or three days before the performance of the coronation. He seemed a fine, dignified, handsome, somewhat bluff old man—he was then sixty-four or sixty-five years of age—with gray hair and gray moustache, and an expression which, if it did not denote intellectual power, had much of cheerful strength and the charm of a certain kind of frank manhood about it. He rode well—riding is one of the accomplishments in which kings almost always excel—and his military costume became him. Certainly no one was just then disposed to be very enthusiastic about him, but every one was inclined to make the best of the sovereign and the situation; to forget the past and look hopefully into the future. The manner in which the coronation ceremony was conducted, and the speech which the King delivered soon after it, produced a terrible shock of disappointment; for in each the King manifested that he understood the crown to be a gift not from his people, but from heaven. To me the ceremonies in the chapel, splendid and picturesque as was the mise en scène, appeared absurd and even ridiculous. The King, bedizened in a regal costume which suggested Drury Lane or Niblo's Garden, lifting a crown from off the altar (was it, by the way, an altar?) and, without intervention of human aid other than his own hands, placing it upon his head, to signify that he had his crown from heaven, not from man; then putting another crown upon the head of his wife, to show that she derived her dignities from him; and then turning round and brandishing a gigantic sword, as symbolical of his readiness to defend his State and people—all this seemed to me too suggestive of the opéra comique to suit the simple dignity of the handsome old soldier. Far better and nobler did he look in his military uniform and with his spiked helmet, as he sat on his horse in the streets, than when, arrayed in crimson velvet cloak and other such stage paraphernalia of conventional royalty, he stood in the castle chapel, the central figure in a ceremonial of mediæval splendor and worse than mediæval tediousness.
But the King's face, bearing, and manner, as I saw him in Königsberg, and immediately afterwards in Berlin, agreeably disappointed me. It was one of the best faces to be seen among all the throng at banquet and ball and pageant during those days of gorgeous and heavy ceremonial. At the coronation performances there were two other personages who may be said to have divided public curiosity and interest with the King. One was the illustrious Meyerbeer, who composed and conducted the coronation ode, which thus became almost his swan-song, his latest notes before death. The other was a man whose name has lately again divided attention with that of the King of Prussia—Marshal MacMahon, Duke of Magenta. MacMahon was sent to represent the Emperor of the French at the coronation, and he was then almost fresh from the glory of his Lombardy battles. There was great curiosity among the Königsberg public to get a glimpse of this military hero; and although even Prussians could hardly be supposed to take delight in a fame acquired at the expense of other Germans, I remember being much struck by the quiet, candid good-humor with which people acknowledged that he had beaten their countrymen. There was, indeed, a little vexation and anger felt when some of the representatives of Posen, the Prussian Poland, cheered somewhat too significantly for MacMahon as he drove in his carriage from the palace. The Prussians generally felt annoyed that the Poles should have thus publicly and ostentatiously demonstrated their sympathy with France and their admiration of the French general who had defeated a German army. But except for this little ebullition of feeling, natural enough on both sides, MacMahon was a popular figure at the King's coronation; and before the ceremonies were over, the King himself had become anything but popular. The foreigners liked him for the most part because his manners were plain, frank, hearty, and agreeable, and to the foreigners it was a matter of little consequence what he said or did in the accepting of his crown. But the Germans winced under his blunt repudiation of the principle of popular sovereignty, and in the minds of some alarmists painful and odious memories began to revive and to transform themselves into terrible omens for the future.
For this pleasant, genial, gray-haired man, whose smile had so much of honest frankness and even a certain simple sweetness about it, had a grim and bloodstained history behind him. Not Napoleon the Third himself bore a more ominous record when he ascended the throne. The blood of the Berliners was purple on those hands which now gave so kindly and cheery a welcome to all comers. The revolutionists of Baden held in bitter hate the stern prince who was so unscrupulous in his mode of crushing out popular agitation. From Cologne to Königsberg, from Hamburg to Trieste, all Germans had for years had reason only too strong to regard William Prince of Prussia as the most resolute and relentless enemy of popular liberty. When the Pope was inspiring the hearts of freemen and patriots everywhere in Europe with sudden and splendid hopes doomed to speedy disappointment, the Prince of Prussia was execrated with the Hapsburgs, the Bourbons, and the Romanoffs. The one only thing commonly said in his favor was that he was honest and would keep his word. The late Earl of Clarendon, one of the most incautious and blundering of diplomatists (whom after his death the English newspapers have been eulogizing as a very sage and prince of statesmen), embodied this opinion sharply in a few words which he spoke to a friend of mine in Königsberg. Clarendon represented Queen Victoria at the coronation ceremonies, and my friend happened in conversation with him to be expressing a highly disparaging opinion of the King of Prussia. "There is just this to be said of him," the British Envoy remarked aloud in the centre of a somewhat miscellaneous group of listeners—"he is an honest man and a man of his word; he is not a Corsican conspirator."
Yes, this was and is the character of the King of Prussia. In good and evil he kept his word. You might trust him to do as he had said. During the greater part of his life the things he promised to do and did were not such as free men could approve. He set out in life with a genuine detestation of liberal principles and of anything that suggested popular revolution. William of Prussia is certainly not a man of intellect or broad intelligence or flexibility of mind. He would be in private life a respectable, steady, rather dull sort of man, honest as the sun, just as likely to go wrong as right in his opinions, perhaps indeed a shade more likely to go wrong than right, and sure to be doggedly obstinate in any opinion which he conceived to be founded on a principle. Horror of revolution was naturally his earliest public sentiment. He was one of the princes who entered Paris in 1815 with the allied sovereigns when they came to stamp out Bonapartism; and he seemed to have gone on to late manhood with the conviction that the mission of honest kings was to prevent popular agitation from threatening the divine right of the throne. Naturally enough, a man of such a character, whose chief merits were steadfastness and honesty, was much disgusted by the vacillation, the weakness, the half-unconscious deceitfulness of his brother, the late Frederick William. Poor Frederick William! well-meaning, ill-doing dreamer, "wind-changing" as Warwick, a sort of René of Anjou placed in a responsible position and cast into a stormy age. What blighted hopes and bloody streets were justly laid to his charge—to the charge of him who asked nothing better than to be able to oblige everybody and make all his people happy! Frederick William loved poetry and poets in a feeble, dilettante sort of way. He liked, one might say, to be thought to like the Muses and the Graces. He used to insist upon Tieck the poet reading aloud his new compositions to the royal circle of evenings; and when the bard began to read the King would immediately fall asleep, and nod until he nodded himself into wakefulness again; and then he would start up and say, "Bravo, Tieck! Delightful, Tieck! Go on reading, Tieck!" and then to sleep again. He liked in this sort of fashion the poetic and sentimental aspects of revolution, and he dandled popular movements on his royal knee until they became too demonstrative and frightened him, and then he shook them off and shrieked for the aid of his strong-nerved brother. One day Frederick William would be all for popular government and representative monarchy, and what not; the next day he became alarmed and receded, and was eager to crush the hopes he had himself awakened. He was always breaking his word to his people and his country, and yet he was not personally an untruthful man like English Charles the First. In private life he would have been amiable, respectable, gently æsthetical and sentimental; placed in a position of responsibility amid the seething passions and conflicting political currents of 1848, he proved himself a very dastard and caitiff. Germany could hardly have had upon the throne of Prussia a worse man for such a crisis. He was unlucky in every way; for his vacillation drew on him the repute of hypocrisy, and his whimsical excitable manners procured for him the reproach of intemperance. A sincerely pious man in his way, he was almost universally set down as a hypocrite; a sober man who only drank wine medicinally on the order of his physicians, he was favored throughout Europe with the nickname of "King Clicquot." His utter imbecility before and after the massacre of those whom he called his "beloved Berliners," made him more detestable to Berlin than was his blunt and stern brother, the present King, who gave with his own lips the orders which opened fire on the population. A more unkingly figure than that of poor, weak, well-intentioned, sentimental, lachrymose Frederick William, never in our days at least has been seen under a royal canopy.