Contemporary notices.
Giustiniani.
We may most readily divide by the nationalities of the writers our enumeration of those who have used the material which has been considered in the previous chapter. We begin, naturally, with the Italians, the countrymen of Columbus. We may look first to three Genoese, and it has been shown that while they used documents apparently now lost, they took nothing from them which we cannot get from other sources; and they all borrowed from common originals, or from each other. Two of these writers are Antonio Gallo, the official chronicler of the Genoese Republic, on the first and second voyages of Columbus, and so presumably writing before the third was made, and Bartholomew Senarega on the affairs of Genoa, both of which recitals were published by Muratori, in his great Italian collection. The third is Giustiniani, the Bishop of Nebbio, who, publishing in 1516, at Genoa, a polyglot Psalter, added, as one of his elucidations of the nineteenth psalm, on the plea that Columbus had often boasted he was chosen to fulfill its prophecy, a brief life of Columbus, in which the story of the humble origin of the navigator has in the past been supposed to have first been told. The other accounts, it now appears, had given that condition an equal prominence. Giustiniani was but a child when Columbus left Genoa, and could not have known him; and taking, very likely, much from hearsay, he might have made some errors, which were repeated or only partly corrected in his Annals of Genoa, published in 1537, the year following his own death. It is not found, however, that the sketch is in any essential particular far from correct, and it has been confirmed by recent investigations. The English of it is given in Harrisse's Notes on Columbus (pp. 74-79). The statements of the Psalter respecting Columbus were reckoned with other things so false that the Senate of Genoa prohibited its perusal and allowed no one to possess it,—at least so it is claimed in the Historie of 1571; but no one has ever found such a decree, nor is it mentioned by any who would have been likely to revert to it, had it ever existed.
Bergomas.
The account in the Collectanea of Battista Fulgoso (sometimes written Fregoso), printed at Milan in 1509, is of scarcely any original value, though of interest as the work of another Genoese. Allegetto degli Allegetti, whose Ephemerides is also published in Muratori, deserves scarcely more credit, though he seems to have got his information from the letters of Italian merchants living in Spain, who communicated current news to their home correspondents. Bergomas, who had published a chronicle as early as 1483, made additions to his work from time to time, and in an edition printed at Venice, in 1503, he paraphrased Columbus's own account of his first voyage, which was reprinted in the subsequent edition of 1506. In this latter year Maffei de Volterra published a commentary at Rome, of much the same importance. Such was the filtering process by which Italy, through her own writers, acquired contemporary knowledge of her adventurous son.
The method was scarcely improved in the condensation of Jovius (1551), or in the traveler's tales of Benzoni (1565).
Casoni, 1708.
Bossi.
Harrisse affirms that it is not till we come down to the Annals of Genoa, published by Filippo Casoni, in 1708, that we get any new material in an Italian writer, and on a few points this last writer has adduced documentary evidence, not earlier made known. It is only when we pass into the present century that we find any of the countrymen of Columbus undertaking in a sustained way to tell the whole story of Columbus's life. Léon had noted that at some time in Spain, without giving place and date, Columbus had printed a little tract, Declaration de Tabla Navigatoria; but no one before Luigi Bossi had undertaken to investigate the writings of Columbus. He is precursor of all the modern biographers of Columbus, and his book was published at Milan, in 1818. He claimed in his appendix to have added rare and unpublished documents, but Harrisse points out how they had all been printed earlier.
Bossi expresses opinions respecting the Spanish nation that are by no means acceptable to that people, and Navarrete not infrequently takes the Italian writer to task for this as for his many errors of statement, and for the confidence which he places even in the pictorial designs of De Bry as historical records.