The brief sketch of the career of Columbus, and the examination of the events that culminated in his maritime risks and developments, as it was included in the Narrative and Critical History of America (vol. ii., Boston, 1885), gave the present writer an opportunity to study the sources and trace the bibliographical threads that run through an extended and diversified literature, in a way, it may be, not earlier presented to the English reader. If any one desires to compass all the elucidations and guides which a thorough student of the career and fame of Columbus would wish to consider, the apparatus thus referred to, and the footnotes in Harrisse's Christophe Colomb and in his other germane publications, would probably most essentially shorten his labors. Harrisse, who has prepared, but not yet published, lists of the books devoted to Columbus exclusively, says that they number about six hundred titles. The literature which treats of him incidentally is of a vast extent.
Varied estimates of Columbus.
In concluding this summary of the commentaries upon the life of Columbus, the thought comes back that his career has been singularly subject to the gauging of opinionated chroniclers. The figure of the man, as he lives to-day in the mind of the general reader, in whatever country, comports in the main with the characterizations of Irving, De Lorgues, or Goodrich. These last two have entered upon their works with a determined purpose, the Frenchman of making a saint, and the American a scamp, of the great discoverer of America. They each, in their twists, pervert and emphasize every trait and every incident to favor their views. Their narratives are each without any background of that mixture of incongruity, inconsistency, and fatality from which no human being is wholly free. Their books are absolutely worthless as historical records. That of Goodrich has probably done little to make proselytes. That of De Lorgues has infected a large body of tributary devotees of the Catholic Church.
The work of Irving is much above any such level; but it has done more harm because its charms are insidious. He recognized at least that human life is composite; but he had as much of a predetermination as they, and his purpose was to create a hero. He glorified what was heroic, palliated what was unheroic, and minimized the doubtful aspects of Columbus's character. His book is, therefore, dangerously seductive to the popular sense. The genuine Columbus evaporates under the warmth of the writer's genius, and we have nothing left but a refinement of his clay. The Life of Columbus was a sudden product of success, and it has kept its hold on the public very constantly; but it has lost ground in these later years among scholarly inquirers. They have, by their collation of its narrative with the original sources, discovered its flaccid character. They have outgrown the witcheries of its graceful style. They have learned to put at their value the repetitionary changes of stock sentiment, which swell the body of the text, sometimes, provokingly.
Portraits of Columbus.
Columbus's person.
Out of the variety of testimony respecting the person of the adult Columbus, it is not easy to draw a picture that his contemporaries would surely recognize. Likeness we have none that can be proved beyond a question the result of any sitting, or even of any acquaintance. If we were called upon to picture him as he stood on San Salvador, we might figure a man of impressive stature with lofty, not to say austere, bearing, his face longer by something more than its breadth, his cheek bones high, his nose aquiline, his eyes a light gray, his complexion fair with freckles spotting a ruddy glow, his hair once light, but then turned to gray. His favorite garb seems to have been the frock of a Franciscan monk. Such a figure would not conflict with the descriptions which those who knew him, and those who had questioned his associates, have transmitted to us, as we read them in the pages ascribed to Ferdinand, his son; in those of the Spanish historian, Oviedo; of the priest Las Casas; and in the later recitals of Gomara and Benzoni, and of the official chronicler of the Spanish Indies, Antonio Herrera. The oldest description of all is one made in 1501, in the unauthorized version of the first decade of Peter Martyr, emanating, very likely, from the translator Trivigiano, who had then recently come in contact with Columbus.
La Cosa's St. Christopher.