While the messengers were away, the old men of the tribe in whose Noorumbah, or hereditary hunting lands, the Boorah was to be held, prepared the sacred grounds.
They cleared a big circle, round which they put a bank of earth, and from the circle was cleared a path leading to a thick scrub; along this path were low earthen embankments, and the trees on both sides had the bark stripped off, and carved on them the various totems and multiplex totems of the tribes. Such carvings were also put on the trees round the Bunbul, or little Boorah ring, where the branches were also in some instances lopped, and the trunks carved and painted to represent figures of men, amongst whom were supposed to be the sons of Byamee's wives. Two of these sons had been made young men at the first Boorah Byamee instituted in this district, the ground of which is pointed out to this day.
In the middle of the Bunbul a large heap of wood was placed ready for the Yungawee, or sacred fire.
When the preliminary preparations were over, the camps were moved to just outside the Boorah, or big Boorah ring. By that time the other tribes began to arrive. First came from each tribe the boys to be initiated and the Munthdeeguns, or men in charge of them. The men were painted, and had leafy twigs tied round their wrists and ankles, as had the boys also, and all carried in their hands small branches of green. Those especially in charge of boys held, too, a painted spear with a waywah on top of it.
As they approached the place of gathering the head man, with the painted spear, began calling out all the names of the places along the creeks from whence he came; at the name of each big watercourse they all cried together
'Wah! Wah! wah!'
They were met at some distance from the camp by the men who had summoned them, and who had made a round brush yard where they were to meet them. Here the older women were singing Boorah songs. Some held their breasts as a sign they had sons among the initiates; others put their hands on their shoulders, which showed they had brothers going to be made young men. All the women had leafy twigs tied round their wrists and ankles as the men had. The newcomers and the men who met them walked round the yard at a measured beat, lifting one leg and throwing up one arm each time the cry of 'Wah! wah! wah!' was given, for here too the enumeration of geographical names went on.
When the Boorah song was over, the men marched out of the yard; closely behind them the two oldest men with the tufted spears; the Boorah boys closely after them. The women followed, carrying bunches of leafy twigs with which they pelted the boys until they reached the camp.
Matah and I had been watching the whole performance, and followed in the wake of the women.
The whole scene impressed us as picturesque—the painted figures of the men and boys, with the peculiarly native stealthy tread, threading their way through the grey Coolabah trees; the decorated women throwing their leafy missiles with accurate aim into the ranks of the boys, who did not dare to look at their assailants. A Boorah boy must give no evidence of curiosity; the NIL ADMIRARI attitude then begun clings to a black man through life. The women of the tribe express voluble surprise, but a black man never except by the dilation of his eyes.