So she accepts her fate with meek courage. But
When Rama's brother left her there to languish
And bore to them she loved her final word,
She loosed her throat in an excess of anguish
And screamed as madly as a frightened bird.Trees shed their flowers, the peacock-dances ended,
The grasses dropped from mouths of feeding deer,
As if the universal forest blended
Its tears with hers, and shared her woeful fear.
While she laments thus piteously, she is discovered by the poet-sage Valmiki, who consoles her with tender and beautiful words, and conducts her to his hermitage, where she awaits the time of her confinement. Meanwhile Rama leads a dreary life, finding duty but a cold comforter. He makes a golden statue of his wife, and will not look at other women.
Fifteenth canto. Rama goes to heaven.—The canto opens with a rather long description of a fight between Rama's youngest brother and a giant. On the journey to meet the giant, Shatrughna spends a night in Valmiki's hermitage, and that very night Sita gives birth to twin sons. Valmiki gives them the names Kusha and Lava, and when they grow out of childhood he teaches them his own composition, the Ramayana, "the sweet story of Rama," "the first path shown to poets." At this time the young son of a Brahman dies in the capital, and the father laments at the king's gate, for he believes that the king is unworthy, else heaven would not send death prematurely. Rama is roused to stamp out evil-doing in the kingdom, whereupon the dead boy comes to life. The king then feels that his task on earth is nearly done, and prepares to celebrate the great horse-sacrifice. [4] At this sacrifice appear the two youths Kusha and Lava, who sing the epic of Rama's deeds in the presence of Rama himself. The father perceives their likeness to himself, then learns that they are indeed his children, whom he has never seen. Thereupon Sita is brought forward by the poet-sage Valmiki and in the presence of her husband and her detractors establishes her constant purity in a terrible fashion.
"If I am faithful to my lord
In thought, in action, and in word,
I pray that Earth who bears us all
May bid me in her bosom fall."The faithful wife no sooner spoke
Than earth divided, and there broke
From deep within a flashing light
That flamed like lightning, blinding-bright.And, seated on a splendid throne
Upheld by serpents' hoods alone,
The goddess Earth rose visibly,
And she was girded with the sea.Sita was clasped in her embrace,
While still she gazed on Rama's face:
He cried aloud in wild despair;
She sank, and left him standing there.
Rama then establishes his brothers, sons, and nephews in different cities of the kingdom, buries the three queens of his father, and awaits death. He has not long to wait; Death comes, wearing a hermit's garb, asks for a private interview, and threatens any who shall disturb their conference. Lakshmana disturbs them, and so dies before Rama. Then Rama is translated.
Cantos sixteen to nineteen form the third division of the epic, and treat of Rama's descendants. The interest wanes, for the great hero is gone.
Sixteenth canto. Kumudvati's wedding.—As Kusha lies awake one night, a female figure appears in his chamber; and in answer to his question, declares that she is the presiding goddess of the ancient capital Ayodhya, which has been deserted since Rama's departure to heaven. She pictures the sad state of the city thus:
I have no king; my towers and terraces
Crumble and fall; my walls are overthrown;
As when the ugly winds of evening seize
The rack of clouds in helpless darkness blown.In streets where maidens gaily passed at night,
Where once was known the tinkle and the shine
Of anklets, jackals slink, and by the light
Of flashing fangs, seek carrion, snarl, and whine.The water of the pools that used to splash
With drumlike music, under maidens' hands,
Groans now when bisons from the jungle lash
It with their clumsy horns, and roil its sands.The peacock-pets are wild that once were tame;
They roost on trees, not perches; lose desire
For dancing to the drums; and feel no shame
For fans singed close by sparks of forest-fire.On stairways where the women once were glad
To leave their pink and graceful footprints, here
Unwelcome, blood-stained paws of tigers pad,
Fresh-smeared from slaughter of the forest deer.Wall-painted elephants in lotus-brooks,
Receiving each a lily from his mate,
Are torn and gashed, as if by cruel hooks,
By claws of lions, showing furious hate.I see my pillared caryatides
Neglected, weathered, stained by passing time,
Wearing in place of garments that should please,
The skins of sloughing cobras, foul with slime.The balconies grow black with long neglect,
And grass-blades sprout through floors no longer tight;
They still receive but cannot now reflect
The old, familiar moonbeams, pearly white.The vines that blossomed in my garden bowers,
That used to show their graceful beauty, when
Girls gently bent their twigs and plucked their flowers,
Are broken by wild apes and wilder men.The windows are not lit by lamps at night,
Nor by fair faces shining in the day,
But webs of spiders dim the delicate, light
Smoke-tracery with one mere daub of grey.The river is deserted; on the shore
No gaily bathing men and maidens leave
Food for the swans; its reedy bowers no more
Are vocal: seeing this, I can but grieve.
The goddess therefore begs Kusha to return with his court to the old capital, and when he assents, she smiles and vanishes. The next morning Kusha announces the vision of the night, and immediately sets out for Ayodhya with his whole army. Arrived there, King Kusha quickly restores the city to its former splendour. Then when the hot summer comes, the king goes down to the river to bathe with the ladies of the court. While in the water he loses a great gem which his father had given him. The divers are unable to find it, and declare their belief that it has been stolen by the serpent Kumuda who lives in the river. The king threatens to shoot an arrow into the river, whereupon the waters divide, and the serpent appears with the gem. He is accompanied by a beautiful maiden, whom he introduces as his sister Kumudvati, and whom he offers in marriage to Kusha. The offer is accepted, and the wedding celebrated with great pomp.