Room VII, formerly the banqueting-room, with superb *Dome carved in wood. In the centre, A 1 Mosaic pavement, about 150 sq. yds., from a Roman villa near Susa (‘Cortège de Neptune’). By the end-walls, A 25–27. Three semicircular mosaics from Tabarca (beginning of the 4th cent. A.D.) representing a country seat with park, stable, granary, sheds, and cellar. By the left side-wall are two Roman mosaics (A 7. Fishing; A 12. Head of Oceanus); A 19. Early-Christian relief with circus-scenes; old Christian *Sarcophagus Mosaics from Tabarca, mostly representing the deceased in the attitude of prayer, between two candles. The wall-presses contain Punic, Rhodian, Roman, and early-Christian lamps. By the back-wall are Roman pottery, and implements in bronze, ivory, and bone. Also a fine bust of Athena from Carthage.—Next comes—
Room VIII. In the centre, bronze armour of Campanian origin (end of 3rd cent. B.C.), found in a Punic tomb at Ksour-Essaf (p. [370]): *E 3. A silver-gilt patera (sacrificial bowl) from Bizerta, weighing nearly 24 lbs., with reliefs (contest of Apollo and Marsyas, sacrifice to Dionysus, Bacchic scene).—In the side-cases are gold trinkets and cut gems, mostly from Carthage. In the window-cases are Mauretanian, Roman, and Byzantine coins. Along the walls are Roman mosaics from Dougga and from *Chebba (A 292. Neptune and the Four Seasons; A 293. Orpheus among the animals); C 1115. The Graces and the Four Seasons (front of a fine marble sarcophagus).
Room IX. In the centre, A 287. The Procession of Bacchus, a large mosaic from El-Djem. Along the walls are Roman mosaics from El-Djem (A 288. Hare-hunt; A 289. Nine Muses; etc.), from Thina (Thænæ), from Susa (A 6. Boat with quaint representation of the water), and from Djorf Bou-Grara (A 301, A 301 bis. Wrestlers). In the corners, C 1026. Torso of a draped woman, perhaps a Victoria, in black marble; C 72. Head of Augustus; C 1027. Head of Hercules (all from El-Djem). In the press on the left, three leaden urns and six admirably preserved glass cinerary urns from the burial-ground of the Officiales at Carthage (p. [348]). In the press on the right, bronze utensils. In the wall-cases, leaden and bronze objects from Carthage and Hammam Darradji; also so-called ‘tabellæ defixionum’, rolls of lead with curses directed against enemies in the circus (found in tombs at Susa). Detached, C 16. Torso of a Bacchante from El-Djem.—We return to R. VI and thence, to the left, enter—
Room XI, formerly the concert-room, containing Roman mosaics. In the centre, A 166. Mosaic pavement from Medeïna, showing the different kinds of Roman trading vessels; also the heads of a river-god and of Oceanus. By the entrance-wall, A 171. Temple (containing statues of Apollo and Diana, and hunting scenes) from Carthage. By the wall opposite, A 162. A seriously damaged representation of a banquet (4th cent. A.D.) from Carthage.—The opposite—
Room XII was formerly the dining-room. The presses contain relics from Punic tombs (some of them imported, Egyptian, Greek, and Etruscan). In the two central cases, terracotta-masks (to avert evil spirits), which also were among the objects buried with the dead.—A door on the same (W.) side of R. VI as that to R. XII gives access to three rooms (XIV-XVI) containing objects discovered at the bottom of the sea near Mehdia (see p. [370]) in 1907–10.
Room XIV. A bronze *Hermes of Dionysus, in an archaic style, by Boëthus of Chalcedon (according to the inscription; 2nd cent. B.C.). On a shelf are remains of a large bronze capital with two female heads. In the glass-cases are two bronze lamps with the figure of a runner; numerous bronze statuettes, among others an Eros playing a lyre, two female dancers, a buffoon, Satyr, and actors; bronze utensils.
Room XV. In the centre, a bronze *Statue of a winged Eros (4½ ft. high). Along the walls, a leaden anchor; terracotta amphoræ, bars of lead with stamps in Latin, flour-mills; in the glass-case, a terracotta lamp with its wick still preserved.
Room XVI (marble objects). Large mixing bowls (‘crateræ’), adorned with Bacchic subjects; candelabra in the neo-Attic style; capitals; Greek inscriptions; busts and heads, among which should be noted, in the middle, a well-preserved Aphrodite; torsos and statuettes.
We return to R. VI and descend five steps into—
Room XIII, an octagonal *Domed Chamber (formerly the bey’s bedroom), with four side-rooms richly adorned with stucco and tiles (once occupied by his four favourite wives). In the centre, A 10. Roman mosaic from Bir-Chana, with the gods of the seven days of the week and the signs of the zodiac. In the right wing, *A 266. Roman mosaic from Susa, Virgil writing the Æneid. In the wing opposite the entrance, C 4. Torso of a Satyr pouring out wine (after Praxiteles). In the left wing, *C 969. Ceres, from Carthage, with traces of painting; also C 970, C 971. Two draped female statues.—In the corner-room on the right, without number, Large alabaster vase from Carthage with haut-relief (head of Bacchus with vine-wreath).—In the corner-room on the left are terracotta figurines from Susa.