The special characteristics of objects of the senses are allowed to drop away, in so far as they are unessential and merely circumstantial, and gradually there arises in the mind the type—the general form—of the object perceived. This general form is the object of memory. Memory deals therefore with what is general, and a type, rather than with what is directly recollected or perceived.

The activity by which the mind ascends from sense-perception to memory is the activity of attention. Here we have the appearance of the will in intellectual activity. Attention is the control of perception by means of the will. The senses shall no longer passively receive and report what is before them, but they shall choose some definite point of observation, and neglect all the rest.

Here, in the act of attention we find abstraction, and the greater attainment of freedom by the mind. The mind abstracts its view from the many things before it, and concentrates on one point.

Educators have for many ages noted that the habit of attention is the first step in intellectual education. With it we have found the point of separation between the animal intellect and the human. Not attention simply—like that with which the cat watches by the hole of a mouse—but attention which arrives at results of abstraction, is the distinguishing characteristic of educative beings.

Attention abstracts from some things before it and concentrates on others. Through attention grows the capacity to discriminate between the special, particular object and its general type. Generalization arises, but not what is usually called generalization—only a more elementary form of it. Memory, as the highest form of representation—distinguishing it from mere recollection, which reproduces only what has been perceived—such memory deals with the general forms of objects, their continuity in time. Such activity of memory, therefore, does not reproduce mere images, but only the concepts or general ideas of things, and therefore it belongs to the stage of mind that uses language.

V.

Language marks the arrival at the stage of thought—at the stage of the perception of universals—hence at the possibility of education; language fixes the general types which the productive memory forms; each one of these types, indicated by a word, stands for a possible infinite of sense-perceptions or recollections; the word tree stands for all the trees that exist, and for all that have existed or will exist. Animals do not create for themselves a new world of general types, but deal only with the first world of particular objects; hence they are lost in the variety and multiplicity of continuous succession and difference. Man's sense-perception is with memory; hence always a recognition of the object as not wholly new, but only as an example of what he is mostly familiar with. Intellectual education has for its object the cultivation of reflection; reflection is the Platonic "Reminiscence," which retraces the unconscious processes of thought

Language is the means of distinguishing between the brute and the human—between the animal soul, which has continuity only in the species (which pervades its being in the form of instinct), and the human, soul, which is immortal, and possessed of a capacity to be educated.

There is no language until the mind can perceive general types of existence; mere proper names nor mere exclamations or cries do not constitute language. All words that belong to language are significative—they "express" or "mean" something—hence they are conventional symbols, and not mere individual designations. Language arises only through common consent, and is not an invention of one individual. It is a product of individuals acting together as a community, and hence implies the ascent of the individual into the species. Unless an individual could ascend into the species he could not understand language. To know words and their meaning is an activity of divine significance; it denotes the formation of universals in the mind—the ascent above the here and now of the senses, and above the representation of mere images, to the activity which grasps together the general conception of objects, and thus reaches beyond what is transient and variable.