INDEX
eh = a as in face; ah = a as in far; ch = ch as in chair; final eh = e as in met.
A (ah), [95]
A battuta (ah-baht-too'-tah), [95]
A capella (cah-pel'-lah), [76]
A capriccio (cah-pritch'-eo), [54]
Accelerando (aht-cheh-leh-rahn'-do), [54]
Accented tones, [20]
Accent marks, [20]
Accent in measures, [44]
Acciaccatura (aht-cheea-cah-too'-ra), [25], [26]
Accidentals, [9]
Accompagnamento (ahc-com-pahn-yah-men'-to), [95]
Acoustics (ah-kow'-stics), def., [131]
of auditoriums, [133]
Adagietto (ah-dah-jee-et'-to), [50]
Adagio (ah-dah'-jee-o), [50]
À deux mains (doo-mahng), [42]
Ad libitum, [54]
Affrettando (ahf-fret-tahn'-do), [54]
Agitato (ah-jee-tah'-to), [55]
Agréments (ah-greh-mahng), [22]
À la or alla (ahl'-lah), [42]
Alla breve (breh'-veh), [95]
Alla marcia (mar'-chee-ah), [95]
Allargando (ahl-lahr-gahn'-do), [53]
Alla zingara (tseen-gah'-rah), [95]
Allegretto (ahl-leh-gret'-to), [51]
Allegrissimo, [52]
Allegro (ahl-leh'-gro), [50]
Allegro agitato (ah-jee-tah'-to), [52]
Allegro appassionata (-ah'-tah), [52]
Allegro assai (ahs-sah'-ee), [52]
Allegro commodo (kom-mo'-do), [52]
Allegro con brio (bree'-o), [52]
Allegro con fuoco (foo-o'-ko), [53]
Allegro con moto (mo'-to), [53]
Allegro con spirito (spee'-ree-to), [53]
Allegro di bravura (dee brah-voo'-rah), [53]
Allegro di molto (mohl'-to), [53]
Allegro furioso (foo-ree-o'-so), [53]
Allegro giusto (jew-sto), [53]
Allegro ma grazioso (mah grah-tsi-o'-so), [53]
Allegro (ma) non tanto (tahn'-to), [53]
Allegro (ma) non troppo (trop'-po), [53]
Allegro moderato (mod-e-rah'-to), [53]
Allegro quasi andante (quah-see ahn-dahn'-teh), [53]
Allegro vivace (vee-vah'-cheh), [53]
Allemande (al-mahnd), [71]
All'unisono (oo-nee-so'-no), [95]
All'ottava (ot-tah'-vah), [15]
Alt (ahlt), [95]
Alto (ahl-to), [95]
A mezza voce (met'-zah-vo'-cheh), [42]
Amore (ah-mo'-reh), [42], [59]
Andante (ahn-dahn'-teh), [50]
Andante affettuoso (ahf-fet-too-o'-so), [52]
Andante amabile (ah-mah'-bee-leh), [52]
Andante cantabile (cahn-tah'-bee-leh), [52]
Andante con moto (mo'-to), [52]
Andante grazioso (grah-tsi-o'-so), [52]
Andante maestoso (mah-es-to'-so), [52]
Andante (ma) non troppo (mah non trop'-po), [52]
Andante pastorale (pahs-to-rah'-leh), [52]
Andante quasi allegro (quah-see ahl-leh'-gro), [52]
Andante sostenuto (sos-teh-noo'-to), [52]
Animando (ah-nee-mahn'-do), [55]
Animato (ah-nee-mah'-to), [55]
Animato come sopra (co-meh so'-prah), [55]
Andantino (ahn-dahn-tee'-no), [50]
Antecedent, [67]
Anthem, [76]
Anticipation, [93]
Antiphony (an-tif'-o-ny), [95]
Antithesis (an-tith'-), [67]
A piacere (pee-ah-cheh'-reh), [54]
Appoggiatura (ap-pod-jea-too'-rah), def., [25]
À quatre mains (kahtr-mahng), [95]
Arabesque, [95]
Aria (ah'-ree-ah), [79]
Arioso (ah-ree-o'-so), [95]
Arpeggiando (ar-ped-jee-ahn'-do), [21]
Arpeggiato (-ah'-to), [21]
Arpeggiento (-en'-to), [21]
Arpeggio (ar-ped'-jee-o), [21]
Art-ballad, [80]
Assai (ahs-sah'-ee), [42]
A tempo, [54]
A tempo primo (pree'-mo), [54]
A tempo rubato (roo-bah'-to), [54]
Attacca (aht-tah'-kah), [95]
Attacca subito (soo'-bee-to), [95]
Attacca subito il seguente (eel seg-wen'-teh), [95]
Attack, [95]
Bagpipe, [95]
Ballad, [80]
Band, [115]
Bar, def. and use, [12]
double, [12]
Barcarole (bar'-cah-rohl), [95]
Baritone, [95]
Bass, [95]
Bass clarinet, [121]
Basso (bahs'-so), [95]
Bassoon, [121]
Bass staff, [6]
Bass tuba, [125]
Bass viol, [118]
Ben (behn), [42]
Ben marcato (mahr-kah'-to), [42]
Berceuse (behr-soos'), [95]
Binary form, [95]
Binary measure, [95]
Bis (bees), [96]
Bolero (bo-leh'-ro), [71]
Bourrée (boo-reh'), [71]
Brace, [96]
Brass instruments, [116]
Brillante (breel-ahn'-teh), [55]
Broken chord, [96]
Broken octave, [96]
Cacophony (kak-of'-o-ny), [96]
Cadence, [89]
Cadenza, [96]
Calando (kah-lahn'-do), [59]
Cancel, [3], [8]
Cantabile (kahn-tah'-bee-leh), [96]
Cantando (kakn-tahn'-do), [96]
Canto (kahn'-to), [96]
Cantus firmus, [64]
Canon, [64]
Cantata (kahn-tah'-tah), [77]
Carol, [96]
Catch, [96]
C clef [3], [6]
Cello (chel'-lo), [118]
Chaconne (shah-con'), [71]
Chamber music, [72]
Chanterelle (shong-tah-rel'), [117]
Chinese scale, [27]
Choral, [76]
Chords def. and lands, [87]
inversions of, [88]
common, [87]
seventh, [89]
dominant seventh, [92]
Chromatic, [96]
Chromatic scale, [38]
Clarinet, [121]
Classes of instruments in orchestra, [115]
Clavichord, [96]
Clefs, [3], [5]
Close position, [94]
Coda, [70]
Coi (co'-ee), [42]
Col, [42]
Colla, [42]
Colla parte (par'-teh), [96]
Colla voce (vo'-cheh), [96]
Colle, [42]
Collo, [42]
Coloratura singing, [79], [96]
Coll'ottava (ot-tah'-vah), [15]
Combination pedals, [115]
Come (koh'-meh), [42]
Come primo (pree'-mo), [42]
Common chords, [87]
Compound measure, [45]
Compound duple measure, [45]
Con, [42]
Con alcuna licenza (ahl-koo'-nah lee-chen'-tsah), [59]
Con amore (ah-mo'-reh), [42], [59]
Con anima (ah'-nee-mah), [55]
Con bravura (brah-voo'-rah), [59]
Con celerita (che-leh'-ree-tah), [59]
Concerto (con-cher'-to), [72]
Concert pitch, [138]
Con delicato (deh-lee-cah'-to), [59]
Con energico (en-er-jee'-ko), [59]
Con espressione (es-pres-see-o'-neh), [59]
Con forza (fort'-za), [60]
Con fuoco (foo-o'-ko), [60]
Con grand' espressione (grahnd' es-pres-see-o'-neh), [60]
Con grazia (grahts-yah), [60]
Con melinconia (or malinconia) (-leen-ko'-ne-eh), [60]
Con moto, [55]
Con passione (pas-se-o'-neh), [60]
Consequent, [67]
Consonance, [96]
Con spirito (spe'-ree-to), [60]
Con tenerezza (teh-neh-ret'-za), [60]
Continuous form, [80]
Contra, [42]
Contra bass tuba, [126]
Contra octave, [16]
Contralto, [96]
Con variazione (vah-ri-ah-tsi-o'-neh), [96]
Cornet, [124]
Counterpoint, def., [64], [62], [82]
Courante (koo-rahnt'), [71]
Crescendo (kre-shen'-do), [57]
Crescendo al fortissimo, [58]
Crescendo ed affrettando (ahf-fret-tahn'-do), [58]
Crescendo ed animando poco a poco (ah-ni-mahn'-do), [58]
Crescendo e diminuendo (eh de-me-noo-en'-do), [58]
Crescendo molto (mohl'-to), [58]
Crescendo poco a poco, [58]
Crescendo poco a poco sin al fine (seen ahl fee'-neh), [58]
Crescendo poi diminuendo (po'-ee dee-mee-noo-en'-do), [58]
Crescendo subito (soo'-bee-to), [58]
Cross-stroke, [1], [2]
Csardas (tsar'-dahs), [71]
Da (dah), [42]
Da capo (kah'-po), [13]
Dal segno (sehn'-yo), [13]
Dances, [71]
Dash over note, [17], [20]
Decrescendo (deh-kreh-shen'-do), [58]
Decrescendo al pianissimo (ahl pee-ahn-is'-si-mo), [58]
Degrees of staff, [5]
Delicato (deh-lee-kah'-to), [60]
Descriptive music, [74]
Di (dee), [42]
Diatonic condition, [7]
Diatonic scale, [28]
Di bravura (brah-voo'-rah), [42]
Diminuendo (dee-mee-noo-en'-do), [58]
Di molto (mohl'-to), [42]
Direct, [96]
Dirge, [97]
Discord, [97]
Dissonance (dis'), [97]
Divisi (di-ve'-ze), [97]
Dolce (dohl'-cheh), [60]
Dolce e cantabile (eh kahn-tah'-bee-leh), [60]
Dolcissimo (dohl-chis'-see-mo), [60]
Dolente (do-len'-teh), [60]
Dominant, [36]
Dominant Seventh, [92]
Doloroso (do-lo-ro'-so), [60]
Doppio (dop'-pee-o), [42]
Doppio movimento (mo-vi-men'-to), [55]
Dot—where placed, [3]
uses of, [17]
with slur or tie, [20]
with dash, [20]
Double bar, [12]
Double bass, [118]
Double bassoon, [121]
Double flat, [3], [7]
Double mordent, [23]
Double sharp, [3], [7]
Doublet, [20]
Duet, [97]
Duple measure, [46]
Dynamics, [56]
E (eh), [42]
École (eh'-kole), [97]
Ed, [42]
Eight-foot stop, [114]
Elements of music, [82]
Embellishments, [22]
English names for notes, [11]
English horn, [121]
Enharmonic, def., [10]
Enharmonic scale, [32]
Enharmonic tie, [18]
Ensemble (ong-sombl), [42]
Equal temperament, [137]
E poi la coda (eh-po'-ee), [14]
Espressivo (ehs-pres-see'-vo), [60]
Et, [42]
Etto, [42]
Etude, [97]
Euphony (yu'-fo-ny), [97]
Even measure, [46]
Facile (fah-chee'-leh), [97]
Fanfare (fahn'-fehr), [97]
Fantasia (fahn-tah-ze'-ah), [97]
F Clef, [3], [5], [6]
Fermata (fehr-mah'-ta), [14], [15]
Fiasco (fe-ahs'-ko), [97]
Figured bass, [89]
Fine (fee'-neh), [13]
Five-lined octave, [16]
Flat, [3], [7]
Flute, [119]
Folk-song, [81]
Form, def., [62]
binary, [95]
Forte (for'-teh), [56]
Forte piano (pee-ah'-no), [56]
Forte possibile (pos-see'-bee-leh), [43]
Fortissimo, [56]
Fortissimo possibile (pos-see-bee-leh), [56]
Fortisissimo, [56]
Forzando (for-tsahn'-do), [57]
Forzato (for-tsah'-to), [57]
Four-foot stop, [114]
Four-lined octave, [16]
Free imitation, [64]
French horn, [123]
French pitch designations, [6]
Fugue, [66]
Fundamental, [135]
Gamut (gam'-ut), [97]
Gavotte (gah-vot'), [71]
G Clef, [3], [5], [6]
General pause, [15]
German pitch designation, [6]
Gigue (zheeg), [71]
Giocoso (jee-o-ko'-so), [60]
Giojoso (jee-o-yo'-so), [60]
Glee, [81]
Glissando (glis-sahn'-do), [97]
Graces, [22]
Grandioso (grahn-dee-o'-so), [60]
Grand sonata, [74]
Grave (grah'-veh), [50]
Grazioso (grah-tsi-o'-so), [60]
Great octave, [16]
Great staff, [5]
Grosse pause (gros-seh pah-oo'-za) or (gros-seh pow-zeh), [15]
Gruppetto (groo-pet'-to), [22]
Habanera (hah-bah-neh'-rah), [71]
Half-step, [83]
Harmonic minor scale, [33]
Harmonics, [136]
Harmonics on violin, [117]
Harmony, [82]
Harp, [129]
Harpsichord, [97]
Head of note, [1]
Hold, [15]
Homophonic style, [63]
Hook, [1]
Humoresque (hoo-mo-resk'), [97]
Hymn to St. John, [37]
Idyl, [97]
Il (eel), [42]
Il basso (bahs'-so), [42]
Il più (pee'-oo), [42]
Il più forte possibile (pos-see'-bee-leh), [42]
Imitation, [64]
Imperfect trill, [23]
In alt (in ahlt), [97]
In altissimo (ahl-tis'-si-mo), [97]
[Ino] (ee'-no), [42]
Instrumentation, [97]
Instruments, classification of, [112]
Intensity of tones, [135]
Interlude, [97]
Intermediate tones, [38]
see "Chromatic," p. [96]
International pitch, [138]
Interval, def., [83]
enharmonic, [10]
harmonic, [83]
melodic, [83]
names of, [83]
Inversion, in thematic development, [69]
Inversions of chords, [88]
Inverted mordent, [23]
Inverted turn, [25]
Issimo, [42]
Kettle-drum, [126]
Key, def., [28]
signature, [8]
enharmonic keys, [10]
key-tone, [27], [28]
how different from scale, [28]
L, [42]
La (lah), [42]
Lacrimando (lah-kri-mahn'-do), [60]
Lacrimoso (lah-kri-mo'-so), [60]
Largamente (lar-gah-men'-teh), [42]
Largando (lar-gahn'-do), [53]
Larghetto (lar-get'-to), [50]
Largo, [50]
Largo assai (ahs-sah'-ee), [52]
Largo di molto (de mohl'-to), [52]
Largo ma non troppo (mah non trop'-po), [52]
Largo un poco (oon po'-co), [52]
Le (leh), [42]
Leading tone, [33], [36]
Legato (leh-gah'-to), [18], [60]
Leger lines, [5]
Leggierissimo (led-jah-ris'-si-mo), [60]
Leggiero (led-jee'-ro), [60]
Lentando (len-tahn'-do), [52]
Lentemente (len-tah-men'-teh), [52]
Lentissimamente (-men'-teh), [52]
Lentissamente (-men'-teh), [52]
Lento, [50]
Lento a capriccio (ah-cah-preet'-chee-o), [52]
Lento assai (ahs-sah'-ee), [52]
Lento di molto (de mohl'-to), [52]
Libretto (lee-bret'-to), [78]
Lied (leed), [80]
L'istesso tempo (lis-tes'-so), [42], [55]
Loco, [15], [97]
Long appoggiatura (ap-pod-jea-too'-rah), [25]
Lower tetrachord, [29]
Lunga pausa (loong-ah pow'-zeh) or (loon-gah pah-oo'-za), [15]
Lunga trillo, [97]
Lusingando (loos-in-gahn'-do), [60]
Lyric, [98]
Madrigal (mad'-ri-gal), [81]
Maesta (mah'-es-tah), [60]
Maestoso (mah-es-to'-so), [60]
Maggiore (mahd-jo'-reh), [98]
Main droite (mahng droa), [20]
Main gauche (mahng gowsh), [20]
Major key, [8]
Major scale, def., [29]
positions, [30]
origin of name, [33]
Mancando (mahn-kahn'-do), [59]
Mano destra (mah'-no dehs'-trah), [20]
Mano sinistra (si-nees'-trah), [20]
Marcato il canto (mar-kah'-to eel kahn'-to), [98]
Martellando (mar-tel-lahn'-do), [59]
Martellato (mar-tel-lah'-to), [59]
Marziale (mart-se-ah'-leh), [59]
Mass, [77]
Mazurka (mah-zoor'-ka), [71]
Measure, def., [44]
how differs from "bar," [12]
how differs from "rhythm," [44]
syncopation in, [44]
simple and compound, [45]
duple or even, [46]
triple or perfect, [46]
quadruple, [46]
sextuple, [46]
compound duple, [46]
signature, [48]
binary, [95]
Mediant, [36]
Mellifluous (mel-lif'-loo-us), [98]
Melodic minor scales, [34]
Melody, [82]
Melos (meh'-los), [98]
Meno (meh'-no), [42]
Meno mosso (mos'-so), [53]
Mente (men'-teh), [42]
Menuet (meh-noo-eh'), [98]
Menuetto (meh-noo-et'-to), [98]
Messa di voce (mes'-sa dee vo'-cheh), [21]
Mesto (mehs'-to), [60]
Metronome, [49]
Mezza (med'-zah), [42]
Mezzo (med'-zo), [42]
Mezzo forte (for'-teh), [42], [56]
Mezzo piano (pe-ah'-no), [56]
Mezzo soprano (so-prah'-no), [98]
Mezzo voce (vo'-cheh), [60]
Minor key, [8]
Minore (me-no'-reh), [98]
Minor scale, def., [33]
positions, [34]
Minuet, [71]
Misterioso (mis-teh-ri-o'-so), [60]
Moderato (mod-e-rah'-to), [51]
Modulation, def., [92]
enharmonic, [10]
Molto (mohl'-to), [42]
Molto crescendo (kre-shen'-do), [42]
Monophonic style, [63], [67]
Mordent, [22], [23]
Morendo (mo-ren'-do), [59]
Moriente (mo-ri-en'-teh), [59]
Motet (mo-tet'), [76]
Movable C Clef, [6]
Mute, [117]
Natural, [3], [8]
Natural condition of staff-degrees, [8]
Nel, [42]
Nel battere (baht-teh'-reh), [42]
Nella, [42]
Neumae (neoo'-mee), [104]
Nocturne, [98]
Non (non), [42]
Non tanto (tahn'-to), [42]
Non tanto allegro (ahl-leh'-gro), [53]
Non troppo allegro (trop'-po), [53]
Notation, history of music, [101]
Notes, def., [10]
kinds of, [11]
English names for, [11]
dotted, [17]
staccato, [17]
irregular note-groups, [19]
parts of, [1]
how made, [1]
Nuance (noo-angs), [98]
Obbligato (ob-blee-gah'-to), [98]
Oboe (o'-bo), [121]
Octave, def., [36]
Octaves, names of, [16]
Offertory, [98]
One-lined octave, [16]
Open position, [94]
Opera, [78]
Opus, [98]
Oratorio, [77]
Orchestra, [115]
Orchestration, [98]
Organ, reed, [113]
pipe, [114]
point, [98]
Original minor scale, [33]
Origin of scale, [28]
Ossia (os'-see-ah), [42], [98]
Ossia più facile (pe-oo' fah-chee'-leh), [42]
Overtones, [136]
Overture, [98]
Parlando (par-lahn'-do), [60]
Part song, [81]
Pastorale (pas-to-rah'-leh), [60]
Pedal point, [93]
Pentatonic scale, [27]
Per (pehr), [42]
Percussion instruments, [116]
Perdendo (pehr-den'-do), [59]
Perdendosi (pehr-den-do'-see), [59]
Perfect measure, [46]
Perfect trill, [23]
Per il violino (eel ve-o-le'-no), [42]
Period, [67]
Pesante (peh-sahn'-teh), [55]
Peu (peuh), [42]
Phrase, [67]
Phrase mark, [18]
Pianissimo (pee-ahn-is'-si-mo), [56]
Pianissimo possibile (pos-see'-bee'-leh), [56]
Pianisissimo (pee-ahn-is-is'-si-mo), [56]
Piano (pee-ah'-no), [56]
Piano assai (ahs-sah'-ee), [56]
Piano, description of, [112]
Piccolo (pik'-ko-lo), [119]
Pipe organ, [114]
Pitch, def., [134]
pitch names, [6]
standards of, [137]
concert pitch, [138]
international pitch, [138]
Più (pe-oo'), [42]
Più allegro (ahl-leh'-gro), [54]
Più forte (for'-teh), [42]
Più lento, [53]
Più mosso (mos'-so), [54]
Più tosto (tos'-to), [54]
Pizzicato (pits-e-kah'-to), [99], [117]
Pochetto (po-ket'-to), [see ino], [42]
Poco, [43]
Poco a poco animando (ah-nee-mahn'-do), [54]
Poi (po' ee), [42]
Polacca (po-lahk'-kah), [99]
Polka, [69]
Polonaise (pol-o-nez'), [71], [99]
Polyphonic style, [64]
Pomposo (pom-po'-so), [60]
Portamento (por'-tah-men'-to), [20]
Position, open and close, [94]
Possibile (pos-see'-bee-leh), [43]
Postlude, [99]
Prall trill, [22]
Precipitoso (preh-che-pi-to'-so), [60]
Prelude, [99]
Prestissimo (pres-tis'-see-mo), [51]
Prestissimo possibile (pos-see'-bee-leh), [51]
Presto, [51]
Presto assai (ahs-sah'-ee), [53]
Presto (ma) non troppo (mah non trop'-po), [53]
Prière (pre-ehr'), [99]
Primary forms, [68]
Primitive minor scale, [33]
Program music, [74]
Pure music, [74]
Pure scale, [40]
Quadruple measure, [46]
Quality, [136]
Quartet, [72]
Quasi (quah'-see), [43]
Quintole (kwin'-to-leh), [99]
Quintolet, [20]
Quintuplet, [20], [99]
Raised sixth, [34]
Rallentando (rahl-len-tahn'-do), [53]
Rapidamente (rah-pid-a-men'-teh), [55]
Rate of speed, of sound, [132]
Recitative (res-i-tah-teev'), [78]
Recitativo (reh-chee-ta-tee'-vo), [60]
Reed organ, [113]
Relative minor, [8], [35]
Religioso (reh-lee-jo'-so), [99]
Repetition and contrast, [62], [70]
Requiem (re'-kwi-em), [99]
Rests, def., [10]
rules for making, [2]
kinds of, [11]
peculiar use of, [11]
several measures of, [14]
Retardation, [93]
Rhapsody, [99]
Rhythm, def., [82]
element of music, [82]
how differs from "measure," [44]
correct use of word, [48]
Rhythmic augmentation, [69]
Rhythmic diminution, [69]
Rhythmic figures, [44]
Ribattuta (re-baht-too'-tah), [99]
Rigaudon (rig'-o-don), [71]
Rinforzando (rin-for-tsahn'-do), [57]
Rinforzato (rin-for-tsah'-to), [57]
Risoluto (ree-so-loo'-to), [60]
Ritardando (ree-tar-dahn'-do), [53]
Ritenente (ree-ten-en'-teh), [53]
Ritenuto (ree-ten-oo'-to), [53]
Ritornelle (ree-tor-nell'), [99]
Ritornello (ree-tor-nel'-lo), [99]
Rondo, [70], [71]
Rules:
For writing music, [1], [2]
For turning stems, [1], [2]
For altered staff degrees, [10]
For embellishments, [22]-26
For repeats, [13], [14]
For writing chromatic scale, [38]
Sans (sahng), [43]
Sans pedales (peh-da-leh), [43]
Sarabande (sar-ah-bahn'-deh), [71]
Sarrusophone (sar-reoos-o-fohn'), [123]
Saxhorn, p. [125] (footnote)
Saxophone, [121]
Scales, def., [27]
origin, [28]
how different from keys, [28]
positions of:
major, [30]
minor, [34]
chromatic, [38]
tones of, called, [5], [36], [37]
Chinese, [27]
Scotch, [27]
Scherzando (skehr-tsahn'-do), [60]
Scherzo (skehr'-tso), [71], [72]
Scherzoso (skehr-tzo'-so), [60]
School-round, [66]
Schottische (shot'-tish), [99]
Score, [99]
Scotch scale, [27]
Sec (sek), [99]
Secco (sek'-ko), [99]
Section, [67]
Segue (sehg'-weh), [14]
Semplice (sem-plee'-cheh), [60]
Sempre (sem'-preh), [43]
Sempre forte (for'-teh), [43]
Sempre lento malinconico assai (mah-leen-ko'-ni-ko ahs-sah'-ee), [55]
Sempre marcatissimo (mar-kah-tis'-si-mo), [60]
Sentimento (sen-tee-men'-to), [60]
Senza (sen-tza), [42]
Senza accompagnamento (ahc-com-pahn-yah-men'-toh), [42]
Senza repetizione (reh-peh-titz-e-o'-neh), [14], [99]
Senza replica (reh'-ple-kah), [99]
Septimole, [20]
Septolet, [20]
Sequence, [91]
Serenade, [99]
Serenata (seh-re-nah'-tah), [99]
Seventh chord, [89]
Sextet, [99]
Sextolet, [20]
Sextuple measure, [46]
Sextuplet, [20], [100]
Sforzando (sfortz-ahn'-do), [57]
Sforzato (sfortz-ah'-to), [57]
Shake, [22]
Sharp, [3], [7]
Short appoggiatura (ap-pod-jea-too-rah), [25]
Simile (see'-mee-leh), [14], [100]
Similiter (see-mil'-i-ter), [100]
Simple measure, [45]
Simple tone, [137]
Sin (seen), [43]
Sin al fine (ahl-fee'-neh), [14]
Sino (see'-no), [43]
Sixteen-foot stop, [114]
Sixty-four-foot stop, [114]
Slentando (slen-tahn'-do), [53]
Slur, [18]
Small octave, [16]
Smorzando (smor-tzahn'-do), [59]
Solenne (so-len'-neh), [59]
Solfège (sul-fezh'), [100]
Solfeggio (sol-fed'-jo), [100]
Solmization, [100]
Solo, [43]
Sonata (so-nah'-tah), [71]
Sonata allegro (ahl-leh'-gro), [73]
Sonata form, [73]
Sonatina (so-na-tee'-nah), [74]
Song form, [68]
Sopra (so'-prah), [100]
Soprano (so-prah'-no), [100]
Sordino (sor-dee'-no), [117]
Sostenuto (sos-teh-noo'-to), [100]
Sotto (sot'-to), [100]
Sotto voce (vo'-cheh), [59]
Sound, [App. C], [131]
Production of, [131]
Transmission of, [131]
Rate of travel of, [131]
Intensification of, [133]
Reflection of, [133]
Classification of, [133]
Spiritoso (spee-ree-to'-so), [60]
Staccatissimo (stahk-kah-tis'-si-mo), [17]
Staccato (stahk-kah'-to), [17], [20], [100]
Staff, [5]
Staff degrees, [5]
Standards of pitch, [137]
Stems, [1]
Step, half and whole, [83]
Strepitoso (streh-pee-to'-so), [61]
Stretto (stret'-to), [54]
Strict imitation, [64]
Stringed instruments, [115]
Stringendo (strin-jen'-do), [54]
Stroking notes, [2]
Strophe form (stro'-feh), [80]
Styles, kinds of, [63]
how differ from forms, [62]
Sub, [43]
Sub-dominant, [36]
Subject, [64]
Subito (soo-bee'-to), [100]
Sub-mediant, [36]
Sub-octave, [16]
Suite (sweet), [70]
Super-dominant, [36]
Super-tonic, [36]
Suspension, [92]
Swell-box, [114]
Syllables for sight-singing, [37]
Symphonic poem, [75]
Symphony, def., [73]
Syncopation, [44]
Tail of note, [1]
Takt pausa (tahkt pow'-zeh or pah-oo'-za), [11]
Tanto (tahn'-to), [43]
Tarantella (tah-rahn-tel'-lah), [71]
Tempered scales, [137]
Tempo, [48]-50
Tempo commodo (ko-mo'-do), [55]
Tempo di marcia (de mar'-chee-ah), [55]
Tempo di menuetto (meh-noo-et'-to), [55]
Tempo di valso (vahl'-so), [55]
Tempo giusto (jew-sto), [54]
Tempo ordinario (or-dee-nah'-ree-o), [55]
Tempo primo (pree'-mo), [54]
Tempo rubato (roo-bah'-to), [54]
Tenor, [100]
Tenuto (teh-noo'-to), [55], [100]
Terminology Reforms, [App. D], p. [139]
Tetrachords in scales, [29]
Thematic development, [69]
Theme, [69]
Theme and variations, [69]
Thesis, [67]
Thirty-two-foot stop, [114]
Thorough-bass, [89]
Three-lined octave, [16]
Through-composed form, [80]
Tie, [18]
Timbre (tambr), [82]
Time, wrong uses of word, [48]
Toccata (tok-kah'-tah), [100]
Tonality scale, [27], [28], [38]
Tone, how represented, [10]
ornamental tone, [22]
key-tone, [27]
of resolution, [93]
Tone-poem, [75]
Tonic, [36]
Tonic minor, [36]
Tranquillo (trahn-quil'-lo), [61]
Transposition, [94]
Tre (treh), [43]
Treble staff, [6]
Tre corde (kor'-deh), [43], [59]
Très (treh), [43]
Très lentement (lahng-te-mahng), [52]
Très vivement (ve'-veh-mahng), [42]
Triad, def., [87], [88]
Trill, [22]
Trio, [72]
Triple measure, [46]
Triplet, [19], [100]
Tristamente (tris-tah-men'-teh), [61]
Trombone, [125]
Troppo (trop'-po), [43]
Trumpet, [124]
Tuba, [125]
Turn, [24], [25]
Tutte le corde (toot'-teh leh kor'-deh), [59]
Tutti (toot'-tee), [100]
Two-foot stop, [114]
Two-lined octave, [16]
Un (oon), [43]
Una (oo'-nah), [43]
Una corda, [43], [59]
Uno (oo'-no), [43]
Un peu (oon peuh), [43]
Un peu crescendo (kre-shen'-do), [43]
Un poco animate (ah-ni-mah-'to), [54]
Untempered scale, [40]
Upper partials, [136]
Upper tetrachord, [29]
Veloce (veh-lo'-cheh), [55]
Viola (vee-o'-lah), [117]
Violin, [117]
Violoncello (vee-o-lohn-chel'-lo), [118]
Vivo (vee'-vo), [51]
Vivace (vee-vah'-cheh), [51]
Vivacissimo (vee-vah-chis'-see-mo), [51]
Vocal music, [76]
Volante (vo-lahn'-teh), [55]
Waltz, [68]
Whole-step, [83]
Whole-step scale, [28], [40]
Wood-wind instruments, [115]
FOOTNOTES
[1] It should be noted at the outset that this statement regarding the down-turned stem on the left side of the note-head, and also a number of similar principles here cited, refer more specifically to music as it appears on the printed page. In the case of hand-copied music the down-turned stem appears on the right side of the note, thus