“You knew I was on the train?” he asked.
“Oh, no, how should I?”
Then naturally followed question and answer.
Yes, he was going to Place-du-Bois.
No, the mill did not require his presence; it had been very well managed during his absence.
Yes, she had been to New Orleans. Had had a very agreeable visit. Beautiful weather for city dwellers. But such dryness. So disastrous to the planters.
Yes—quite likely there would be rain next month: there usually was in April. But indeed there was need of more than April showers for that stiff land—that strip along the bayou, if he remembered? Oh, he remembered quite well, but for all that he did not know what she was talking about. She did not know herself. Then they grew silent; not from any feeling of the absurdity of such speech between them, for each had but listened to the other’s voice. They became silently absorbed by the consciousness of each other’s nearness. She was looking at his hand that rested on his knee, and thinking it fuller than she remembered it before. She was aware of some change in him which she had not the opportunity to define; but this firmness and fullness of the hand was part of it. She looked up into his face then, to find the same change there, together with a new content. But what she noted beside was the dull scar on his forehead, coming out like a red letter when his eyes looked into her own. The sight of it was like a hurt. She had forgotten it might be there, telling its story of pain through the rest of his life.
“Thérèse,” Hosmer said finally, “won’t you look at me?”
She was looking from the window. She did not turn her head, but her hand went out and met his that was on the seat close beside her. He held it firmly; but soon with an impatient movement drew down the loose wristlet of her glove and clasped his fingers around her warm wrist.
“Thérèse,” he said again; but more unsteadily, “look at me.”