When the old man had looked long into the woman's imploring face, he made a courtly-bow.
"Madame," he said, "an old soldier, wounded on the field of Gettysburg, craves for himself and his two little children your kind hospitality."
[MA'AME PÉLAGIE.]
I.
When the war began, there stood on Côte Joyeuse an imposing mansion of red brick, shaped like the Pantheon. A grove of majestic live-oaks surrounded it.
Thirty years later, only the thick walls were standing, with the dull red brick showing here and there through a matted growth of clinging vines. The huge round pillars were intact; so to some extent was the stone flagging of hall and portico. There had been no home so stately along the whole stretch of Côte Joyeuse. Every one knew that, as they knew it had cost Philippe Valmet sixty thousand dollars to build, away back in 1840. No one was in danger of forgetting that fact, so long as his daughter Pélagie survived. She was a queenly, white-haired woman of fifty. "Ma'ame Pélagie," they called her, though she was unmarried, as was her sister Pauline, a child in Ma'ame Pélagie's eyes; a child of thirty-five. The two lived alone in a three-roomed cabin, almost within the shadow of the ruin. They lived for a dream, for Ma'ame Pélagie's dream, which was to rebuild the old home.
It would be pitiful to tell how their days were spent to accomplish this end; how the dollars had been saved for thirty years and the picayunes hoarded; and yet, not half enough gathered! But Ma'ame Pélagie felt sure of twenty years of life before her, and counted upon as many more for her sister. And what could not come to pass in twenty—in forty—years?
Often, of pleasant afternoons, the two would drink their black coffee, seated upon the stone-flagged portico whose canopy was the blue sky of Louisiana. They loved to sit there in the silence, with only each other and the sheeny, prying lizards for company, talking of the old times and planning for the new; while light breezes stirred the tattered vines high up among the columns, where owls nested.
"We can never hope to have all just as it was, Pauline," Ma'ame Pélagie would say; "perhaps the marble pillars of the salon will have to be replaced by wooden ones, and the crystal candelabra left out. Should you be willing, Pauline?"