"And so they should go down and see her, and so the Colonel should love his nurse and not forget his relations if they are old and poor!" cries Ethel, with a flush on her face, and tears starting in her eyes. "The Colonel went to her like a kind, dear, good brave uncle as he is. The very day I go to Newcome I'll go to see her." She caught a look of negation in her father's eye. "I will go—that is, if papa will give me leave," says Miss Ethel, adding simply, "if we had gone sooner there would not have been all this abuse of us in the papers." To which statement her worldly father and brother perforce agreeing, we may congratulate good old nurse Sarah upon adding to the list of her friends such a frank, open-hearted, high-spirited young woman as Miss Ethel Newcome.
In spite of the notoriety given him in the newspapers by his visit to Nurse Sarah, at his native place, he still remained in high favour with Sir Brian Newcome's family, where he paid almost daily visits, and was received with affection at least by the ladies and children of the house. Who was it that took the children to Astley's but Uncle Newcome? I saw him there in the midst of a cluster of these little people, all children together, the little girls, Sir Brian's daughters, holding each by a finger of his hands, young Masters Alfred and Edward clapping and hurrahing by his side; while Mr. Clive and Miss Ethel sat in the back of the box enjoying the scene, but with that decorum which belonged to their superior age and gravity. As for Clive, he was in these matters much older than the grizzled old warrior his father. It did one good to hear the Colonel's honest laughs at Clown's jokes, and to see the tenderness and simplicity with which he watched over this happy brood of young ones. How lavishly did he supply them with sweetmeats between the acts! There he sat in the midst of them, and ate an orange himself with perfect satisfaction, and was eager to supply any luxury longed for by his young companions.
The Colonel's organ of benevolence was so large that he would have liked to administer bounties to the young folks his nephews and nieces in Brianstone Square, as well as to their cousins in Park Lane; but Mrs. Newcome was a great deal too virtuous to admit of such spoiling of children. She took the poor gentleman to task for an attempt upon her boys when those lads came home for their holidays, and caused them ruefully to give back the shining gold sovereigns with which their uncle had thought to give them a treat. So the Colonel was obliged to confine his benevolence to that branch of the family where it was graciously accepted.
Meanwhile the Colonel had a new interest to absorb his attention. He had taken a new house at 120 Fitzroy Square in connection with that Indian friend of his, Mr. Binnie. The house being taken, there was fine amusement for Clive, Mr. Binnie, and the Colonel, in frequenting sales, in inspection of upholsterers' shops, and the purchase of furniture for the new mansion. There were three masters with four or five servants under them. Irons for the Colonel and his son, a smart boy with boots for Mr. Binnie; Mrs. Irons to cook and keep house, with a couple of maids under her. The Colonel himself was great at making hash mutton, hotpot, and curry. What cosy pipes did we not smoke in the dining-room, in the drawing-room, or where we would! What pleasant evenings did we not have together.
Clive had a tutor—Grindley of Corpus—with whom the young gentleman did not fatigue his brains very much, his great talent lying decidedly in drawing. He sketched the horses, he sketched the dogs, all the servants, from the bleer-eyed boot-boy to the rosy cheeked lass whom the housekeeper was always calling to come downstairs. He drew his father in all postures, and jolly little Mr. Binnie too. Young Ridley, known to his young companions as J.J., was his daily friend now, to the great joy of that young man, who considered Clive Newcome to be the most splendid, fortunate, beautiful, high-born and gifted youth in the world. What generous boy in his time has not worshipped somebody? Before the female enslaver makes her appearance, every lad has a friend of friends, a crony of cronies, to whom he writes immense letters in vacation, whom he cherishes in his hearts of hearts; whose sister he proposes to marry in after life; whose purse he shares; for whom he will take a thrashing if need be; who is his hero. Clive was John James's youthful divinity; when he wanted to draw Thaddeus of Warsaw, a Prince, Ivanhoe, or some one splendid and egregious, it was Clive he took for a model. His heart leapt when he saw the young fellow. He would walk cheerfully to Grey Friars with a letter or message for C. on the chance of seeing him and getting a kind word from him or a shake of the hand. The poor lad was known by the boys as Newcome's Punch. He was all but hunchback, long and lean in the arm; sallow, with a great forehead and waving black hair, and large melancholy eyes. But his genius for drawing was enormous, which fact Clive fully appreciated. Because of J. J.'s admiration for Clive it was his joy to be with Clive constantly; and after Grindley's classics and mathematics in the morning, the young men would attend Gandish's Drawing Academy, together.
"Oh," says Clive, if you talk to him now about those early days, "it was a jolly time! I do not believe there was any young fellow in London so happy."
Clive had many conversations with his father as to the profession which he should follow. As regarded mathematical and classical learning, the elder Newcome was forced to admit that out of every hundred boys there were fifty as clever as his own, and at least fifty more industrious; the army in time of peace Colonel Newcome thought a bad trade for a young fellow so fond of ease and pleasure as his son. His delight in the pencil was manifest to all. Were not his school books full of caricatures of the masters? While his tutor was lecturing him, did he not draw Grindley instinctively under his very nose? A painter Clive was determined to be, and nothing else; and Clive, being then some sixteen years of age, began to study art under the eminent Mr. Gandish of Soho.
It was that well-known portrait painter, Andrew Smee, Esq., R.A., who recommended Gandish to Colonel Newcome one day when the two gentleman met at dinner at Lady Ann Newcome's. Mr. Smee happened to examine some of Clive's drawings, which the young fellow had executed for his cousins. Clive found no better amusement than in making pictures for them and would cheerfully pass evening after evening in that direction. He had made a thousand sketches of Ethel before a year was over; a year every day of which seemed to increase the attractions of the fair young creature. Also, of course Clive drew Alfred and the nursery in general, Aunt Ann and the Blenheim spaniels, the majestic John bringing in the coal-scuttle, and all persons or objects in that establishment with which he was familiar.
"What a genius the lad has," the complimentary Mr. Smee averred; "what a
force and individuality there is in all his drawings! Look at his horses!
Capital, by Jove, capital! And Alfred on his pony, and Miss Ethel in her
Spanish hat, with her hair flowing in the wind! I must take this sketch,
I positively must now, and show it to Landseer."
And the courtly artist daintily enveloped the drawing in a sheet of paper, put it away in his hat, and vowed subsequently that the great painter had been delighted with the young man's performance. Smee was not only charmed with Clive's skill as an artist, but thought his head would be an admirable one to paint. Such a rich complexion, such fine turns in his hair! Such eyes! To see real blue eyes was so rare now-a-days! And the Colonel too, if the Colonel would but give him a few sittings, the grey uniform of the Bengal Cavalry, the silver lace, the little bit of red ribbon just to warm up the picture! It was seldom, Mr. Smee declared, that an artist could get such an opportunity for colour. But no cajoleries could induce the Colonel to sit to any artist save one. There hangs in Clive's room now, a head, painted at one sitting, of a man rather bald, with hair touched with grey, with a large moustache and a sweet mouth half smiling beneath it, and melancholy eyes. Clive shows that portrait of their grandfather to his children, and tells them that the whole world never saw a nobler gentleman.