The man stopped, but with an impatient frown, for as he himself afterward said in relating the story:
"I was much put out about a business matter, and was hastily crossing the corridor when Blanche called me, and I saw she had another girl in tow, a girl whose appearance in a theater was so droll I must have laughed had I not been more than a little cross. Her dress was quite short—she wore a pale-blue apron buttoned up the back, long braids tied at the ends with ribbons, and a brown straw hat, while she clutched desperately at the handle of the biggest umbrella I ever saw. Her eyes were distinctly blue and big with fright. Blanche gave her name, and said she wanted to go in the ballet. I instantly answered that she was too small—I wanted women, not children. Blanche was voluble, but the girl herself never spoke a single word. I glanced toward her and stopped. The hands that clutched the umbrella trembled—she raised her eyes and looked at me. I had noticed their blueness a moment before, now they were almost black, so swiftly had their pupils dilated, and slowly the tears rose in them. All the father in me shrank under the child's bitter disappointment; all the actor in me thrilled at the power of expression in the girl's face, and I hastily added:
"'Oh, well, you may come back in a day or two, and if any one appears meantime who is short enough to march with you, I'll take you on.' Not until I had reached my office did I remember that the girl had not spoken a single word, but had won an engagement—for I knew I should engage her—with a pair of tear-filled eyes."
As a result of his half-promise, three days later, the young person again presented herself at the theater, and was engaged for the term of two weeks to go on the stage in the marches and dances of a play called "The Seven Sisters," for which she was to receive the large sum of fifty cents a night. She, who was later to be known as one of the great emotional actresses of her day, whose name was to be on every lip where the finest in dramatic art was appreciated, had begun to mount the ladder toward fame and fortune.
Very curiously and cautiously she picked her way around the stage at first, looking at the scenes, so fine on one side, so bare and cheap on the other; at the tarletan "glass windows," at the green calico sea lying flat and waveless on the floor. At last she asked Blanche:
"Is everything only make-believe in a theater?"
And Blanche, with the indifference of her lackadaisical nature answered, "Yes, everything's make-believe, except salary day."
Then came the novice's first rehearsal, which included a Zouave drill to learn, as well as a couple of dances. She went through her part with keen relish and learned the drill so quickly that on the second day she sat watching the others, while they struggled to learn the movements. As she sat watching the star came along and angrily demanded, "Why are you not drilling with the rest?"
"The gentleman sent me out of the ranks, sir," she answered, "because he said I knew the manual and the drill."
The star refused to believe this and, catching up a rifle, he cried: "Here, take hold, and let's see how much you know. Now, then, shoulder arms!"